Type | Private |
---|---|
Industry | Motion pictures, Documentary |
Founded | Brisbane, Australia (2010) |
Headquarters | Brisbane, Australia |
Key people | Gil Scrine |
Website | antidotefilms.com.au |
Antidote Films is a Brisbane-based independent film distributor, formerly known as Gil Scrine Films, specialising in arthouse films and social documentaries. Established in 1973 as a vehicle for distributing the documentaries of Gil Scrine, today the company is the Australian distributor for award winning films from all over the world.
Faced with limited distribution options for his political documentary The Bad Society (1973) profiling the late Jim Cairns, producer Gil Scrine decided to distribute the film himself. He created Gil Scrine Films as the commercial entity to represent the film. The company continued to serve as theatrical representation for Scrine’s documentaries over the next decade; Home On The Range (1982), Buried Alive: The Story of East Timor (1989), Strangers In Paradise (1989), and A Thousand Miles From Care (1991).
In 1992 the Canadian producers of Manufacturing Consent: Noam Chomsky and the Media – an independent documentary in which noted sociologist and political dissident Noam Chomsky highlighted the deployment of propaganda by the corporations and the government of America – approached Gil Scrine Films for permission to use footage from Buried Alive. Being a small budget documentary the filmmakers were unable to pay royalties for the footage, instead striking a deal granting Gil Scrine Films exclusive Australian distribution rights for Manufacturing Consent.
The film was a success both at the box office and on home video and marked a turning point for Gil Scrine Films. The company shifted focus to acquiring the rights to local and overseas productions that had been overlooked by the mainstream distributors. No longer serving only to distribute Scrine’s own locally made documentaries, the company became a successful distribution company in the Australian market.
Since then the company has adapted to changing technologies and an unpredictable market, including the 2005 closure of two independent cinemas in Sydney that threatened the niche film market. Institutions of alternative and arthouse cinema, The Valhalla in Glebe remains empty while The Chauvel cinema in Paddington was given a lifeline and has managed to stay afloat. [1] While the struggles of the exhibitors “changed the landscape dramatically”, [1] Gil Scrine Films has managed to remain a relevant player in the Australian film industry.
While particularly focused on social action and politically motivated documentaries such as McLibel (1998), The Corporation (2003), and A Crude Awakening (2006), the company also represents provocative fiction titles including Dinner Rush (2000), Head On (2004), and Sophie Scholl: Final Days (2005). The directive of the company remains to allow audiences access to films that are “too small or difficult or simply lost in the mad rush for the ‘new’.” [2]
In 2010 Gil Scrine Films formally became known as Antidote Films, ending out the year as a recipient of Screen Australia’s Innovative Distribution program [3] with their proposal for VOD platform for education and library called Beamafilm.
Antidote Films distributes a range of documentaries and feature films including:
Manufacturing Consent: Noam Chomsky and the Media is a 1992 documentary film that explores the political life and ideas of linguist, intellectual, and political activist Noam Chomsky. Canadian filmmakers Mark Achbar and Peter Wintonick expand the analysis of political economy and mass media presented in Manufacturing Consent, a 1988 book Chomsky wrote with Edward S. Herman.
Manufacturing Consent: The Political Economy of the Mass Media is a 1988 book by Edward S. Herman and Noam Chomsky. It argues that the mass communication media of the U.S. "are effective and powerful ideological institutions that carry out a system-supportive propaganda function, by reliance on market forces, internalized assumptions, and self-censorship, and without overt coercion", by means of the propaganda model of communication. The title refers to consent of the governed, and derives from the phrase "the manufacture of consent" used by Walter Lippmann in Public Opinion (1922). The book was honored with the Orwell Award.
The Corporation is a 2003 Canadian documentary film written by University of British Columbia law professor Joel Bakan and filmmaker Harold Crooks, and directed by Mark Achbar and Jennifer Abbott. The documentary examines the modern corporation. Bakan wrote the book The Corporation: The Pathological Pursuit of Profit and Power during the filming of the documentary.
Mark Achbar is a Canadian filmmaker, best known for The Corporation (2003), Manufacturing Consent: Noam Chomsky and the Media (1994), and as an Executive Producer on over a dozen feature documentaries.
StudioCanal S.A.S. is a French film production and distribution company that owns the third-largest film library in the world. The company is a unit of the Canal+ Group, owned by Vivendi.
Peter Kenneth Wintonick was a Canadian independent documentary filmmaker based in Montreal. A winner of the 2006 Governor General's Award in Visual and Media Arts, former Thinker in Residence for the Premier of South Australia, prolific award-winning filmmaker, he was one of Canada's best known international documentarians.
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Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power is a book by political activist and linguist Noam Chomsky. It was created and edited by Peter Hutchinson, Kelly Nyks, and Jared P. Scott. It lays out Chomsky's analysis of neoliberalism. It focuses on the concentration of wealth and power in United States over the past forty years, analyzing the income inequality. The book was published by Seven Stories Press in 2017.
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