Artistic control

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Artistic control or creative control is a term commonly used in media production, such as movies, television, music production, or some other cultural product. [1] A person, or the studio or production company, with artistic control has the authority to decide how the final product will appear. In movies, this commonly refers to the authority to decide on the final cut. [2] When a director does not have artistic control, the studio or production company that is producing the project commonly has the final say on production. [2]

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When dealing with numeric values, artistic (or creative) control usually refers to the commanding portion of an executive deal or contract, so a share such as 51% and 49%, respectively, for shareholders or stocks would denote the shareholder with 51% as having control. 50 and 50 percent share an equal commanding portion, and so must come to terms on both sides.[ citation needed ]

Music

Artistic Control or creative control can differ widely within the music industry. Two categories that determine the amount of creative control an artist possesses are: Independent and Signed. The type of venture that a musician chooses can impact the future of their music and how it is released.

Independent artist

An independent artist produces and releases music without the additional support of a record label. Similar wording to that of an independent artist would include "indie" or independently produced. When a artist is independent the music that is produced is completely funded by them or the group in which they are apart of. If a artist chooses to remain independent they typically have complete control of the music that they create, their release schedule and the amount of content that is created. However, there are also cons to this approach due to the lack of funding and promotion of the music.

Pros: [3]

  • 100% creative control
  • Maintain 100% of profit
  • Own the rights to their music

Cons: [3]

  • Limited promotion
  • Lack of budget or funding

Signed artist

A signed artist includes a musician that is contracted to a record label. Typical record labels include Universal music group, Republic records, Sony music entertainment, and Warner music group. Artists that are signed to larger record labels are bind to a contract that dictates the amount, type, and demographic that the music caters to. Signed artist typically see a large budget and promotion but can be subject to a lack of artistic control.

Pros: [3]

  • Influential gain
  • Increased budget
  • Planned marketing

Cons: [3]

  • Lack or decrease in artistic control
  • Decreased personal profits
  • Binding contracts

Film

In film (movies and television) the person that is in charge of creative control is the director. The director has control of the artistic attributes of the film, commonly having a large influence of the overall vision. Directors commonly work in tandem with screenwriters and adjust aspects of the film as filming continues. The director has control over a variety of aspects such as: lighting, hair and makeup, set design and wardrobe. They are typically the final say unless the producer has adjustments of their own. Once the movie or television show is finished filming, the director will begin editing and release a version of the film commonly known as a "directors cut". This is an alternate version of the film that contains different scenes, cuts and edits.

See also

Related Research Articles

A director's cut is an edited version of a film that is supposed to represent the director's own approved edit in contrast to the theatrical release. "Cut" explicitly refers to the process of film and game editing; in preparing a film for release, the director's cut is preceded by the assembly and rough editor's cut and usually followed by the final cut meant for the public film release and video game release.

<span class="mw-page-title-main">Film editing</span> Creative and technical part of the post-production process of filmmaking

Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. When putting together some sort of video composition, typically, you would need a collection of shots and footages that vary from one another. The act of adjusting the shots you have already taken, and turning them into something new is known as film editing.

A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.

<span class="mw-page-title-main">Record producer</span> Individual supervising a musical project

A record producer is a music recording project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions: ensuring artists deliver acceptable and quality performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director though there are important differences. It is distinct from the role of an executive producer, who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the recording technology.

<span class="mw-page-title-main">Record label</span> Brand and trademark associated with the marketing of music recordings and music videos

A record label, or record company, or simply records, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.

A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script, coordinating writing, directing, editing, and arranging financing.

Development hell, also known as development purgatory or development limbo, is media and software industry jargon for a project, concept, or idea that remains in a stage of early development for a long time because of legal, technical, or artistic challenges. A work may move between many sets of artistic leadership, crews, scripts, game engines, or studios. Many projects which end up in development hell never progress into production, and are gradually abandoned by the involved parties.

Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games.

<span class="mw-page-title-main">Brother Records</span> The Beach Boys record company

Brother Records, Inc. (BRI) is an American holding company and record label established in 1966 that owns the intellectual property rights of the Beach Boys, including "The Beach Boys" trademark. It was founded by brothers Brian, Carl and Dennis Wilson, and their cousin Mike Love. As of 2011, the corporation was equally owned by four shareholders and directors: Brian Wilson, Mike Love, Al Jardine, and the estate of Carl Wilson.

Filmmaking or film production is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience, which may result in a film release and exhibition. The process is nonlinear, as the director typically shoots the script out of sequence, repeats shots as needed, and puts them together through editing later. Filmmaking occurs in a variety of economic, social, and political contexts around the world, and uses a variety of technologies and cinematic techniques to make theatrical films, episodic films for television and streaming platforms, music videos, and promotional and educational films.

<span class="mw-page-title-main">Independent music</span> Music produced without commercial record labels

Independent music is music produced independently from commercial record labels or their subsidiaries; this may include an autonomous, do-it-yourself approach to recording and publishing.

A production company, production house, production studio, or a production team is a studio that creates works in the fields of performing arts, new media art, film, television, radio, comics, interactive arts, video games, websites, music, and video. These groups consist of technical staff to produce the media, and are often incorporated as a commercial publisher.

A talent agent, or booking agent, is a person who finds jobs for actors, authors, broadcast journalists, film directors, musicians, models, professional athletes, screenwriters, writers, and other professionals in various entertainment or sports businesses. In addition, an agent defends, supports and promotes the interest of their clients. Talent agencies specialize, either by creating departments within the agency or developing entire agencies that primarily or wholly represent one specialty. For example, there are modeling agencies, commercial talent agencies, literary agencies, voice-over agencies, broadcast journalist agencies, sports agencies, music agencies and many more.

Television crew positions are derived from those of film crew, but with several differences.

A recording contract is a legal agreement between a record label and a recording act, where the act makes an audio recording for the label to sell and promote. Artists under contract are normally only allowed to record for that label exclusively; guest appearances on other artists' records will carry a notice "By courtesy of ", and that label in question may receive a percentage of sales through publishing.

A studio system is a method of filmmaking wherein the production and distribution of films is dominated by a small number of large movie studios. It is most often used in reference to Hollywood motion picture studios during the early years of the Golden Age of Hollywood from 1927 to 1948, wherein studios produced films primarily on their own filmmaking lots with creative personnel under often long-term contract, and dominated exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques such as block booking.

Film budgeting refers to the process by which a line producer, unit production manager, or production accountant prepares a budget for a film production. This document, which could be over 130 pages long, is used to secure financing for and lead to pre-production and production of the film. Multiple drafts of the budget may be required to whittle down costs. A budget is typically divided into four sections: above the line, below the line, post-production, and other. The budget excludes film promotion and marketing, which is the responsibility of the film distributor. Film financing can be acquired from a private investor, sponsor, product placement, film studio, entertainment company, and/or out-of-pocket funds.

<span class="mw-page-title-main">Film director</span> Person who controls the artistic and dramatic aspects of a film production

A film director is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay while guiding the film crew and actors in the fulfillment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking.

Panayiotou and others v. Sony Music Entertainment (UK) Ltd. was a contract and entertainment law case before the High Court of Justice's Chancery Division. The plaintiff, entertainer George Michael, argued that his recording contract constituted an unreasonable restraint of trade. Michael alleged that the defendant had failed to promote his album Listen Without Prejudice Vol. 1 with due vigour as punishment when the artist decided to downplay his status as a sex symbol. Michael described his situation as "professional slavery" because his contract required that he produce music and cede the copyright to Sony for many years, leaving him no control over how the music would be marketed nor placing a reciprocal requirement that the label invest in promotion. Had the case succeeded, it might have curtailed the practice of signing artists to multi-album contracts. The court wholly rejected the claims.

DreamWorks Pictures is an American film studio and distribution label of Amblin Partners. It was originally founded on October 12, 1994, as a live-action film studio by Steven Spielberg, Jeffrey Katzenberg, and David Geffen, of which they owned 72%. The studio formerly distributed its own and third-party films. It has produced or distributed more than ten films with box-office grosses of more than $100 million each.

References

  1. Siciliano, Michael L. (2021). "Creative Control?". Creative Control: The Ambivalence of Work in the Culture Industries. Columbia University Press. p. 3. ISBN   978-0-231-19381-8.
  2. 1 2 Harris, Elana (2013). "The Rght To Final Cut Approval: The Struggle For Creative Control Between The Director And The Studio In Feature Filmmaking" (PDF). Chicago-Kent College of Law (Final Seminar Paper). p. 3.
  3. 1 2 3 4 Hilier, Nick (2019-07-29) [2023-05-27]. "Being an Independent Artist vs. Signing with a Label". Icon Collective. Retrieved April 16, 2024.{{cite web}}: Check |archive-url= value (help)CS1 maint: url-status (link)

Further reading