Arkipelago was a volunteer-run cultural organization based in New York City that promoted critical dialogue and community engagement around important issues concerning the Philippines and the Filipino Diaspora. Arkipelago is known for promoting conversations regarding immigrant rights, AIDS, generational gaps, and racism through arts related projects and programs. [1]
Arkipelago was formed on December 10, 1993.
The organization was developed out of Boses Filipino, an annual arts-based event that provided a space for Filipino/American artists to share their work. The night consisted of songs, poetry, dance, and other performances that visualized contemporary issues faced by local Filipino communities. [1] The event presented a venue for Filipino and Filipino Americans to share their experiences and concerns.
The event was named “Arkipelago,” the Tagalog translation of the word “archipelago.” [1]
What was intended as a one-night event became an advocacy organization that continues to put up art-based events relevant to its cause. [2] Sa Pinilakang Tabing (On the Silver Screen), Pelikulang Pilipino (Filipino Films), and the Salamin, are examples of events Arkipelego went on to create.
The organization also participated in Street Theatre performances, where they raised awareness of abandoned toxic waste on US bases in the Philippines, domestic workers, mail-order brides, and anti-immigrant legislation. By the 2000s, Arkipelago became one of the most significant Filipino art platforms in New York City. [3]
"On the Silver Screen" [4] screened films and videos installations that address the conflicts and experiences of a Filipino/Filipino American. "On the Silver Screen" was the only annual film festival hosted by Arkipelago on the East Coast. If the work was not about the Filipino or the Philippines, at least one or more of the production crew(art director, cinematographer, director, editor, producer or screenwriter) had to be of Filipino descendant. The submitted artworks had to adhere to the following restrictions:
The fourth Sa Pinilakang Tabing (On the Silver Screen) [5] was held in 1997 to celebrate the 100th year of Filipino cinema. Although Filipino cinema is one of the country's greatest cultural assets, it rarely receives chances for exposure and screening in the U.S. due to the lack of funding and government initiative, which presents Sa Pinilakang Tabing with a great opportunity. The documentary film "Private Wars" [6] by Nick Deocampo was screened during the opening night. Deocampo is a significant independent filmmaker from the Philippines. His works have gained international interests and garnered critical acclaim.
Pelikulang Pilipino was a three-part function composed of a general overview of contemporary Philippine cinema, screened excerpts from a select few Filipino films, and paneled reviews of the screenings. The events served as a loose blueprint for the annual film festival. [1]
"maARTe.org" is an art related webzine that discussed issues brought out through artists' works or responses to them. The webzine captured the Filipino art scene and recorded concerns the art raised at the opening of the twenty-first century. The Arkipelago archive consists of electronic files of the webzine. [1]
Brainfood Sessions was a forum where invited artists discussed and presented their works. Arkipelago's events are mostly documented through objects such as banners, flags, and leaflets. 4 in × 6 in (100 mm × 150 mm) color photographs document Brainfood Sessions, Arkipelago's participation in the Coalition of Asian Pacific Americans’ (CAPA) Annual Asian/Pacific American Heritage Festival, and Sa Pinilakang Tabing(On the Silver Screen).
Held on August 10, 1994, at the Art in General Gallery at 79 Walker Street, Salamin brought together five local Filipino and Filipino-American artists to take part in a forum and slide presentation. Recognizing the isolating working and living environments of Filipino and Filipino-American artists, Arkipelago sponsored Salamin as a platform for dialogue and collaboration to exhibit the strength in sharing perspectives and experiences of Filipino diaspora. The five artists who shared their insights and work were: Paul Pfieffer, Christine Quisumbing Ramilo, Lewanda Lim, Ayan Rivera, and Genera Banzon. [3]
Though not an Arkipelago program, it was founded by its first program director - the educator, activist, and writer Susan Quimpo. Tagalog On Site provides second and third generation Filipino Americans with the opportunity to travel to the Philippines to uncover their heritage first-hand. Her work with Filipino-Americans was inspired by a Philippine history workshop she conducted in New York. The workshop elicited a homogenous sense of national pride and desire for more knowledge among her young audience. By offering lectures on Philippine history, culture, and politics, Tagalog on Site works to assist adolescent Filipino-Americans in reclaiming their roots. [2]
Filipino is a language under the Austronesian language family. It is the national language of the Philippines, lingua franca, and one of the two official languages of the country, with English. It is a standardized variety of the native language Tagalog, spoken and written in Metro Manila, the National Capital Region, and in other urban centers of the archipelago. The 1987 Constitution mandates that Filipino be further enriched and developed by the other languages of the Philippines.
The Cinema of the Philippines began with the introduction of the first moving pictures to the country on August 31, 1897, at the Salón de Pertierra in Manila. The following year, local scenes were shot on film for the first time by a Spaniard, Antonio Ramos, using the Lumiere Cinematograph. While most early filmmakers and producers in the country were mostly wealthy enterprising foreigners and expatriates, on September 12, 1919, Dalagang Bukid, a film based on a popular zarzuela, was the first movie made and shown by Filipino filmmaker José Nepomuceno. Dubbed as the "Father of Philippine Cinema," his work marked the start of cinema as an art form in the Philippines.
Nicanor G. Tiongson is a critic, creative writer and academic from the Philippines. He holds a Bachelor of Humanities degree from the Ateneo de Manila University, and M.A. and Ph.D. in Philippine Studies from the University of the Philippines. A founding member of the Manunuri ng Pelikulang Pilipino, Tiongson is currently Professor Emeritus of Film and Audio-visual Communication at the College of Mass Communication in U.P. Diliman.
The Filipino Academy of Movie Arts and Sciences Awards, or simply the FAMAS Awards, are the annual honors given by the Filipino Academy of Movie Arts and Sciences (FAMAS), an organization composed of writers and movie columnists, for achievements in Philippine cinema for a calendar year. Members of the academy including avid movie viewers, fans or enthusiasts cast their votes on who should win the statuettes in the different categories they were nominated. Established in 1952, it is the oldest existing film industry award-giving body in the Philippines and one of the oldest in Asia. The FAMAS Award, from 1952 to 1982, was the highest Filipino film award a filmmaker or artisan could receive in the local movie industry.
There are many institutions, academies and fellowships in the Philippines that hands out awards, citations and recognitions to outstanding film achievements for a certain calendar year.
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The Gawad Urian Awards are annual film awards in the Philippines presented since 1977 by the Manunuri ng Pelikulang Pilipino, a film critic organization composed of critics, writers, and scholars. It is the regarded as the highest award for a film given by critics in the Philippines and is seen as the counterpart of the United States' New York Film Critics Circle.
Nicolas Armada Deocampo, best known as Nick Deocampo, is a Filipino filmmaker, film historian, film literacy advocate, film producer, author and the director of the Center for New Cinema.
Lolita Rodriguez was a Filipino actress whose career spanned four decades. Regarded as the "Queen of Philippine Drama", she was noted for her restrained, subtle acting style and was famous for her performances in a range of film genres, from drama, comedy and action. She is a recipient of two FAMAS Awards for her portrayal in Gilda (1956) and Weighed But Found Wanting (1974).
Giorgio Pietro Verano Alvarez, better known as Gio Alvarez, is a Filipino actor in movies and television shows. He was an original member of Ang TV, a youth-oriented variety show in the Philippines.
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The 2018 Pista ng Pelikulang Pilipino is the 2nd edition of the annual Pista ng Pelikulang Pilipino, organized by the Film Development Council of the Philippines. It featured 8 locally produced films which was screened from August 15 to 21, 2018.
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Babae... Sa Likod ng Salamin is a 1976 Filipino drama film directed by Cesar J. Amigo from a script by Amigo and producer Reuben Canoy. Starring Charito Solis, Dindo Fernando, Alona Alegre and Perla Bautista, it is about a woman with two personas: Laura, a faithful wife in the day, and Lorna, a mistress of another at night. The film was released in June 1976, and was the penultimate film written or directed by Amigo.
The Gawad Urian Lifetime Achievement Award is an honorary award instituted in 1977 that is presented annually by the Manunuri ng Pelikulang Pilipino to "movie actors, directors, writers, cameramen, musicians, technicians and cosmetic artists whose lifework can be held up as a standard of excellence for all."