The Latin term ars poetriae ("art of poetry", plura artes poetriae) refers both to the medieval theory of poetic composition [1] and to a genre of technical treatise on the same. [2] A core set of four texts known as artes poetriae was first published by Edmond Faral in 1924. Two more were later added. [3] All six of them were written in Latin between about 1175 and 1280 by five different authors all connected to the University of Paris. [4] [5] All six texts have received critical editions and English translations. [6]
The six artes are:
The most important of these is the Poetria nova. [6] [5] At least twelve medieval commentaries on the Poetria nova are known and it survives in over 200 manuscripts. It is itself written in verse and was used as a school text for primary (i.e., preuniversity) education. The works of Gervase and Eberhard are closer to the grammatical tradition than the others. [4]
The artes poetriae draw heavily on three classical works: Cicero's De inventione , Horace's Ars poetica and the Pseudo-Ciceronian Rhetorica ad Herennium . A few make use of Cicero's De oratore and Quintilian's Institutio oratoria . [3] They stand at the intersection of rhetoric, grammar and poetry. [7]