Any God Will Do is the sixth book by the American satirist and political novelist Richard Condon, first published by Random House in 1966. After the almost unmitigated grimness of his previous book, An Infinity of Mirrors, it was a return to his more usual light-heartedness as displayed in works such A Talent for Loving. Although its theme is madness, unusually for Condon it has little of the almost gratuitous scenes of violence and sudden deaths that punctuate most of his books. The only notable instance is that of a haughty French sommelier who shoots himself at an aristocratic dinner party when he discovers that an American guest is indeed correct in asserting a great white Burgundy can accompany young spring lamb.
The story, which takes place from 1918 to 1922 in New York City, Switzerland, and London, is simple and straightforward by Condon's standards. Francis Vollmer, an orphan of unknown parentage, is raised by a wealthy New York banker and develops an overwhelming obsession with the notion that he is the offspring of noble parentage, possibly even an illicit union of Kaiser Wilhelm and Queen Mary. Flitting in and out of overt madness, he spends the course of the book trying to determine his parentage. Except for The Manchurian Candidate , all of Condon's previous books had displayed a robust interest in food, menus, and gourmandizing; here that interest is carried to its highest level yet: Vollmer teaches himself to become a French chef of a professional level, and much of the book is concerned with the delights of the table. [1]
Time magazine was distinctly lukewarm about the book:
While there is meticulous method in [the protagonist's] madness, there is not nearly enough madness in the narrative methods of Richard Condon (The Manchurian Candidate). What the author intends is a black comedy on the peril of an obsessive delusion; what he achieves is a hybrid between bedroom-comedy pink and olive-drab boredom....
Despite clever barbs and lucent epigrams ("Respect is the only successful aphrodisiac"), Any God Will Do is not as acidly funny as it keeps promising to be. In the past, Condon cultists have been treated to comic narrative leaps performed with the agility of a Macedonian goat, and to sly surrealistic glimpses into the lives of Oedipal wrecks and decent drudges who turn up naked at the Last Judgment. But in this book much of the elan is gone; it sometimes appears as if Condon is padding to keep from plotting. Besides, he seems to hold his nose in the presence of his desperate snob, and an author's distaste for his own hero can taint a reader's pleasure. [2]
Kurt Vonnegut, who in 1966 had not yet reached international acclaim and was far less known than Condon, was more favorably disposed about it in the New York Times:
The sixth novel by Richard Condon, an American, of course, seems very middle-European to me. I hear echoes of Friedrich Durrenmatt, Max Frisch, und so weiter-- and the theme, I take it, is the loss of identity by modern man. I might as well add the name of Thomas Mann, since a lot of the action takes place in a Swiss sanitarium, and since this is such a serious book (or have I been had again?) It is serious despite a plot rigged along the lines of low comedy. What could be more middle-European than that?
The best parts of the book are its celebrations of food....The poorest parts of the book are its characters. The leading man, as has been said, is hollow and is supposed to be hollow, and the supported players who put junk into him or take it out are cartoons....The book is an honorable failure-- a failure because it is boring, despite many game and clever efforts of the author's part to bring it to life. It is honorable because it has tried to say some big things without a trace of meretriciousness. Condon has not solved a technical problem which may well be insoluble: how to write interestingly about a man who is truly empty. [3]
Eight years later Christopher Lehmann-Haupt, the regular book reviewer of the Times, began a long review of Condon's latest novel with a backward look at Any God Will Do:
I gave up bothering with Richard Condon's books about five novels ago when in Any God Will Do he led me all the way through his snobbish hero's search for royal forebears, only to reveal at the end that said hero was actually the offspring of dwarfs. It seemed to me that Mr. Condon was making his point through overkill, just as he had one in his previous novel, An Infinity of Mirrors, a one-dimensional attempt to exploit our revulsion with Nazism. The verve and cleverness that produced The Manchurian Candidate seemed drained. [4]
Lehmann-Haupt went on to give a favorable review to Winter Kills .
The title, as is the case in six of Condon's first seven books, is derived from the last line of a typical bit of Condonian doggerel that supposedly comes from a fictitious Keener's Manual mentioned in many of his earlier novels:
The verse is found in only one place, as an epigraph on a blank page four pages after the title page and two pages before the beginning of the text. [5] Unlike some of Condon's other books, however, in which the verse is clearly relevant to the theme of the book, this particular title, Any God Will Do, has no apparent relevance to what happens in the course of the novel.
The theme of the book is stated succinctly by the unfortunate female lover of Francis Vollmer: "He went mad because of snobbism." [6]
"He had been a poor orphan boy. Without knowing it, he revealed that every time he told me that he had been a rich orphan boy. He has convinced himself that he is really the son a great and noble family. First he had to prove to himself that he was a better man than he thought he was; then he had to prove to everyone else that he was better than them because of the accident of his exalted birth. But he had invented all of it, it never had happened, and he drove himself quite mad." [6]
The novel offers several fine examples of the traits and stylistic tricks that are typical of Condon's work, among them, as the playwright George Axelrod once put it, "the madness of his similies, the lunacy of his metaphors". In a book in which the principal theme is social climbing, and the setting is Switzerland, we have:
She...took Francis in her arms, and began to ascend the north face of one of the highest orgasms she had ever climbed. On reaching the summit, she greatly cheered a young watercolorist painting in the garrett directly above them by celebrating the victorious ascent with outcries as exultant as those of a Cunard liner. [7]
Richard Thomas Condon was an American political novelist. Though his works were satire, they were generally transformed into thrillers or semi-thrillers in other media, such as cinema. All 26 books were written in distinctive Condon style, which combined a fast pace, outrage, and frequent humor while focusing almost obsessively on monetary greed and political corruption. Condon himself once said: "Every book I've ever written has been about abuse of power. I feel very strongly about that. I'd like people to know how deeply their politicians wrong them." Condon's books were occasionally bestsellers, and a number of his books were made into films; he is primarily remembered for his 1959 The Manchurian Candidate and, many years later, a series of four novels about a family of New York gangsters named Prizzi.
Leslie Aaron Fiedler was an American literary critic, known for his interest in mythography and his championing of genre fiction. His work incorporates the application of psychological theories to American literature. Fiedler's best known work is the book Love and Death in the American Novel (1960). A retrospective article on Leslie Fiedler in the New York Times Book Review in 1965 referred to Love and Death in the American Novel as "one of the great, essential books on the American imagination ... an accepted major work." This work views in depth both American literature and character from the time of the American Revolution to the present. From it, there emerges Fiedler's once scandalous—now increasingly accepted—judgement that American literature is incapable of dealing with adult sexuality and is pathologically obsessed with death.
Our great novelists, though experts on indignity and assault, on loneliness and terror, tend to avoid treating the passionate encounter of a man and a woman, which we expect at the center of a novel. Indeed, they rather shy away from permitting in their fictions the presence of any full-fledged, mature women, giving us instead monsters of virtue or bitchery, symbols of the rejection or fear of sexuality.
Christopher Lehmann-Haupt was an American journalist, editor of the New York Times Book Review, critic, and novelist, based in New York City. He served as senior Daily Book Reviewer from 1969 to 1995.
John Sack was an American literary journalist and war correspondent. He was the only journalist to cover each American war over half a century.
Brothers is a thriller novel by William Goldman. It is the sequel to his 1974 novel Marathon Man and is Goldman's final novel.
Kathryn Harrison is an American author. She has published seven novels, two memoirs, two collections of personal essays, a travelogue, two biographies, and a book of true crime. She reviews regularly for The New York Times Book Review. Her personal essays have been included in many anthologies and have appeared in Bookforum, Harper's Magazine, More Magazine, The New Yorker, O, The Oprah Magazine, and Vogue, Salon, and Nerve.
The Manchurian Candidate is a novel by Richard Condon, first published in 1959. It is a political thriller about the son of a prominent U.S. political family who is brainwashed into being an unwitting assassin for a Communist conspiracy.
The Keener's Manual is an imaginary book created by the 20th-century American political novelist Richard Condon. From it Condon used quotations or epigraphs, generally in verse, to either illustrate the theme of his novels, or, in a large number of cases, as the source of the title, in particular six of his first seven books: The Oldest Confession, Some Angry Angel, A Talent for Loving, An Infinity of Mirrors, and Any God Will Do. Only his second, and most famous novel, The Manchurian Candidate, derived its title elsewhere. A number of his later books also reference it for epigraphs, without, however, using any of its verse as a source for titles.
The Oldest Confession is a 1958 novel, the first of twenty-five by the American political novelist and satirist Richard Condon. It was published by Appleton-Century-Crofts. The novel is a tragicomedy about the attempted theft of a masterpiece from a museum in Spain. It can be classified as a caper story or caper novel, a subset of crime novels. The book deals with issues of money, greed, ethics and morality. It was adapted into a film retitled The Happy Thieves.
Russell Henry Greenan was an American author with an established readership in the United States and Europe, particularly France. His first book It Happened in Boston? was reprinted in 2003 in the U.S.A. as a 20th Century Rediscovery by Modern Library. His fourth book The Secret Life of Algernon Pendleton was made into a motion picture titled The Secret Life of Algernon in 1997.
Mile High was the eighth book by the American satirist and political novelist Richard Condon, first published by Dial Press in 1969. Internationally famous at the time of its publication, primarily because of his 1959 Manchurian Candidate, Condon had begun to lose the respect of critics with the publication of his last few books and the one-time, so-called Condon Cult was mostly a thing of the past. Like his fifth book, An Infinity of Mirrors, Mile High is a consciously ambitious work, primarily concerned with the establishment of Prohibition in the United States, and Condon researched it thoroughly. The first two-thirds of the book, in fact, reads as much like a lively history of New York City gangsterism from the mid-18th century through 1930 as it does a novel.
Some Angry Angel: A Mid-Century Faerie Tale was Richard Condon's third novel and gave impetus to the growing, though relatively short-lived "Condon cult" of that era. Published in 1960, it is written with all the panache, stylistic tricks, and mannerisms that characterize Condon's works. It was not, however, one of his more typical political thrillers, such as its immediate predecessor, the far better-known The Manchurian Candidate. While Condon is remembered today for a number of more action-oriented books such as Candidate, Winter Kills, and the Prizzi series, Some Angry Angel is largely forgotten.
An Infinity of Mirrors was the fifth and most ambitious book by the American satirist and political novelist Richard Condon. First published by Random House in 1964, it is set in France and Germany of the 1930s and 1940s, as seen through the eyes of a beautiful, rich Parisian Jew and her beloved husband, an old-fashioned Prussian army general. What unfolds is and an almost unrelievedly bleak depiction of the rise of the Nazis and the Third Reich.
The Ecstasy Business was the seventh book by the American satirist and political novelist Richard Condon, first published by The Dial Press in 1967. Told in the third person, it is the broadly comic story of Tynan Bryson, "the greatest film star of his generation", and his torturous relationship with the director Albert McCobb, a blatant caricature of Alfred Hitchcock, and with his tempestuous ex-wife, an Italian film star to whom he has been married three times.
And Then We Moved to Rossenarra: or, The Art of Emigrating is a memoir by American political novelist Richard Condon, published by Dial Press in 1973. A native of New York City whose early career had mostly been that of a press agent for various Hollywood studios, Condon took up writing relatively late in life but then became both prolific and famous; today, he is most remembered for his 1959 political thriller The Manchurian Candidate and for his four later novels about a family of New York gangsters named Prizzi.
Ancient History: A Paraphase is Joseph McElroy's third novel, published in 1971. It presents itself as a hastily written essay/memoir/confession. The character Dom is sometimes described as a fictionalized Norman Mailer.
Prizzi's Honor is a satirical crime novel by Richard Condon published in 1982. It is the first of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the protagonist is a top member of the family named Charlie Partanna. It was adapted into a successful film of the same name.
Prizzi's Family is a satirical, semi-humorous crime novel by Richard Condon published in 1986. It is the second of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the main protagonist is a top member of the family named Charley Partanna. It is a prequel to the very successful Prizzi's Honor of 1982, which was also adapted into an award-winning film.
Prizzi's Glory is a satirical, semi-humorous crime novel by Richard Condon published in 1988. It is the third of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the main protagonist is a top member of the family named Charlie Partanna. The book's events begin in 1986 and continue through the Presidential election of 1992.
Prizzi's Money is a satirical, semi-humorous crime novel by Richard Condon published in 1994. It is the last of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. It was also the last of 28 books that Condon wrote over a 36-year career. In all four Prizzi novels the main protagonist is a top member of the family named Charley Partanna. In this book, however, which takes place about six or seven years after the events of the first novel, Prizzi's Honor, and at least a decade before those of the third book, Prizzi's Glory, Charley's role is less important than in the three others; although he makes brief appearances in the first half of the book, it is not until the second half that he becomes one of the primary characters.
This article incorporates material from the Citizendium article "Any God Will Do", which is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License but not under the GFDL.