Morgan Russell was a modern American artist. With Stanton Macdonald-Wright, he was the founder of Synchromism, a provocative style of abstract painting that dates from 1912 to the 1920s. Russell's "synchromies," which analogized color to music, were an early American contribution to the rise of Modernism.
Frank Joseph Reilly (1906–1967) was an American painter, illustrator, muralist, and teacher. He taught drawing and painting at the Grand Central School of Art, and illustration at Pratt Institute and Moore College of Art. However, he is best known for his twenty-eight years of instructing at the Art Students League of New York and establishing the Frank J. Reilly School of Art in the early 1960s, where he taught until his death in 1967.
Dorothy Jeakins was an American costume designer.
The California Art Club (CAC) is one of the oldest and most active arts organizations in California. Founded in December 1909, it celebrated its centennial in 2009 and into the spring of 2010. The California Art Club originally evolved out of The Painters Club of Los Angeles, a short-lived group that lasted from 1906–09. The new organization was more inclusive, as it accepted women, sculptors and out-of-state artists.
Theodore Nikolai Lukits was a Romanian American portrait and landscape painter. His initial fame came from his portraits of glamorous actresses of the silent film era, but since his death, his Asian-inspired works, figures drawn from Hispanic California and pastel landscapes have received greater attention.
Henry Lee McFee was a pioneer American cubist painter and a prominent member of the Woodstock artists colony.
Miné Okubo was an American artist and writer. She is best known for her book Citizen 13660, a collection of 198 drawings and accompanying text chronicling her experiences in Japanese American internment camps during World War II.
Alexandra Bradshaw, also known as Alexandra Bradshaw Hoag, was a Canadian-American watercolor artist and art professor. She studied art in the United States and Paris and became an instructor and head of the Fine Arts department at Fresno State College in California. Her works were exhibited in group and solo exhibitions throughout California and the United States from the 1930s through the 1960s. She married late in life to Clarence Hoag, the founder of Hoag Press in Boston. Their residence in Wakefield, Massachusetts, was Castle Clare and Bradshaw kept her house in South Laguna, California.
Paul Starrett Sample was an American artist who portrayed life in New England in the middle of the 20th Century with a style that showed elements of "Social Realism and Regionalism."
Fred Sexton was an American artist and creator of the Maltese Falcon statuette prop for the 1941 Warner Bros. film production, The Maltese Falcon.
Amy Londoner was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner.
Hideo Date was a Japanese-born American painter active from the 1930s to the 1980s, known for combining elements of Japanese nihonga with American Synchromism. A prominent figure in the Los Angeles art scene prior to World War II, his career was interrupted by the wartime incarceration of Japanese Americans. Although he continued painting for decades after the war, Date's work remained largely ignored until he was rediscovered by a younger generation of artists and curators in the 1990s.
Pruett Carter was an American illustrator who taught at the Grand Central School of Art and the Chouinard Art Institute. He illustrated national magazines, and was art director for Atlanta Journal and Good Housekeeping. Carter was inducted into the Society of Illustrator's Hall of Fame in 1988.
Albert Clinton Conner was an American Impressionist painter who was an integral part of the Richmond Group of painters in the late 19th and early 20th centuries. After moving to California, Conner helped found The Painters' Club of Los Angeles in 1906, which lay the groundwork for the creation of the California Art Club three years later in 1909.
The Painters' Club of Los Angeles was a short-lived arts organization that existed from 1906 to 1909, and allowed only men as members. When the group disbanded a number of artists who had been members reorganized themselves as the California Art Club, including Charles Percy Austin (1883–1948), Franz Bischoff (1864–1929), Carl Oscar Borg (1879–1947), Benjamin Brown (1865–1942), Hanson Puthuff (1875–1972), Jack Wilkinson Smith (1873–1949), and William Wendt (1845–1946). Beginning with its founding in December 1909, the new California Art Club widened its membership guidelines to include female painters and sculptors of any gender.
Rex Rudy Slinkard was an American modernist painter and teacher. He is best remembered for his Symbolist works, most of which were unknown until after his premature death at age 31.
Benji Okubo was an American-Japanese oil and watercolor painter, teacher, and landscape designer. He mainly focused on his landscape paintings which he was most accomplished in. He was born and raised in Riverside, California. He was the eldest of the seven children of Tometsugu "Frank" Okubo and Miejoko Kato. Artist Miné Okubo was his sister.
Al Treloar was an American bodybuilder, athletic trainer, author and artist's model. He won the first international bodybuilding contest in 1904, appeared in early silent films, and toured the United States as a vaudeville performer. He was physical director at the Los Angeles Athletic Club from 1907 to 1949.
Carl Sprinchorn (1887–1971) was a Swedish-born American artist who studied under Robert Henri and who adopted a style of realist modernism that admiring critics saw as both abstract and revolutionary. His oil paintings and works on paper showed a wide range of subjects. He made cityscapes and street scenes, seascapes and beach scenes, bucolic landscapes and farm scenes. He drew famous dancers, society figures, and both urban and rural men at work. As one critic put the matter, "He has the rare quality of making whatever subject he essays interesting and unusual, be it bouquets of flowers, riders in six-day bicycle races, Spanish dancers or straight American landscape." He achieved acclaim for pictures he made while living in New York and during extensive travels. In 1918, a critic said his drawings showed the kind of "bold pen outline" and gift for "incisive statement" that could be seen in work by British caricaturist, Thomas Rowlandson. Another critic noted a "sensuous, aristocratic nostalgia" in Sprinchorn's urban scenes, describing them as "delicate, suggestive impressions." Throughout much of his career Sprinchorn's floral paintings in oil, pastel, and watercolor also attracted critical attention. Reviewing watercolors exhibited in 1928, a critic praised a "subtle relation of colors" in a floral work and said that "if colors could sing," these would "chant melodiously." Sprinchorn made extensive visits to camps and hamlets in the North Maine Woods and the paintings and drawings he made there came to be his most celebrated works. Regarding a cluster of posthumous exhibitions held in 2002, a critic wrote, "In Sprinchorn's hands, the Maine woods come alive through the actions of men who are most comfortable among the trees: hunters, trappers, lumberjacks and river drivers, mostly. These large, rugged images are full of earthy colors that recall the blue-chill of winter, the blaze-orange glow of autumn and the shadowy scenes that accompany nighttime campfires..."
James McKay Redmond was an American painter, muralist, and printmaker active in Los Angeles in the 1920s and 1930s. His prismatic colors and sinuous lines were admired by the critics of his day and his New Deal-era murals are considered particularly fine exemplars of the genre. A leader in the local art community, he succeeded his mentor Stanton MacDonald-Wright as a director of the progressive and influential Art Students League of Los Angeles and steered the organization through the Great Depression. During World War II, he enlisted in the U.S. Army, and landed at Omaha Beach in Normandy, France on D-Day with his battalion of combat engineers. Redmond was killed in action four days before Christmas 1944 during the German counteroffensive into the Ardennes Forest known as the Battle of the Bulge.
