Ars poetriae

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The Latin term ars poetriae ("art of poetry", plura artes poetriae) refers both to the medieval theory of poetic composition [1] and to a genre of technical treatise on the same. [2] A core set of four texts known as artes poetriae was first published by Edmond Faral in 1924. Two more were later added. [3] All six of them were written in Latin between about 1175 and 1280 by five different authors all connected to the University of Paris. [4] [5] All six texts have received critical editions and English translations. [6]

Garland's Parisiana Parisiana poetria de arte prosaica, metrica, et rithmica.png
Garland's Parisiana

The six artes are:

The most important of these is the Poetria nova. [6] [5] At least twelve medieval commentaries on the Poetria nova are known and it survives in over 200 manuscripts. It is itself written in verse and was used as a school text for primary (i.e., preuniversity) education. The works of Gervase and Eberhard are closer to the grammatical tradition than the others. [4]

The artes poetriae draw heavily on three classical works: Cicero's De inventione , Horace's Ars poetica and the Pseudo-Ciceronian Rhetorica ad Herennium . A few make use of Cicero's De oratore and Quintilian's Institutio oratoria . [3] They stand at the intersection of rhetoric, grammar and poetry. [7]

References

  1. Nims 1982 , p. 553: "the theory of poetic art, in its medieval formulation".
  2. Ziolkowski 2001: "compositional textbooks written in Latin for the Latin-based school curricula".
  3. 1 2 Nims 1982, p. 553.
  4. 1 2 3 4 5 6 7 8 Ziolkowski 2001.
  5. 1 2 Nims 1982, p. 554.
  6. 1 2 Purcell 1996, p. 9.
  7. Purcell 1996, p. 7.

Bibliography