The Behistun Inscription is a multilingual Achaemenid royal inscription and large rock relief on a cliff at Mount Behistun in the Kermanshah Province of Iran, near the city of Kermanshah in western Iran, established by Darius the Great. It was important to the decipherment of cuneiform, as it is the longest known trilingual cuneiform inscription, written in Old Persian, Elamite, and Babylonian.
Susa was an ancient city in the lower Zagros Mountains about 250 km (160 mi) east of the Tigris, between the Karkheh and Dez Rivers in Iran. One of the most important cities of the Ancient Near East, Susa served as the capital of Elam and the winter capital of the Achaemenid Empire, and remained a strategic centre during the Parthian and Sasanian periods.
Ardashir II, was the Sasanian King of Kings of Iran from 379 to 383. He was the brother of his predecessor, Shapur II, under whom he had served as vassal king of Adiabene, where he fought alongside his brother against the Romans. Ardashir II was appointed as his brother's successor to rule interimly till the latter's son Shapur III reached adulthood. Ardashir II's short reign was largely uneventful, with the Sasanians unsuccessfully trying to maintain rule over Armenia.
Elam was an ancient civilization centered in the far west and southwest of modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq. The modern name Elam stems from the Sumerian transliteration elam(a), along with the later Akkadian elamtu, and the Elamite haltamti. Elamite states were among the leading political forces of the Ancient Near East. In classical literature, Elam was also known as Susiana, a name derived from its capital Susa.
Ardashir I, also known as Ardashir the Unifier, was the founder of the Persian Sasanian Empire. He was also Ardashir V of the Kings of Persis, until he founded the new empire. After defeating the last Parthian shahanshah Artabanus IV on the Hormozdgan plain in 224, he overthrew the Arsacid dynasty and established the Sasanian dynasty. Afterwards, Ardashir called himself "shahanshah" and began conquering the land that he called Iran.
Naqsh-e Rostam is an ancient archeological site and necropolis located about 13 km northwest of Persepolis, in Fars province, Iran. A collection of ancient Iranian rock reliefs are cut into the face of the mountain and the mountain contains the final resting place of four Achaemenid kings, notably king Darius the Great and his son, Xerxes. This site is of great significance to the history of Iran and to Iranians, as it contains various archeological sites carved into the rock wall through time for more than a millennium from the Elamites and Achaemenids to Sassanians. It lies a few hundred meters from Naqsh-e Rajab, with a further four Sassanid rock reliefs, three celebrating kings and one a high priest.
Izeh is a city in the Central District of Izeh County, Khuzestan province, Iran, serving as capital of both the county and the district.
Taq-e Bostan is a site with a series of large rock reliefs from the era of the Sassanid Empire of Persia (Iran), carved around the 4th century CE.
Khuzestan province is located in southwestern Iran. Its history extends from the pre-Aryan ancient Elamite civilization to the modern-day Islamic Republic.
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II was an outstanding patron, his reign being regarded as a golden age of Persian music.
Sasanian architecture refers to the Persian architectural style that reached a peak in its development during the Sasanian era. In many ways the Sasanian Empire period witnessed the highest achievement of Iranian civilization, and constituted the last great pre-Islamic Persian Empire before the Muslim conquest. Much of Sasanian architecture was adopted by Muslims and became part of Islamic architecture.
The Sasanian Empire, officially Ērānšahr, was the last empire of ancient Iran. Named after the House of Sasan, it endured for over four centuries, from 224 to 651, making it the second longest-lived imperial Iranian dynasty after the directly preceding Arsacid dynasty of Parthia.
The Parthian style is a style of historical Iranian architecture defined by Mohammad Karim Pirnia.
Behistun palace is a ruined Sassanid palace located in Bisotun, 20 kilometres (12 mi) from Kermanshah, Iran. It faces the cliff with the much older Behistun inscription and rock relief, across the ancient road running between Behistun mountain and Behistun lake. The palace has long been regarded in Persian tradition as a residence of Shirin, queen of Khosrau II, the Sassanid Shah of Persia who reigned from 590 to 628, shortly before the Muslim conquest of Persia. This connection is first documented, in surviving records, by early Islamic geographers, and is elaborated in various later stories and myths, as a fictionalized Shirin became an important heroine of later Persian literature, such as the Shahnameh. It is included in the UNESCO World Heritage Site of Bisotun.
Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation, temples made for worship and social gatherings, and mausoleums erected in honor of fallen kings. Achaemenid architecture was influenced by Mesopotamian, Assyrian, Egyptian, Elamite, Lydian, Greek and Median architecture. The quintessential feature of Persian architecture was its eclectic nature with foreign elements, yet producing a unique Persian identity seen in the finished product. Achaemenid architecture is academically classified under Persian architecture in terms of its style and design.
Kul-e Farah is an archaeological site and open-air sanctuary situated in the Zagros mountain valley of Izeh/Mālamir, in south-western Iran, around 800 meters over sea level. Six Elamite rock reliefs are located in a small gorge marked by a seasonal creek bed on the plain's east side of the valley, near the town of Izeh in Khuzestan.
Sasanian art, or Sassanid art, was produced under the Sasanian Empire which ruled from the 3rd to 7th centuries AD, before the Muslim conquest of Persia was completed around 651. In 224 AD, the last Parthian king was defeated by Ardashir I. The resulting Sasanian dynasty would last for four hundred years, ruling modern Iran, Iraq, and much territory to the east and north of modern Iran. At times the Levant, much of Anatolia and parts of Egypt and Arabia were under its control. It began a new era in Iran and Mesopotamia, which in many ways was built on Achaemenid traditions, including the art of the period. Nevertheless, there were also other influences on art of the period that came from as far as China and the Mediterranean.
Persian art or Iranian art has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.
A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, rock-cut architecture. However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples. A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs. Rock reliefs have been made in many cultures throughout human history, and were especially important in the art of the ancient Near East. Rock reliefs are generally fairly large, as they need to be in order to have an impact in the open air. Most of those discussed here have figures that are over life-size, and in many the figures are multiples of life-size.
The Anubanini petroglyph, also called Sar-e Pol-e Zohab II or Sarpol-i Zohab relief, is a rock relief from the Akkadian Empire period or the Isin-Larsa period and is located in Kermanshah Province, Iran. The rock relief is believed to belong to the Lullubi culture and is located 120 kilometers away from the north of Kermanshah, close to Sarpol-e Zahab. Lullubi reliefs are the earliest rock reliefs of Iran, later ones being the Elamite reliefs of Eshkaft-e Salman and Kul-e Farah.
