Gillis van Stralen, Antonie's father, was a textile merchant. The family originated in Weert but moved between 1584–1590 to Gorkum, presumably because of Alessandro Farnese, Duke of Parma's armies marching through the area.
We don't hear much from Anthonie Verstraelen, until 1635 when he married Catalijntje van Oosten from Antwerp. The location of the wedding is unknown. The couple went to live in Oude Spiegelstraat, near Singel. In Amsterdam Antonie got into a dispute with the Sint Lucasgilde, for its laxness in allowing in too many non-citizen painters.
In 1641 he was buried in the Westerkerk. In 1644 his two children inherited two hundred guilder each from the sale of their father's paintings. The paintings must have been sold very cheap. His widow remarried their guardian Emmanuel Jacobszoon van Hoogerheijm, an unknown Leiden 'fijnschilder'. Three months later their first son became born, Jacob van Hogerheijm, who also became a forgotten painter.
Hendrick Avercamp was a Dutch painter during the Dutch Golden Age of painting. He was one of the earliest landscape painters of the 17th-century Dutch school, he specialized in painting the Netherlands in winter. His paintings are colorful and lively, with carefully crafted images of the people in the landscape. His works give a vivid depiction of sport and leisure in the Netherlands in the beginning of the 17th century. Many of Avercamp's paintings feature people ice skating on frozen lakes.
Gorinchem, also spelled Gorkum, is a city and municipality in the western Netherlands, in the province of South Holland. The municipality covers an area of 21.93 km2 (8.47 sq mi) of which 3.10 km2 (1.20 sq mi) is water. It had a population of 37,410 in 2021.
Anthonie Heinsius was a Dutch statesman who served as Grand Pensionary of Holland from 1689 to his death in 1720.
Michiel Janszoon van Mierevelt, often abbreviated as Michiel Jansz. and the surname also spelled Miereveld or Miereveldt, was a Dutch painter and draftsman of the Dutch Golden Age.
Ferdinand Bol was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.
Egbert van Heemskerck, or Egbert Jaspersz van Heemskerk (1634–1704) was a Haarlem Dutch Golden Age painter of genre works who died in London in 1704. He is often confused with another genre painter also called Egbert van Heemskerk III who lived c. 1676 – 1744.
Salomon (de) Koninck was a Dutch painter of genre scenes and portraits, and an engraver.
Gijsbrecht Leytens, formerly known as Meester van de Winterlandschappen or Master of the Winter Landscapes, was a Flemish painter who specialized in landscapes and in particular winter landscapes.
Jan Jansz Wijnants was a Dutch Golden Age painter.
Jan Abrahamsz Beerstraaten or Johannes was a Dutch painter of marine art, particularly of events of the First Anglo-Dutch War and Dutch-Swedish War. Van Beerstraten depicted ports (Civitavecchia) and cityscapes of Amsterdam, as well as many cities and villages in the Netherlands. He captured castles, churches and other buildings that no longer exist.
Wouter Pietersz. Crabeth II was a Dutch Golden Age painter.
Ludolf de Jongh or Ludolf Leendertsz. de Jongh was a Dutch painter, known for his genre scenes, hunting scenes, history paintings, landscapes, cityscapes and portraits. He was further a merchant, an officer in the civil guard of Rotterdam and a schout (sheriff) of Hillegersberg. He was in the 1650s the leading genre painter in Rotterdam whose work influenced artists such as Pieter de Hooch. He was active as a staffage painter and added the figures in the works of artists such as the church interior painter Anthonie de Lorme and the landscape painter Joris van der Haagen.
Antonie Waterloo was a Dutch Golden Age landscape painter.
Anthonie Palamedesz., also Antonie Palamedesz, birth name Antonius Stevens, was a Dutch portrait and genre painter. He is in particular known for his merry company paintings depicting elegant figures engaged in play, music and conversation as well as guardroom scenes showing soldiers in guardrooms. Like many Dutch painters of his time, he painted portraits and still lifes, including vanitas still lifes. He further painted the staffage in a few views of the interior of churches. He played a major role in the development of genre painting in Delft in the mid 17th century.
Anthonie is a Dutch and masculine given name transliterated from Antonius in use in the Netherlands, Greenland, Suriname, Republic of Karelia, South Africa, Namibia, Belgium and Indonesia. The same spelling is a Norwegian feminine given name that is an alternate name to Antonie in use in Norway. The spellings Antonie and Anthonij were basically interchangeable in Dutch until the 19th century. Notable people with the name include:
Anthonie de Lorme was a painter known for his depictions of interiors of existing or imaginary churches. Born in the Spanish Netherlands, he spent his entire career in the Dutch Republic. He regularly collaborated with Anthonie Palamedesz. and Ludolf de Jongh who painted the staffage in his interior scenes.
Jan Martszen de Jonge, was a Dutch Golden Age landscape painter.
Anthonie Waldorp, or Antoine de Saaijer Waldorp was a Dutch painter and a forerunner of the Hague School.
Wouter Johannes van Troostwijk was a Dutch painter and etcher. Most of his works are landscapes or cityscapes.
Jan Anthonie Coxie or Anthonie Coxie was a Flemish painter and draughtsman mainly known for his portrait and history paintings. After starting his career in Flanders he moved abroad and worked in Amsterdam, Berlin, Mainz and Milan where he worked for an elite clientele.
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