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Arindam Chakrabarti is currently a professor of philosophy at Ashoka University, India. [1]
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Arindam Chakrabarti is currently a professor of philosophy at Ashoka University, India. [1]
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Ananda Kentish Muthu Coomaraswamy was a Ceylonese metaphysician, historian and a philosopher of Indian art who was an early interpreter of Indian culture to the West. In particular, he is described as "the groundbreaking theorist who was largely responsible for introducing ancient Indian art to the West".
The philosophy of testimony considers the nature of language and knowledge's confluence, which occurs when beliefs are transferred between speakers and hearers through testimony. Testimony constitutes words, gestures, or utterances that convey beliefs. This definition may be distinguished from the legal notion of testimony in that the speaker does not have to make a declaration of the truth of the facts.
Keith Lehrer is Emeritus Regent's Professor of philosophy at the University of Arizona and a research professor of philosophy at the University of Miami, where he spends half of each academic year.
Bimal Krishna Matilal was an eminent philosopher whose writings presented the Indian philosophical tradition as a comprehensive system of logic incorporating most issues addressed by themes in Western philosophy. Born in Calcutta, he lived and worked in Calcutta, Harvard, Toronto and Oxford. From 1977 to 1991, he served as the Spalding Professor of Eastern Religion and Ethics at the University of Oxford.
In Indian aesthetics, a rasa literally means "juice, essence or taste". It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. It refers to the emotional flavors/essence crafted into the work by the writer or a performer and relished by a 'sensitive spectator' or sahṛidaya, literally one who "has heart", and can connect to the work with emotion, without dryness.
Dilip Kumar Chakrabarti is an Indian archaeologist, Professor Emeritus of South Asian Archaeology at Cambridge University, and a Senior Fellow at the McDonald Institute for Archaeological Research, Cambridge University. He is known for his studies on the early use of iron in India and the archaeology of Eastern India.
Lorenzo Magnani, is an Italian philosopher who teaches philosophy of science in the Department of Humanities, Philosophy Section, at the University of Pavia, full professor and director of the Computational Philosophy Laboratory and, since 2023, is also professor on contract of Artificial intelligence and knowledge, a course sponsored by Collegio Cairoli and Collegio Giasone del Maino, Pavia. He has been (2006/2012) visiting professor at the Sun Yat-sen University in China. In the event of the 50th anniversary of the re-building of the Philosophy Department of Sun Yat-sen University in 2010, an award was given to him to acknowledge his contributions to the areas of philosophy, philosophy of science, logic, and cognitive science.
Daniel Kolak is a Croatian-American philosopher who works primarily in philosophy of mind, personal identity, cognitive science, philosophy of science, philosophy of mathematics, philosophy of logic, philosophy of religion, and aesthetics. He is professor of philosophy at the William Paterson University of New Jersey and an Affiliate of the Rutgers University Center for Cognitive Science (RuCCS). Kolak is the founder of the philosophical therapy known as cognitive dynamics.
Vaiśeṣika Sūtra, also called Kanada sutra, is an ancient Sanskrit text at the foundation of the Vaisheshika school of Hindu philosophy. The sutra was authored by the Hindu sage Kanada, also known as Kashyapa. According to some scholars, he flourished before the advent of Buddhism because the Vaiśeṣika Sūtra makes no mention of Buddhism or Buddhist doctrines; however, the details of Kanada's life are uncertain, and the Vaiśeṣika Sūtra was likely compiled sometime between 6th and 2nd century BCE, and finalized in the currently existing version before the start of the common era.
Babette Babich is an American philosopher who writes from a continental perspective on aesthetics, philosophy of science, especially Nietzsche's, and technology, especially Heidegger's and Günther Anders, in addition to critical and cultural theory.
Purushottama Bilimoria is an Australian-American philosopher and Professor at O.P. Jindal Global University.
Jan Hertrich-Woleński is a Polish philosopher specializing in the history of the Lwów–Warsaw school of logic and in analytic philosophy.
Eliot Sandler Deutsch was a philosopher, teacher, and writer. He made important contributions to the understanding and appreciation of Eastern philosophies in the West through his many works on comparative philosophy and aesthetics. He was a Professor Emeritus of Philosophy at the University of Hawaiʻi at Mānoa.
Jitendra Nath Mohanty was an Indian philosopher. He served as emeritus professor of philosophy at Temple University. Born in Cuttack, in 1928 in Orissa, India, Mohanty had a distinguished career where he stood first in all public examinations and in B.A. Presidency College, Kolkata and M.A. examination at the University of Calcutta. Subsequently, he did a Ph.D. from University of Göttingen in 1954. In his long academic career, he taught at the University of Burdwan, University of Calcutta, New School for Social Research, University of Oklahoma, Emory University, and Temple University and held visiting professorships at many renowned universities.
Sukhlal Sanghvi, also known as Pandit Sukhlalji, was a Jain scholar and philosopher. He belonged to the Sthanakvasi sect of Jainism. Pandit Sukhlal lost his eyesight at the age of sixteen on account of smallpox. However, he persisted and became profoundly versed in Jain logic and rose to become a professor at Banaras Hindu University. Paul Dundas calls him one of the most incisive modern interpreters of Jain philosophy. Dundas notes that Sanghavi represents what now seems to be a virtually lost scholarly and intellectual world. He was a mentor for famous Jain scholar Padmanabh Jaini. During his lifetime he won such awards as the Sahitya Akademi Award and won recognition from the Government of India by getting Padma Bhushan award. Sukhlalji was also known as Pragnachaksu because he was so vastly learned despite being visually disabled.
Kazi Khaleed Ashraf is a Bangladeshi architect, urbanist and architectural historian. Writing from the intersection of architecture, landscape and the city, Ashraf has authored books and essays on architecture in India and Bangladesh, the work of Louis Kahn, and the city of Dhaka. His various writings on the architecture of Bangladesh have provided a theoretical ground for understanding both the historical and contemporary forms of architecture, while his written and design work on Dhaka advances that city as a "theorem" for understanding urbanism in a deltaic geography. Ashraf and contributing team received the Pierre Vago Journalism Award from the International Committee of Architectural Critics for the Architectural Design publication Made in India. He has also co-authored a number of publications with the architect Saif Ul Haque. Ashraf has recently established an international publication series called Locations: Anthology of Architecture and Urbanism that will present works and features from around the globe.
Sibaji Bandyopadhyay is an Indian author, critic, academic, theorist and performer, who writes in Bengali and English. His interests lie in the fields of Bengali and English literature, literary theory, philosophy, feminism, sexuality, cinema and psychoanalysis.
Jonardon Ganeri, FBA, is a philosopher, specialising in philosophy of mind and in South Asian and Buddhist philosophical traditions. He holds the Bimal Matilal Distinguished Professorship in Philosophy at the University of Toronto. He was Global Network Professor in the College of Arts and Science, New York University, previously having taught at several universities in Britain. Ganeri graduated from Churchill College, Cambridge, with his undergraduate degree in mathematics, before completing a DPhil in philosophy at University and Wolfson Colleges, Oxford. He has published eight monographs, and is the editor of the Oxford Handbook of Indian Philosophy. He is on the editorial board of the Stanford Encyclopedia of Philosophy, the British Journal for the History of Philosophy, Philosophy East & West, Analysis, and other journals and monograph series. His research interests are in consciousness, self, attention, the epistemology of inquiry, the idea of philosophy as a practice and its relationship with literature. He works on the history of ideas in early modern South Asia, intellectual affinities between India and Greece, and Buddhist philosophy of mind, teaches courses in the philosophy of mind, the nature of subjectivity, Buddhist philosophy, the history of Indian philosophical traditions, and supervises graduate students on South Asian philosophical texts in a cross-cultural context. He is a prominent advocate for an expanded role for cross-cultural methodologies in philosophical research, and for enhanced cultural diversity in the philosophical curriculum. Jonardon Ganeri is the inventor of the idea of "cosmopolitan philosophy" as a new discipline within philosophy.
Divya Dwivedi is an Indian philosopher and author. She is an associate professor at the Indian Institute of Technology, Delhi. Her work includes a focus on philosophy of literature, aesthetics, philosophy of psychoanalysis, narratology, critical philosophy of caste and race, and the political thought of Gandhi. She is the co-author of Gandhi and Philosophy: On Theological Anti-politics.
Sthayibhava or Sthyi-bhava is one of the essential artistic concepts in Sanskrit dramaturgy. The origin of this concept is attributed to Bharata while formulating his epic on Rasa theory in Natyashastra around 200 BC to 200 AD. Bharata has named eight Sthayibhavas corresponding to each Rasa. According to him all other aesthetic emotions in a drama viz. Vibhavas, Anubhavas, and Vyabhicaribhavas combine together and enhance a Sthayibhava which ultimately transforms into the flavor (Rasa) in a play.
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