Kewa Pueblo is a federally-recognized tribe of Native American Pueblo people in northern New Mexico, in Sandoval County southwest of Santa Fe. The pueblo is recorded as the Santo Domingo Pueblo census-designated place by the U.S. Census Bureau, with a population of 2,456 at the 2010 census.
Maria Poveka Montoya Martinez was a Puebloan artist who created internationally known pottery. Martinez, her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts. The works of Maria Martinez, and especially her black ware pottery, are in the collections of many museums, including the Smithsonian, the Metropolitan Museum of Art, the Denver Art Museum, and more. The Penn Museum in Philadelphia holds eight vessels – three plates and five jars – signed either "Marie" or "Marie & Julian".
Lucy Martin Lewis was a Native American potter from Acoma Pueblo, New Mexico. She is known for her black-on-white decorative ceramics made using traditional techniques.
Rose Cata Gonzales (1900–1989) was born in Ohkay Owingeh Pueblo in the U.S. state of New Mexico. She is known for her original carved blackware pottery, and for traditional pottery in the Ohkay Owingeh Pueblo style.
Maria Margarita "Margaret" Tafoya was the matriarch of Santa Clara Pueblo potters. She was a recipient of a 1984 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
Juanita Suazo Dubray also known as Juanita DuBray, is a Native American potter from Taos Pueblo, New Mexico. She is a lifelong resident of Taos Pueblo and descends from an unbroken line of Taos Pueblo natives. Her mother Tonita made traditional micaceous pottery for utilitarian use. She became interested in the micaceous pottery tradition in 1980 after a career of working as a pharmaceutical technician.
Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s. Along with Juana Leno, they have been called "The Four Matriarchs" who "revived the ancient style of Acoma pottery." The inspiration for many designs used on their pottery were found on old potsherds gathered to use for temper. Together they led the revival of ancient pottery forms including the Mimbres, Tularosa and other various cultures in the Anasazi region. This revival spread to other potters who also accepted the old styles, which led to new innovative designs and variations of style and form.
Anita Louise Suazo is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
The Aguilar Family is a Native American family of potters from Santo Domingo Pueblo, New Mexico, United States. The group consisting of two sisters, Felipita Aguilar Garcia, Asuncion Aguilar Cate, and their sister in law, Mrs. Ramos Aguilar. Their pottery work together became known as Aguilar pottery, however they are sometimes referred to as the Aguilar Sisters.
Leonidas Tapia (?-1977) was a Puebloan potter from Ohkay Owingeh, New Mexico, United States.
Nathan Youngblood is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Lisa Holt and Harlan Reano are a husband-and-wife team of Pueblo potters and artists from northern New Mexico. They have been making pottery together in 1999, they use traditional Cochiti pottery techniques and create modern work.
Grace Medicine Flower is a potter, best known for her intricately carved miniature redware and blackware.
Angela Tafoya Baca was a Native American artist who was known for her redware and blackware pottery, especially melon bowls and bowls featuring a bear paw design. She had one of the longest careers of the potters in Santa Clara Pueblo in New Mexico. She was a member of the Tewa and a resident of Santa Clara Pueblo.
Juanita Inez Ortiz, also known as Inez Ortiz was a Native American Cochiti Pueblo artist, specializing in pottery. She is of the Herrera family of Pueblo potters in New Mexico, whose work is often found in art collections and in art museums. She was from the Cochiti Pueblo in Cochiti, New Mexico.
Helen Shupla (1928-1985) was an American potter from Santa Clara Pueblo, New Mexico.
Black-on-black ware is a 20th- and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from Kha'po Owingeh and P'ohwhóge Owingeh pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors.
Pueblo pottery are ceramic objects made by the indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.
Robert Tenorio is a Kewa potter.