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Elisabeth Bergner was an Austrian-British actress. Primarily a stage actress, her career flourished in Berlin and Paris before she moved to London to work in films. Her signature role was Gemma Jones in Escape Me Never, a play written for her by Margaret Kennedy. She played Gemma, first in London and then in the Broadway debut, and in a film version for which she was nominated for the Academy Award for Best Actress. In 1943, Bergner returned to Broadway in the play The Two Mrs. Carrolls, for which she won the Distinguished Performance Medal from the Drama League.
Paul Czinner was a Hungarian-born British writer, film director, and producer.
As You Like It is a 1936 British romantic comedy film directed by Paul Czinner and starring Laurence Olivier as Orlando and Elisabeth Bergner as Rosalind. It is based on William Shakespeare's play of the same name. It was Olivier's first performance of Shakespeare on screen.
Percy Marmont was an English film actor.
Stolen Life is a 1939 British drama film directed by Paul Czinner and starring Michael Redgrave, Elisabeth Bergner and Wilfrid Lawson.
David Livingstone is a 1936 British historical adventure film directed by James A. FitzPatrick and starring Percy Marmont, Marian Spencer and James Carew. It portrays the expedition of the British explorer David Livingstone to Africa to discover the source of the Nile, his disappearance, and the expedition to find him led by Stanley. The film was made at Shepperton Studios for distribution by MGM.
Daddy's Gone A-Hunting is a 1925 American silent drama film directed by Frank Borzage based upon a play by Zoë Akins, with adaptation by Kenneth B. Clarke. The film brought together Vitagraph leading lady Alice Joyce and English actor Percy Marmont after his success with If Winter Comes. This is the only film either of the main stars made for MGM. The film was remade in 1931 as Women Love Once. A print survives in the Národní filmový archiv.
The White Lilac is a 1935 British mystery film directed by Albert Parker and starring Basil Sydney, Judy Gunn, Claude Dampier and Percy Marmont. It is based upon the play of the same name by Ladislas Fodor. It was made at Wembley Studios as a quota quickie by the British subsidiary of Fox Film.
Her Imaginary Lover is a 1933 British comedy film directed by George King and starring Laura La Plante and Percy Marmont. It was produced and distributed by Warner Brothers and shot at the company's Teddington Studios as a quota quickie.
Dreaming Lips is a 1937 British drama film directed by Paul Czinner and starring Elisabeth Bergner, Romney Brent and Raymond Massey.
The Written Law is a 1931 British drama film directed by Reginald Fogwell and starring Madeleine Carroll, Percy Marmont and Henry Hewitt. It was shot at Elstree Studios.
Escape Me Never is a 1935 British drama film directed by Paul Czinner, produced by Herbert Wilcox, and starring Elisabeth Bergner, Hugh Sinclair and Griffith Jones. The score is by William Walton with orchestration by Hyam Greenbaum. Bergner was nominated for the Oscar for Best Actress for her performance, but lost to Bette Davis. British readers of Film Weekly magazine voted the 1935 Best Performance in a British Movie to her. The film is an adaptation of the play Escape Me Never by Margaret Kennedy, which was based upon her 1930 novel The Fool of the Family. That book was a sequel to The Constant Nymph, which was also about the Sanger family of musical geniuses, but there is a disjunct among the books and the films: the Sanger brothers are never mentioned in the 1943 film version of The Constant Nymph. Another film adaptation of Escape Me Never was made in 1947 by Warner Bros.
Ariane is a 1931 German drama film directed by Paul Czinner and starring Elisabeth Bergner, Rudolf Forster and Annemarie Steinsieck. It is an adaptation of the 1920 French novel Ariane, jeune fille russe by Claude Anet. Two alternative language versions The Loves of Ariane and Ariane, jeune fille russe were made at the same time. The film was the inspiration of the 1957 Billy Wilder film Love in the Afternoon. Wilder remembered the film as "touching and funny". It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art directors Erich Zander and Karl Weber. Location shooting took place in Paris.
Ariane, jeune fille russe is a 1920 novel by the French tennis player and writer Jean Schopfer, published under the pseudonym Claude Anet. It follows a young Russian woman who encounters a Don Juan and falls in love with him.
Sir or Madam is a 1928 British-German silent comedy film directed by Carl Boese and starring Margot Armand, Percy Marmont and Ossi Oswalda. It was based on the 1923 novel Sir or Madame by Berta Ruck and shot at Elstree Studios near London. The film was a co-production between Germany and Britain, with separate versions released in the countries. In Britain it was not released until February 1930.
Dreaming Lips is a 1932 French-German drama film directed by Paul Czinner and starring Elisabeth Bergner, Rudolf Forster and Anton Edthofer. The film is based on the play Mélo by Henri Bernstein. As was common at the time, the film was a co-production with a separate French-language version Mélo made.
The Silver Greyhound is a 1932 British thriller film directed by William C. McGann and starring Percy Marmont, Anthony Bushell and Janice Adair. The film is a quota quickie, made at Teddington Studios by the British subsidiary of the Hollywood company Warner Brothers.
The Squeaker is a 1930 British mystery crime film directed by Edgar Wallace and starring Percy Marmont, Anne Grey and Gordon Harker.
Cross Roads is a 1930 British drama film directed by Reginald Fogwell and starring Percy Marmont, Anne Grey and Betty Faire. It was shot at Welwyn Studios as a quota quickie. It is a melodrama about a wife killing her unfaithful husband.
Say It with Music is a 1932 British musical film directed by Jack Raymond and starring Jack Payne, Percy Marmont and Evelyn Roberts. It was produced by Herbert Wilcox's British and Dominions Films at Elstree Studios. It takes its title from the 1921 song Say It with Music by Irving Berlin which features in the soundtrack, and was an early example of a string of bandleader films produced during the decade.
