Antonio Boselli (born circa 1470 - 1480 and died 1527 - 1532) was an Italian painter of the Renaissance period, active mainly in Bergamo.
Antonio Boselli (born circa 1470 - 1480 and died 1527 - 1532) was an Italian painter of the Renaissance period, active mainly in Bergamo.
He was born in San Giovanni Bianco in the Val Brembana, and painted from 1495 to 1527, in a style more reminiscent of the Quattrocento. In Bergamo, he painted the Saints Peter, Paul, and Luke for the church of San Cristoforo. He also painted a Virgin, St Peter, and Magdalen (1495) in a church in Ponteranica. he painted in Romacolo and Zogno. He painted for the church of San Cristoforo, Seriate. [1]
Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Giovanni Battista Moroni was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy.
Andrea Solari (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.
Girolamo Romani (Romanino) was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles.
Antonio Balestra was an Italian painter of the Rococo period.
Giovanni Paolo Cavagna was an Italian painter of the late-Renaissance period, active mainly in Bergamo and Brescia.
Ercole Grandi was an Italian painter of the early-Renaissance period, active mainly in Ferrara. Also known as Ercole da Ferrara and Ercole di Giulio Cesare Grandi, he has been claimed to be a favourite pupil of the painter Lorenzo Costa. Ercole Grandi first appeared in the historical record as being in the service of the house of Este in 1489. Between 1489 and 1495, Ercole Grandi seems to have been working in Bologna, both in San Petronio and in the Cappella Bentivoglio of San Giacomo Maggiore, as an assistant to Lorenzo Costa. In 1495, he was in Ferrara as the chief architect for realising Duke Ercole's plans to embellish the city and renovate the churches; the facade and interior of Santa Maria in Vado were executed from his design. He worked with Ludovico Mazzolino and others on the decoration of the Castello, and painted in the apartments of Lucretia Borgia. Also in Ferrara, he painted the frescoes for the church of San Pietro Martire, although some frescoes are preserved. One problem in assigning attribution to the hand of Ercole Grandi is that none of his works is signed or dated, or accompanied by supporting documents, but he is thought by some scholars to have painted—in the manner of Mantegna—or had a hand in, the decorative frescoed ceiling in the Sala del Tesoro of the Palazzo Costabili in Ferrara between 1503 and 1506. Other scholars attribute the work to Benvenuto Tisi da Garofalo. Confusingly, the identity of Ercole Grandi is sometimes conflated with Garofalo, and an Ercole da Bologna, and with that of Ercole di Antonio Roberti or Ercole de' Roberti, who was first documented as being in Ferrara in 1479, and was author of the great frescoes of the Garganelli chapel in Bologna. Most of Ercole Grandi's works have been reattributed to other Ferrarese painters, such as Giovan Francesco Maineri and Lorenzo Costa, while other scholars insist that Ercole Grandi is a mythical character.
Francesco Rizzo da Santacroce, also known as simply Francesco da Santacroce or Francesco di Bernardo de' Vecchi Da Santa Croce was an Italian painter of the Renaissance period, active mainly in Bergamo and Venice.
The decade of the 1490s in art involved some significant events.
The decade of the 1460s in art involved some significant events.
The decade of the 1450s in art involved many significant events, especially in sculpture.
The decade of the 1440s in art involved some significant events.
Cristoforo Caselli, also known as Da Palma or il Temporello or Cristofaro Castelli, was an Italian painter of the Renaissance period.
Bartolommeo Bonone, also called Bartolomeo Bernardi, was an Italian painter of the Renaissance period.
Giovanni Donato da Montorfano was an Italian painter of the Renaissance who was born, lived, and worked in Milan.
Cristoforo Moretti was a Lombard painter of the quattrocento who worked in a late International Gothic style very similar to that of Michelino da Besozzo’s last period. Few of the unsigned works later attributed to him are attributed with perfect certainty.
Olivuccio Ceccarello di Ciccarello was an Italian painter. Little is known of his life. He was a native of Camerino and was active from 1388 until his death. In 2002 works formerly attributed to an obscure painter named Carlo da Camerino were re-attributed to Olivuccio di Ciccarello as it had become clear Carlo da Camerino had never existed.
Giovanni Ambrogio Bevilacqua, also known as il Liberale Bevilacqua was an Italian painter active in Lombardy in a late-medieval or early Renaissance style. He was a pupil of Vincenzo Foppa of Milan.
Gottardo Scotti was an Italian painter of the Renaissance period.
Domenico Ghislandi was an Italian painter, mainly active in Bergamo as a quadratura painter during the Baroque period.
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