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A Little Night Music is a musical with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. Inspired by the 1955 Ingmar Bergman film Smiles of a Summer Night, it involves the romantic lives of several couples. Its title is a literal English translation of the German name for Mozart's Serenade No. 13, K. 525, Eine kleine Nachtmusik. The musical includes the popular song "Send In the Clowns", written for Glynis Johns.
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Funny Girl is a musical with score by Jule Styne, lyrics by Bob Merrill, and book by Isobel Lennart, that first opened on Broadway in 1964. The semi-biographical plot is based on the life and career of comedian and Broadway star Fanny Brice, featuring her stormy relationship with entrepreneur and gambler Nicky Arnstein.
Charles Rudolf Friml was a Czech-born composer of operettas, musicals, songs and piano pieces, as well as a pianist. After musical training and a brief performing career in his native Prague, Friml moved to the United States, where he became a composer. His best-known works are Rose-Marie and The Vagabond King, each of which enjoyed success on Broadway and in London and were adapted for film.
The Student Prince is an operetta in a prologue and four acts with music by Sigmund Romberg and book and lyrics by Dorothy Donnelly. It is based on Wilhelm Meyer-Förster's play Old Heidelberg. The piece has a score with some of Romberg's most enduring and beautiful tunes, including "Golden Days", "Drinking Song", "Deep in My Heart, Dear", "Just We Two" and "Serenade". The plot has elements of melodrama but lacks the swashbuckling style common to Romberg's other works.
Of Thee I Sing is a musical with a score by George Gershwin, lyrics by Ira Gershwin and a book by George S. Kaufman and Morrie Ryskind. The musical lampoons American politics; the story concerns John P. Wintergreen, who runs for President of the United States on the "love" platform. When he falls in love with the sensible Mary Turner instead of Diana Devereaux, the beautiful pageant winner selected for him, he gets into political hot water.
Oh, Boy! is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse. The story concerns befuddled George, who elopes with Lou Ellen, the daughter of Judge Carter. He must win over her parents and his Quaker aunt. His dapper polo champion friend Jim is in love with madcap actress Jackie, but George must hide her while she extricates herself from a scrape with a bumbling constable whom she punched at a party raid.
The Count of Luxembourg is an operetta in two acts with English lyrics and libretto by Basil Hood and Adrian Ross, music by Franz Lehár, based on Lehár's three-act German operetta Der Graf von Luxemburg which had premiered in Vienna in 1909. Lehár made amendments to his Viennese score to accommodate the two-act adaptation. He also interpolated into the score three new pieces: a waltz that he had written for a commemorative performance of Der Graf in Vienna; a song from his first operetta, Wiener Frauen; and a Russian dance from the opera Tatjana.
Das Dreimäderlhaus, adapted into English-language versions as Blossom Time and Lilac Time, is a Viennese pastiche operetta with music by Franz Schubert, rearranged by Heinrich Berté (1857–1924), and a libretto by Alfred Maria Willner and Heinz Reichert. The work gives a fictionalized account of Schubert's romantic life, and the story was adapted from the 1912 novel Schwammerl by Rudolf Hans Bartsch (1873–1952). Originally the score was mostly Berté, with just one piece of Schubert's, but the producers required Berté to discard his score and create a pasticcio of Schubert music.
The Red Mill is an operetta written by Victor Herbert, with a libretto by Henry Blossom. The farcical story concerns two American vaudevillians who wreak havoc at an inn in the Netherlands, interfering with two marriages; but all ends well. The musical premiered on Broadway on September 24, 1906, at the Knickerbocker Theatre and ran for 274 performances, starring comedians Fred Stone and David C. Montgomery. It also had a London run and toured extensively, and in 1945 had a long-running Broadway revival. The Red Mill includes the famous songs "Every Day is Lady's Day with Me", "The Streets of New York", "You Never Can Tell About a Woman", and "Because You're You".
The Fortune Teller is an operetta in three acts composed by Victor Herbert, with a libretto by Harry B. Smith. After a brief tryout in Toronto, it premiered on Broadway on September 26, 1898, at Wallack's Theatre and ran for 40 performances. Star Alice Nielsen and many of the original company traveled to London, where the piece opened at the Shaftesbury Theatre on April 9, 1901, running for 88 performances. It was revived in New York on November 4, 1929, at Jolson's 59th Street Theatre, starring Tessa Kosta, and ran for 16 performances. The piece continued to be revived, including by the Light Opera of Manhattan in the late 20th century and the Comic Opera Guild in the early 21st century.
The Princess Pat is an operetta in three acts with music by Victor Herbert and book and lyrics by Henry Blossom. While set on Long Island, New York, the story follows the American born Princess di Montaldo, a.k.a "Princess Pat", who is married to the Italian Prince Antonio di Montaldo, a.k.a. "Prince Toto". Unhappy that her husband ignores her, she is intent on winning back his attention and affections. Herbert wrote the piece as a vehicle for the soprano Eleanor Painter.
Henry Martyn Blossom Jr. was an American writer, playwright, novelist, opera librettist, and lyricist. He first gained wide attention for his second novel, Checkers: A Hard Luck Story (1896), which was successfully adapted by Blossom into a 1903 Broadway play, Checkers. It was Blossom's first stage work and his first critical success in the theatre. The play in turn was adapted by others creatives into two silent films, one in 1913 and the other in 1919, and the play was the basis for the 1920 Broadway musical Honey Girl. Checkers was soon followed by Blossom's first critical success as a lyricist, the comic opera The Yankee Consul (1903), on which he collaborated with fellow Saint Louis resident and composer Alfred G. Robyn. This work was also adapted into a silent film in 1921. He later collaborated with Robyn again; writing the book and lyrics for their 1912 musical All for the Ladies.
Flower Drum Song is a 1961 American musical film directed by Henry Koster, adapted from the 1958 Broadway musical Flower Drum Song, written by the composer Richard Rodgers and the lyricist/librettist Oscar Hammerstein II, in turn based on the 1957 novel of the same name by the Chinese American author Chin Yang Lee. The film stars Nancy Kwan, James Shigeta, Miyoshi Umeki, Jack Soo, Benson Fong and Juanita Hall. It was nominated for five Academy Awards and two Golden Globe Awards, including Best Motion Picture – Musical or Comedy.
William LeBaron was an American film producer, lyricist, librettist, playwright, and screenwriter.
Oh, Lady! Lady!! is a musical with music by Jerome Kern, a book by Guy Bolton and P. G. Wodehouse and lyrics by Wodehouse. It was written for the Princess Theatre on Broadway, where it played in 1918 and ran for 219 performances. The story concerns an engaged young man, Bill, whose ex-fiancée arrives unexpectedly on his wedding day. Bill works to convince his old flame that he was not worthy to marry her, but his clumsy efforts do not make him look good to his new fiancée, whose mother already dislikes Bill. A couple of crooks cause further complications.
Dorothy Agnes Donnelly was an actress, playwright, librettist, producer, and director. After a decade-long acting career that included several notable roles on Broadway, she turned to writing plays, musicals and operettas, including more than a dozen on Broadway including several long-running successes. Her most famous libretto was The Student Prince (1924), in collaboration with composer Sigmund Romberg.
Jesse C. Huffman (1869–1935) was an American theatrical director. Between 1906 and 1932 he directed or staged over 200 shows, mostly for the Shubert Brothers. Many of them were musical revues, musicals or operettas. He is known for The Passing Show series of revues that he staged from 1914 to 1924 at the Winter Garden Theatre on Broadway, daring alternatives to the Ziegfeld Follies.
Orange Blossoms is a 1922 musical comedy with music by Victor Herbert, lyrics by Buddy DeSylva, and a book by Fred de Gresac, based on her own 1902 French play La Passerelle which had also been translated and staged on Broadway in 1903 as The Marriage of Kitty.
Nancy McCord was an American soprano and actress who had an active career in opera, musical theatre, and vaudeville during the 1920s, 1930s and early 1940s. She appeared in operettas and musicals on Broadway and in operas with several American companies, including the St. Louis Municipal Opera and the Metropolitan Opera. Her repertoire consisted mainly of roles from light opera and operettas. She is best remembered for creating the roles of Marie-Baroness von Schlewitz in the original production of Oscar Hammerstein II and Sigmund Romberg's May Wine (1935); and Mary Stone in the world premiere of Douglas Moore's The Devil and Daniel Webster (1939). She also performed leading roles in the United States premieres of two operettas: Franz Lehár's The Land of Smiles and Robert Stolz's Venus in Seide.
References
- 1 2 Dan Dietz (2021). The Complete Book of 1910s Broadway Musicals. Rowman & Littlefield Publishers. p. 493. ISBN 9781538150283.
- 1 2 "New York Clipper — Illinois Digital Newspaper Collections". idnc.library.illinois.edu. 15 October 1919. p. 6. Retrieved 2023-02-05.
- 1 2 3 "Apple Blossoms (Broadway, Lunt-Fontanne Theatre, 1919)". Playbill. Retrieved 5 February 2023.
- ↑ Bordman, Gerald Martin (2010). American musical theatre : a chronicle. Richard Norton (4th ed.). New York: Oxford University Press. p. 393. ISBN 978-0-19-972970-8. OCLC 656556582.
- ↑ "Apple Blossoms Original Broadway Operetta Cast 1919". Broadway World. Retrieved 2023-02-05.