Ars Antiqua Austria is an early music ensemble founded in Linz in 1989 to perform Austrian Baroque music on period instruments. The group was established by Gunar Letzbor and Michael Oman and consists of eight musicians. They research and perform neglected works. [1]
During the Baroque period, Austrian music had many influences: Italian, French, Spanish, Slavic, and Hungarian. These blended with Austrian folk music and dance music. Aside from its native Austria, the group has toured France, Germany, Slovakia, Ukraine, and the U.S. It received a Cannes Classical Award in 2002 for Viviani's "Capricci Armonici". [1]
Georg Muffat was a Baroque composer and organist. He is best known for the remarkably articulate and informative performance directions printed along with his collections of string pieces Florilegium Primum and Florilegium Secundum in 1695 and 1698.
Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310. This covers the period of the Notre-Dame school of polyphony, and the subsequent years which saw the early development of the motet, a highly varied choral musical composition. Usually the term ars antiqua is restricted to sacred (church) or polyphonic music, excluding the secular (non-religious) monophonic songs of the troubadours, and trouvères. However, sometimes the term ars antiqua is used more loosely to mean all European music of the thirteenth century, and from slightly before. The term ars antiqua is used in opposition to ars nova, which refers to the period of musical activity between approximately 1310 and 1375.
Ars nova refers to a musical style which flourished in France and the Burgundian Low Countries in the late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the fourteenth century. For instance, "Italian ars nova" is sometimes used to denote the music of Francesco Landini and his compatriots. The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today. However, the term was first used to describe an historical era only by Johannes Wolf in 1904.
The music history of France runs from as far back as the 10th century to today's modern music. French music originated as a unified style in medieval times, focusing around the Notre-Dame school of composers. This group developed the motet, a specific musical composition. Troubadours and trouvères soon began touring France, composing and performing many original songs. The styles of ars nova and ars subtilior sprung up in the 14th century, both of which focused on secular songs. As Europe moved into the Renaissance age, the music of France continued to evolve. The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during this time. The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist influence. The air de cour then became the primary style of French music, as it was secular and preferred by the royal court.
The Polyphonic Era is a term used since the mid-19th century to designate an historical period in which harmony in music is subordinate to polyphony. It generally refers to the period from the 13th to the 16th century. Most notated music consisted of the simultaneous flow of several different melodies, all independent and equally important, or polyphony. Usually made of four or five different choral parts, the music was originally for unaccompanied voices and was used mostly in the mass and motet of church music and the madrigal in secular music.
The following outline is provided as an overview of and topical guide to music:
Pierre-Gabriel Buffardin was a French flutist and composer of the late Baroque period. He was a son of Jean-Joseph Buffardin, an instrument maker.
Bernarda Fink Inzko is an Argentine mezzo-soprano. Born in Buenos Aires to Slovene parents who immigrated from Yugoslavia, Bernarda Fink studied at the "Instituto Superior de Arte del Teatro Colón" in Buenos Aires. She won First Prize at the Nuevas Voces Líricas competition in 1985 and moved to Europe. She lives in the southern Austrian province of Carinthia and is married to the current High Representative for Bosnia and Herzegovina, Valentin Inzko. Her brother is Marcos Fink, Slovenian classical music singer.
Milan Munclinger was a significant Czech flautist, conductor, composer and musical scientist.
Renaissance & Baroque, formerly known as the Renaissance and Baroque Society of Pittsburgh is a non-profit performing arts organization in Pittsburgh, Pennsylvania that presents performances of music from the Medieval, Renaissance, Baroque and early Classical periods with an emphasis on historically informed performance. The New Grove Dictionary of Music and Musicians, describes it as having "developed one of the area's most faithful and enthusiastic followings." Its main performance venue is Synod Hall, adjacent to the Cathedral of Saint Paul. Among the ensembles which have been presented by the society are Apollo's Fire, Trio Medieval, Quadriga Consort and The Academy of Ancient Music.
František Sláma was a significant Czech chamber music performer. He was the first Czech cellist who focused on Early music.
St. Florian Monastery is an Augustinian monastery in the town of Sankt Florian, Austria. Founded in the early ninth century, and later refounded by Augustinians in the eleventh century, St. Florian is the largest monastery in Upper Austria, and rivals Melk Abbey and Klosterneuburg Monastery as among the most impressive examples of Baroque architecture in Austria. The monastery is dedicated to Saint Florian, whose fourth century grave lies beneath the monastery.
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, with the galant style marking the transition between Baroque and Classical eras. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, François Couperin, Giuseppe Tartini, Heinrich Schütz, Jan Pieterszoon Sweelinck, Dieterich Buxtehude, and others.
Capella de Ministrers is an early music group formed in 1987 in Valencia, Spain by Carles Magraner. Valencian music is prominent in its repertoire.
The London Festival of Baroque Music is an annual music festival held in London.
René Clemencic is an Austrian composer, recorder player, harpsichordist, conductor and clavichord player.
The MA Festival Brugge, short for the festival Musica Antiqua Bruges in Bruges, Belgium, is a festival of early music and historically informed performances, started in 1960. The program includes concerts, master classes, conferences, visits in the region, exhibitions, instrument market, and international competitions that concentrates in a three-year cycle on organ, harpsichord, pianoforte and other period instruments, vocals, and baroque ensembles. The specialised festival is part of the Festival of Flanders.
Artemio Motta was an Italian composer of the Baroque period.
Norbert Zeilberger was an Austrian organist, harpsichordist and pianist.