Artists' Benevolent Fund

Last updated

The Artists' Benevolent Fund was instituted in 1810 [1] and incorporated by royal charter on 2 August 1827. It has also been referred to as the Artists' Fund [2] and the Artists' Joint Stock Fund. [3]

As of 1851, it was one of two charitable funds established for purposes relative to those who had been unfortunate in the practice of the fine arts, the other being the Artists' General Benevolent Institution. [3]

As of 1852, it consisted of two separate and distinct branches: the Artists' Annuity Fund, and the Artists' Benevolent Fund. The first was supported by the contributions of its members, for their own relief in sickness or superannuation. All artists of merit in painting, sculpture, architecture, and engraving, were eligible to become members, the annual payments to which were regulated by the age of the member, increasing a small sum every year. The amount of funded property was £14,900, exclusively the property of the members themselves. The second was supported by the patrons of the Fine Arts, for the relief of the widows and orphans of the members of the Annuity Fund. And the whole was under the direction of the president, and ten subscribers to the Benevolent Fund, annually elected by the subscribers, and five members of the Annuity Fund, annually elected by its members. Every artist proposed as a member of the Annuity Fund, had to be balloted for, and approved by the committee of the Benevolent Fund, in order to entitle his widow and children to its benefits. The benefits of this fund were extended to about 40 widows and 22 orphans, the former receiving £18, and the latter £5 annually. The income for this purpose was about £1,200 per annum, derived half from dividends, and the other half from present voluntary contributions. [1]

John Young was honorary secretary of the Artists' Benevolent Fund [4] from 6 December 1810 to 4 May 1813. [5]

Related Research Articles

The Royal Variety Charity is a British charity based in Twickenham, London, England. It is dedicated to giving support to those who have professionally served the entertainment industry and find themselves sick, impoverished or elderly.

<span class="mw-page-title-main">Paternoster Row</span> Former street in London

Paternoster Row was a street in the City of London that was a centre of the London publishing trade, with booksellers operating from the street. Paternoster Row was described as "almost synonymous" with the book trade. It was part of an area called St Paul's Churchyard.

<span class="mw-page-title-main">Henry Noel Humphreys</span> British illustrator, naturalist, entomologist, and numismatist

Henry Noel Humphreys (1810–1879), was a British illustrator, naturalist, entomologist, and numismatist.

Reverend Lewis Page Mercier is known today as the translator, along with Eleanor Elizabeth King, of three of the best-known novels of Jules Verne: Twenty Thousand Leagues under the Seas, From the Earth to the Moon, and Around the Moon. To avoid a conflict of interest with his position as chaplain, Mercier wrote under the pen names of Louis Mercier, MA (Oxon) and Mercier Lewis.

<span class="mw-page-title-main">Clergy Support Trust</span>

Clergy Support Trust is a charity which provides support to Anglican clergy and ordinands, and their families, in the UK and Ireland.

<span class="mw-page-title-main">Sampson Low</span> British bookseller and publisher (1797–1886)

Sampson Low was a bookseller and publisher in London in the 19th century.

<span class="mw-page-title-main">British Institution</span>

The British Institution was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to attract members and visitors, in 1867, when the lease on its quarters expired, instead of renewing the society wrapped up its affairs.

<span class="mw-page-title-main">Robert William Buss</span> British artist (1804–1875)

Robert William Buss was a Victorian artist, etcher and illustrator perhaps best known for his painting Dickens' Dream. He was the father of Frances Buss, a pioneer of girls' education.

<span class="mw-page-title-main">Samuel William Reynolds</span> English painter

Samuel William Reynolds was a mezzotint engraver, landscape painter and landscape gardener. Reynolds was a popular engraver in both Britain and France and there are over 400 examples of his work in the National Portrait Gallery, London.

<span class="mw-page-title-main">Denis Dighton</span> English painter (1792–1827)

Denis Dighton was an English painter, best known for his military portraits and battle scenes.

<span class="mw-page-title-main">Charles Warren (engraver)</span> British engraver (1762–1823)

Charles Turner Warren was a British engraver.

Lloyd's Patriotic Fund was founded on 28 July 1803 at Lloyd's Coffee House, and continues to the present day. Lloyd’s Patriotic Fund now works closely with armed forces charities to identify the individuals and their families who are in urgent need of support.

<span class="mw-page-title-main">Edward Scriven</span> English engraver

Edward Scriven was an English engraver of portraits, in the stipple and chalk manner. Scriven was the pre-eminent engraver of his generation, with 210 portraits ascribed to him by the National Portrait Gallery.

<span class="mw-page-title-main">Society of Women Artists</span>

The Society of Women Artists (SWA) is a British art body dedicated to celebrating and promoting fine art created by women. It was founded as the Society of Female Artists (SFA) in 1856-7, offering women artists the opportunity to exhibit and sell their works. Annual exhibitions have been held in London since 1857, with some wartime interruptions.

<span class="mw-page-title-main">John Pye</span> British landscape engraver

John Pye was a British landscape engraver.

<span class="mw-page-title-main">Francis Milner Newton</span> English painter

Francis Milner Newton was an English portrait painter and first secretary of the Royal Academy.

<span class="mw-page-title-main">William Colford Schermerhorn</span> American lawyer, philanthropist, and patron of the arts

William Colford Schermerhorn was an American lawyer, philanthropist, and patron of the arts.

George Vivian (1798–1873) was an English traveller and topographical artist. He is known for Spanish landscapes and views from Italian gardens.

<span class="mw-page-title-main">James Cordiner</span> Scottish Episcopal clergyman in Ceylon and India

James Cordiner (1775–1836) was a Scottish Episcopal minister and writer, author of A Description of Ceylon.

References

  1. 1 2 Sampson Low the younger. "Artists' Benevolent Fund" in The Charities of London in 1852-3. Sampson Low and Son. London. 1854. Page 101.
  2. Robert William Buss. "Artists' Funds" in The Almanac of the Fine Arts for the Year 1850. George Rowney and Co. Rathbone Place, London. 1850. Page 115.
  3. 1 2 Robert William Buss. The Almanac of the Fine Arts for the Year 1850. Page 127.
  4. O'Donoghue, Freeman Marius (1900). "Young, John (1755-1825)"  . In Lee, Sidney (ed.). Dictionary of National Biography . Vol. 63. London: Smith, Elder & Co. p. 381.
  5. John Pye. Patronage of British Art, An Historical Sketch. Longman, Brown, Green and Longmans. Paternoster Row, London. 1845. Page 325.