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In telecommunication, an articulation score (AS) is a subjective measure of the intelligibility of a voice system in terms of the percentage of words correctly understood over a channel perturbed by interference.
Articulation scores have been experimentally obtained as functions of varying word content, bandwidth, audio signal-to-noise ratio and the experience of the talkers and listeners involved.
Click consonants, or clicks, are speech sounds that occur as consonants in many languages of Southern Africa and in three languages of East Africa. Examples familiar to English-speakers are the tut-tut or tsk! tsk! used to express disapproval or pity, the tchick! used to spur on a horse, and the clip-clop! sound children make with their tongue to imitate a horse trotting. However, these paralinguistic sounds in English are not full click consonants, as they only involve the front of the tongue, without the release of the back of the tongue that is required for clicks to combine with vowels and form syllables.
In articulatory phonetics, the manner of articulation is the configuration and interaction of the articulators when making a speech sound. One parameter of manner is stricture, that is, how closely the speech organs approach one another. Others include those involved in the r-like sounds, and the sibilancy of fricatives.
Phonetics is a branch of linguistics that studies how humans produce and perceive sounds or, in the case of sign languages, the equivalent aspects of sign. Linguists who specialize in studying the physical properties of speech are phoneticians. The field of phonetics is traditionally divided into three sub-disciplines based on the research questions involved such as how humans plan and execute movements to produce speech, how various movements affect the properties of the resulting sound or how humans convert sound waves to linguistic information. Traditionally, the minimal linguistic unit of phonetics is the phone—a speech sound in a language which differs from the phonological unit of phoneme; the phoneme is an abstract categorization of phones and it is also defined as the smallest unit that discerns meaning between sounds in any given language.
In articulatory phonetics, the place of articulation of a consonant is a location along the vocal tract where its production occurs. It is a point where a constriction is made between an active and a passive articulator. Active articulators are organs capable of voluntary movement which create the constriction, while passive articulators are so called because they are normally fixed and are the parts with which an active articulator makes contact. Along with the manner of articulation and phonation, the place of articulation gives the consonant its distinctive sound.
Coronals are consonants articulated with the flexible front part of the tongue. Among places of articulation, only the coronal consonants can be divided into as many articulation types: apical, laminal, domed, or subapical as well as different postalveolar articulations : palato-alveolar, alveolo-palatal and retroflex. Only the front of the tongue (coronal) has such dexterity among the major places of articulation, allowing such variety of distinctions. Coronals have another dimension, grooved, to make sibilants in combination with the orientations above.
Glottal consonants are consonants using the glottis as their primary articulation. Many phoneticians consider them, or at least the glottal fricative, to be transitional states of the glottis without a point of articulation as other consonants have, while some do not consider them to be consonants at all. However, glottal consonants behave as typical consonants in many languages. For example, in Literary Arabic, most words are formed from a root C-C-C consisting of three consonants, which are inserted into templates such as or. The glottal consonants and can occupy any of the three root consonant slots, just like "normal" consonants such as or.
Postalveolar or post-alveolar consonants are consonants articulated with the tongue near or touching the back of the alveolar ridge. Articulation is farther back in the mouth than the alveolar consonants, which are at the ridge itself, but not as far back as the hard palate, the place of articulation for palatal consonants. Examples of postalveolar consonants are the English palato-alveolar consonants, as in the words "ship", "'chill", "vision", and "jump", respectively.
The voiced retroflex approximant is a type of consonant used in some languages. The symbol in the International Phonetic Alphabet that represents this sound is ⟨ɻ⟩, and the equivalent X-SAMPA symbol is r\`. The IPA symbol is a turned lowercase letter r with a rightward hook protruding from the lower right of the letter.
A voiced postalveolar fricative is a type of consonantal sound used in some spoken languages. The International Phonetic Association uses the term voiced postalveolar fricative only for the sound, but it also describes the voiced postalveolar non-sibilant fricative, for which there are significant perceptual differences.
The voiced retroflex sibilant fricative is a type of consonantal sound, used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is ⟨ʐ⟩, and the equivalent X-SAMPA symbol is z`. Like all the retroflex consonants, the IPA symbol is formed by adding a rightward-pointing hook extending from the bottom of a z.
A pharyngeal consonant is a consonant that is articulated primarily in the pharynx. Some phoneticians distinguish upper pharyngeal consonants, or "high" pharyngeals, pronounced by retracting the root of the tongue in the mid to upper pharynx, from (ary)epiglottal consonants, or "low" pharyngeals, which are articulated with the aryepiglottic folds against the epiglottis at the entrance of the larynx, as well as from epiglotto-pharyngeal consonants, with both movements being combined.
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either as a result of its context or specifically indicated by an accent mark. Accents contribute to the articulation and prosody of a performance of a musical phrase. Accents may be written into a score or part by a composer, or added by the performer as part of their interpretation of a musical piece.
Dysarthria is a speech sound disorder resulting from neurological injury of the motor component of the motor–speech system and is characterized by poor articulation of phonemes. In other words, it is a condition in which problems effectively occur with the muscles that help produce speech, often making it very difficult to pronounce words. It is unrelated to problems with understanding language, although a person can have both. Any of the speech subsystems can be affected, leading to impairments in intelligibility, audibility, naturalness, and efficiency of vocal communication. Dysarthria that has progressed to a total loss of speech is referred to as anarthria. The term dysarthria was formed from the Greek components dys- "dysfunctional, impaired" and arthr- "joint, vocal articulation".
Articulation may refer to:
The voiced palato-alveolar sibilant affricate, voiced post-alveolar affricate or voiced domed postalveolar sibilant affricate is a type of consonantal sound, used in some spoken languages. The sound is transcribed in the International Phonetic Alphabet with ⟨d͡ʒ⟩, or in some broad transcriptions ⟨ɟ⟩, and the equivalent X-SAMPA representation is dZ. Alternatives commonly used in linguistic works, particularly in older or American literature, are ⟨ǰ⟩, ⟨ǧ⟩, ⟨ǯ⟩, and ⟨dž⟩. It is familiar to English speakers as the pronunciation of ⟨j⟩ in jump.
Co-articulated consonants or complex consonants are consonants produced with two simultaneous places of articulation. They may be divided into two classes: doubly articulated consonants with two primary places of articulation of the same manner, and consonants with secondary articulation, that is, a second articulation not of the same manner.
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. Musical articulation is analogous to the articulation of speech, and during the Baroque and Classical periods it was taught by comparison to oratory.
Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. If a more soft tone is desired, the syllable "da" is preferred. The technique also works for whistling. Tonguing also refers to articulation, which is how a musician begins the note and how the note is released For wind players, articulation is commonly spoken of in terms of tonguing because the tongue is used to stop and allow air to flow in the mouth. Tonguing does not apply to non wind instruments, but articulation does apply to all instruments.
Palatals are consonants articulated with the body of the tongue raised against the hard palate. Consonants with the tip of the tongue curled back against the palate are called retroflex.
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