Ariane, jeune fille russe | |
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Directed by | Paul Czinner |
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Starring | |
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Music by | Richard Strauss |
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Running time | 85 minutes |
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Language | French |
Ariane, jeune fille russe is a 1931 French-German drama film directed by Paul Czinner and starring Gaby Morlay, Rachel Devirys and Maria Fromet. [1] [2] It was a French-language version of the film Ariane . It was adapted from the 1920 novel Ariane, jeune fille russe by Claude Anet.
Ariane, a Russian student in Paris, decides to seduce a man who is in his forties.
Rachel Devirys was a French film actress born in the Crimea, Russian Empire. She starred in some 50 films between 1916 and 1956.
A Lover's Return is a 1946 French drama film directed by Christian-Jaque and starring Louis Jouvet, Gaby Morlay and François Périer. It was shot at the Cité Elgé in Paris and on location in Lyon. The film's sets were designed by the art director Pierre Marquet. It was entered into the 1946 Cannes Film Festival in September before its Lyon premiere and general release the following month.
Jean Schopfer was a tennis player competing for France, and a writer, known under the pseudonym of Claude Anet. He reached two singles finals at the Amateur French Championships, winning in 1892 over British player Fassitt, and losing in 1893 to Laurent Riboulet.
Entente cordiale is a 1939 French drama film directed by Marcel L'Herbier and starring Gaby Morlay, Victor Francen and Pierre Richard-Willm. The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.
Gaby Morlay was a film actress from France.
The Impossible Mr. Pipelet, is a French comedy drama film from 1955, directed by André Hunebelle, written by Jacques Gut, starring Michel Simon and Louis de Funès. The film is known under the titles "The Impossible Mr. Pipelet", "Ma fille et ses amours" Belgium French title), "Mijn dochter is verliefd".
The Scandal is a 1934 French romantic drama film directed by Marcel L'Herbier and starring Gaby Morlay, Henri Rollan, and Jean Galland. The film is based on a play written by Henry Bataille, which had previously been turned in a 1923 British silent film of the same title.
Nights of Fire is a 1937 French drama film directed by Marcel L'Herbier and starring Gaby Morlay, Victor Francen and Madeleine Robinson. The scenario is based on the 1901 work The Living Corpse by Leo Tolstoy. The film's sets were designed by the art directors Guy de Gastyne and Eugène Lourié while the costumes were by Georges Annenkov.
Ariane is a 1931 German drama film directed by Paul Czinner and starring Elisabeth Bergner, Rudolf Forster and Annemarie Steinsieck. It is an adaptation of the 1920 French novel Ariane, jeune fille russe by Claude Anet. Two alternative language versions The Loves of Ariane and Ariane, jeune fille russe were made at the same time. The film was the inspiration of the 1957 Billy Wilder film Love in the Afternoon. Wilder remembered the film as "touching and funny". It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art directors Erich Zander and Karl Weber. Location shooting took place in Paris.
The Loves of Ariane is a 1931 British-German drama film directed by Paul Czinner starring Elisabeth Bergner, Charles Carson and Percy Marmont. Shot in Germany, it was an English-language version of the 1931 German film Ariane. It was based on the 1920 novel Ariane, jeune fille russe by Claude Anet. The screenplay concerns a young woman studying at University who falls in love.
Ariane, jeune fille russe may refer to:
Ariane, jeune fille russe is a 1920 novel by the French tennis player and writer Jean Schopfer, published under the pseudonym Claude Anet. It follows a young Russian woman who encounters a Don Juan and falls in love with him.
Giuseppe Verdi is a 1938 Italian biographical film directed by Carmine Gallone and starring Fosco Giachetti, Gaby Morlay and Germana Paolieri. The film portrays the life of the composer Giuseppe Verdi (1813-1901). The casting of Giachetti as Verdi was intended to emphasise the composer's patriotism, as he had recently played patriotic roles in films such as The White Squadron. The film was made at the Cinecittà Studios in Rome. The film is also known by the alternative title The Life of Giuseppe Verdi.
The Blue Veil is a 1942 French drama film directed by Jean Stelli and starring Gaby Morlay, Elvire Popesco and André Alerme. The film was remade in 1951.
Accused, Stand Up! is a 1930 French crime film directed by Maurice Tourneur and starring Gaby Morlay, Suzanne Delvé and Camille Bert. After the two female stars of a Parisian cabaret are seen arguing, one of them turns up dead. This leads to the arrest and trial of the other until the real culprit is caught.
Jeanne is a 1934 French drama film directed by Georges Marret and starring Gaby Morlay, André Luguet and Hélène Perdrière. The film's sets were designed by the art director Eugène Lourié.
Three Boys, One Girl is a 1948 French comedy drama film directed by Maurice Labro and starring Jean Marchat, Gaby Morlay and Suzy Carrier.
Good Enough to Eat is a 1951 French comedy film directed by Raoul André and starring Gaby Morlay, Louise Carletti and Serge Reggiani. It draws inspiration from the story of Red Riding Hood.
The Girl with the Whip is a 1952 Swiss drama film directed by Jean Dréville and starring Michel Simon, Gaby Morlay and Colette Darfeuil. It was shot at the Boulogne Studios in Paris. The film's sets were designed by the art director Robert Dumesnil. A separate German version, The Secret of the Mountain Lake, was also made.
Dance Hall is a 1931 French drama film directed by Maurice Tourneur and starring Gaby Morlay, Charles Vanel and Madame Ahnar. The film's sets were designed by the art director Robert Gys.