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Bernard of Clairvaux's Apologia ad Guillelmum was written in 1125 at the ostensible request of his friend William of Saint-Thierry. It is the key document in the early twelfth century controversy over religious uses of art.
Already in the Early Christian period, there was disagreement within the Church as to the appropriateness of religious art. [1] While the use of religious art gradually came to be accepted by the mainstream, its rejection within certain limits remained a constant throughout the Middle Ages.
In the twelfth century, certain reform monks (especially the Cistercians) considered art by monks to be inappropriate. Their critique of monastic art was seen as a criticism of the greatest patrons of religious art of the time, Benedictine monks. Since Benedictines were one of the richest and most influential segments of society, the controversy was not limited to aesthetic questions, but the monks' influence in general. [2] By arguing for less art, critics seemed to be "slandering" them. [3] Nonetheless, Bernard's Apologia is considered by Conrad Rudolph to be the most articulate contemporary presentation of the controversy. [2]
Perhaps Bernard's harshest criticism of the monastic use of art addresses the economic base of monastic art production: the monastic investment in art for the purpose of attracting donations from the visiting public. In doing so, he takes up a number of different themes such as the justification of investing in art, art for the honor of God, the relation between material and spiritual prosperity, and the financial necessity of pilgrimage art.
In discussing the artistic means by which the investment in art was carried out, Bernard particularly criticizes excess in art, focusing especially on excess in material, craftsmanship, size, and quantity. In this criticism, what he most objects to is not monumental sculpture and painting but rather liturgical art, that is, works often of gold, silver, and jewels that were used in the liturgy and often in the Cult of Relics.
In his critique of the reception of art on the part of the general public, Bernard took up the indispensable element of medieval pilgrimage art: the equation between excessive art and holiness, that is, the use of excessive art in order to create a sense of praesentia (the physical presence of the holy).
Following in the patristic tradition, Bernard also sees art as in opposition to the care of the poor, his most significant social objection external to monasticism properly speaking.
One of Bernard's most important criticisms of the monastic use of art is that of art as a spiritual distraction to the monk. Aside from simple distraction, this criticism includes such dangers to the medieval monk as curiosity and materiality.
But in cloisters, where the brothers are reading, what is the point of this ridiculous monstrosity, this shapely misshapenness, this misshapen shapeliness? [...] so many and so marvelous are the various shapes surrounding us that it is more pleasant to read the marble than the books, and to spend the whole day marveling over these things rather than meditating on the law of God. [3]
While the traditional view has been that the Apologia was directed at the art of the monastery of Cluny in particular and that of other offending Cluniac and traditional Benedictine monasteries in general, more recent scholarship has shown that the Apologia was instead directed at not only all of traditional monasticism but also marginal traditional Benedictine monasteries, the new ascetic orders (e.g. Carthusians, Gilbertines, Premonstratensians), and Bernard's own Cistercian Order. [4]
An abbey is a type of monastery used by members of a religious order under the governance of an abbot or abbess. Abbeys provide a complex of buildings and land for religious activities, work, and housing of Christian monks and nuns.
The Benedictines, officially the Order of Saint Benedict, are a mainly contemplative monastic order of the Catholic Church for men and for women who follow the Rule of Saint Benedict. Initiated in 529, they are the oldest of all the religious orders in the Latin Church. The male religious are also sometimes called the Black Monks, especially in English speaking countries, after the colour of their habits, although some, like the Olivetans, wear white. They were founded by Benedict of Nursia, a 6th-century Italian monk who laid the foundations of Benedictine monasticism through the formulation of his Rule. Benedict's sister, Scholastica, possibly his twin, also became a religious from an early age, but chose to live as a hermit. They retained a close relationship until her death.
Bernard of Clairvaux, O.Cist., venerated as Saint Bernard, was an abbot, mystic, co-founder of the Knights Templar, and a major leader in the reform of the Benedictines through the nascent Cistercian Order.
A monastery is a building or complex of buildings comprising the domestic quarters and workplaces of monastics, monks or nuns, whether living in communities or alone (hermits). A monastery generally includes a place reserved for prayer which may be a chapel, church, or temple, and may also serve as an oratory, or in the case of communities anything from a single building housing only one senior and two or three junior monks or nuns, to vast complexes and estates housing tens or hundreds. A monastery complex typically comprises a number of buildings which include a church, dormitory, cloister, refectory, library, balneary and infirmary, and outlying granges. Depending on the location, the monastic order and the occupation of its inhabitants, the complex may also include a wide range of buildings that facilitate self-sufficiency and service to the community. These may include a hospice, a school, and a range of agricultural and manufacturing buildings such as a barn, a forge, or a brewery.
Cîteaux Abbey is a Catholic abbey located in Saint-Nicolas-lès-Cîteaux, south of Dijon, France. It is notable for being the original house of the Order of Cistercians. Today, it belongs to the Trappists.
The Cistercians, officially the Order of Cistercians, are a Catholic religious order of monks and nuns that branched off from the Benedictines and follow the Rule of Saint Benedict, as well as the contributions of the highly-influential Bernard of Clairvaux, known as the Latin Rule. They are also known as Bernardines, after Saint Bernard, or as White Monks, in reference to the colour of their cowl, as opposed to the black cowl worn by Benedictines.
A scriptorium was a writing room in medieval European monasteries for the copying and illuminating of manuscripts by scribes.
Christian monasticism is a religious way of life of Christians who live ascetic and typically cloistered lives that are dedicated to Christian worship. It began to develop early in the history of the Christian Church, modeled upon scriptural examples and ideals, including those in the Old Testament. It has come to be regulated by religious rules and, in modern times, the Canon law of the respective Christian denominations that have forms of monastic living. Those living the monastic life are known by the generic terms monks (men) and nuns (women). The word monk originated from the Greek μοναχός, itself from μόνος meaning 'alone'.
Lay brother is a largely extinct term referring to religious brothers, particularly in the Catholic Church, who focused upon manual service and secular matters, and were distinguished from choir monks or friars in that they did not pray in choir, and from clerics, in that they were not in possession of holy orders.
Cluny Abbey is a former Benedictine monastery in Cluny, Saône-et-Loire, France. It was dedicated to Saints Peter and Paul.
The Cluniac Reforms were a series of changes within medieval monasticism in the Western Church focused on restoring the traditional monastic life, encouraging art, and caring for the poor. The movement began within the Benedictine order at Cluny Abbey, founded in 910 by William I, Duke of Aquitaine (875–918). The reforms were largely carried out by Saint Odo and spread throughout France, into England, and through much of Italy, northern Portugal and Spain.
Cistercian architecture is a style of architecture associated with the churches, monasteries and abbeys of the Roman Catholic Cistercian Order. It was heavily influenced by Bernard of Clairvaux, who believed that churches should avoid superfluous ornamentation so as not to distract from prayer. Although a few images of religious subjects were allowed, such as the crucifix, elaborate figures common in medieval churches were prohibited. Later abbeys were constructed in Renaissance and Baroque styles, which were more ornate by nature.
St. Bernard de Clairvaux Church is a medieval Spanish monastery cloister which was built in the town of Sacramenia in Segovia, Spain, in the 12th century but dismantled in the 20th century and shipped to New York City in the United States. It was eventually reassembled at 16711 West Dixie Highway, North Miami Beach, Florida, where it is now an Episcopal church and tourist attraction called Ancient Spanish Monastery.
Monastic sign languages have been used in Europe from at least the tenth century by Christian monks, and some, such as Cistercian and Trappist sign, are still in use today—not only in Europe, but also in Japan, China and the US. Unlike deaf sign languages, they are better understood as forms of symbolic gestural communication rather than languages, and some writers have preferred to describe them as sign lexicons.
The Abbey of Fontenay is a former Cistercian abbey located in the commune of Marmagne, near Montbard, in the département of Côte-d'Or in France. It was founded by Saint Bernard of Clairvaux in 1118, and built in the Romanesque style. It is one of the oldest and most complete Cistercian abbeys in Europe, and became a UNESCO World Heritage Site in 1981. Of the original complex comprising church, dormitory, cloister, chapter house, caldarium, refectory, dovecote and forge, all remain intact except the refectory and are well maintained. The Abbey of Fontenay, along with other Cistercian abbeys, forms a connecting link between Romanesque and Gothic architecture.
Saint Berno of Cluny or Berno of Baume was the first abbot of Cluny from its foundation in 909 until he died in 927. He began the tradition of the Cluniac reforms which his successors spread across Europe.
Jean LeclercqOSB, was a French Benedictine monk, the author of classic studies on Lectio Divina and the history of inter-monastic dialogue, as well as the life and theology of Saint Bernard of Clairvaux. LeClercq is perhaps best known in the English speaking world for his seminal work The Love of Learning and the Desire for God: A Study of Monastic Culture.
Monasteries in Spain have a rich artistic and cultural tradition, and serve as testament to Spain's religious history and political-military history, from the Visigothic Period to the Middle Ages. The monasteries played an important role in the recruitment conducted by Christian aristocracy during and after the progress of the Reconquista, with the consequent decline in the Muslim south of the peninsula.
Conrad Rudolph is an American art historian and Distinguished Professor of Medieval Art History at the University of California, Riverside.
Burchard of Bellevaux was a Cistercian monk and author who was known for his work Apologia de barbis. A student of the Cistercian reformer Bernard of Clairvaux, in 1136, he became abbot of the monastery of Balerne, a Benedictine monastery that adopted the Cistercian reforms. After 22 years there, he became the abbot of Bellevaux, where he composed the Apologia de barbis sometime before his death around 1165.