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Anthony McCall: The Solid Light Films and Related Works is a nonfiction book on avant-garde artist Anthony McCall and his work in cinema. The book was edited by Christopher Eamon with contributions by Branden W. Joseph and Jonathan Walley and was published in 2005 by Northwestern University Press, in association with the New Art Trust in San Francisco, California. [1]
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Anthony Evan Hecht was an American poet. His work combined a deep interest in form with a passionate desire to confront the horrors of 20th century history, with the Second World War, in which he fought, and the Holocaust being recurrent themes in his work.
Ashley Wood is Australian comic book artist and award-winning illustrator known for his cover art, concept design and his work as an art director. Wood initially worked in both the UK and international comic book industries, working on characters such as the British character Judge Dredd, before breaking into the US market, where he worked for such companies as Marvel Comics and DC Comics. Wood later worked for Image, creating graphic novels and cover art for the various Spawn properties of Todd McFarlane, and projects with IDW Publishing.
Paracinema is an academic term to refer to a wide variety of film genres out of the mainstream, bearing the same relationship to 'legitimate' film as paraliterature like comic books and pulp fiction bears to literature.
Visual music, sometimes called colour music, refers to the creation of a visual analogue to musical form by adapting musical structures for visual composition, which can also include silent films or silent Lumia work. It also refers to methods or devices which can translate sounds or music into a related visual presentation. An expanded definition may include the translation of music to painting; this was the original definition of the term, as coined by Roger Fry in 1912 to describe the work of Wassily Kandinsky. There are a variety of definitions of visual music, particularly as the field continues to expand. In some recent writing, usually in the fine art world, visual music is often confused with or defined as synaesthesia, though historically this has never been a definition of visual music. Visual music has also been defined as a form of intermedia.
The Dictionary of British Sculptors 1660–1851 is a biographical dictionary of sculptors active in Britain in the period between the Restoration of Charles II and the Great Exhibition of 1851. It has appeared in three editions, published in 1953, 1968, and 2009 respectively: the 2009 edition adopts the amended title, A Biographical Dictionary of Sculptors in Britain 1660–1851. The first two editions were researched and written by Rupert Forbes Gunnis, and were often known simply as Gunnis. The third edition was edited by Ingrid Roscoe. The book is a major scholarly work, which rapidly established itself as a standard authority on British sculptors and sculpture.
Anthony McCall is a British-born New York based artist known for his ‘solid-light’ installations, a series that he began in 1973 with "Line Describing a Cone," in which a volumetric form composed of projected light slowly evolves in three-dimensional space.
Branden Wayne Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art in the department of Art History and Archaeology at Columbia University. Prior to coming to Columbia in the fall of 2006, Joseph taught at the University of California, Irvine. He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde, contributing author to Anthony McCall: The Solid Light Films and Related Works and an editor of the journal Grey Room, a multi-disciplinary journal of architecture, art, media and politics. He has published books about Robert Rauschenberg, Andy Warhol, John Cage, Diane Arbus, Buckminster Fuller, Robert Morris, Pat O'Neill, and Anthony McCall. He has a Ph.D. from Harvard University.
Neuroarthistory is a term coined by Professor John Onians, an art historian at the University of East Anglia in 2005. Neuroarthistory is an approach that concerns the neurological study of artists, both living and dead.
McFarland & Company, Inc. is an American independent book publisher based in Jefferson, North Carolina, that specializes in academic and reference works, as well as general interest adult nonfiction. Its president is Rhonda Herman. Its former president and current editor-in-chief is Robert Franklin, who founded the company in 1979. McFarland employs a staff of about 50, and as of 2019 has published 7,800 titles. McFarland's initial print runs average 600 copies per book.
Line Describing a Cone is a film produced in 1973 by artist Anthony McCall as part of his "solid light" film series. McCall's reduction of film to the essential properties of the medium resembles the work of other radical artists of his time, and has inspired various projects by artists such as Stan Douglas, Richard Serra, and Gordon Matta-Clark.
Jennifer L. Roberts is an American art historian. She serves as Elizabeth Cary Agassiz Professor of the Humanities and Johnson-Kulukunkdis Family Faculty Director of the Arts at the Radcliffe Institute for Advanced Study at Harvard University. Her research and teaching focuses on American art from the colonial period to the present.
James Putnam is an independent curator and writer best known for his creative, innovative approach to curating and juxtaposing contemporary art with historic museum collections.
Rosemary Betterton is a feminist art historian who is recognized for her work in the field of Contemporary Art, particularly her inquiries into women's art practices.
Henriette Huldisch is a German-born American curator of contemporary art. She is currently the Chief Curator and Director of Curatorial Affairs at the Walker Art Center in Minneapolis, Minnesota. Prior to that, she was the Director of Exhibitions at the MIT List Visual Arts Center in Boston, Massachusetts.
Achva Benzinberg Stein is a landscape architect, a founding principal of the landscape architecture and design firm Benzinberg Stein Associates. She is also the founding director of the Graduate Program in Landscape Architecture at City College of New York Spitzer School of Architecture.
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Seated Peasant is a late 19th-century painting by Paul Cézanne. Done in oil on canvas, the work depicts a seated peasant, likely a worker at Jas de Bouffan, Cézanne's family estate in Aix-en-Provence. The painting's age is unknown but credibly dated between 1892 and 1896. It is currently in the collection of the Metropolitan Museum of Art.
Linda Dalrymple Henderson is a historian of art whose research involves the connections between modern art, science and technology, and the occult. She is the David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin.
Amanda Simpson FSA, is a British medievalist, author, editor, librarian and art historian. Photographs attributed to her appear in the collection of the Conway Library at the Courtauld Institute of Art, where she worked as Conway Librarian in the 1970s while completing her studies. She completed her PhD at the Courtauld Institute in 1978 on the subject of 14th-century English and Bohemian painting. She became a Fellow of the Society of Antiquaries of London on 5 May 1990.
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