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Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
ART PAPERS is an Atlanta-based bimonthly art magazine and non-profit organization dedicated to the examination of art and culture in the world today. Its mission is to provide an independent and accessible forum for the exchange of perspectives on the role of contemporary art as a socially relevant and engaged discourse. This mission is implemented through the publication of ART PAPERS magazine and the presentation of public programs.
The Asian Cultural Council (ACC) is a non-profit organization dedicated to advancing international cultural exchange between Asia and the U.S. and between the countries of Asia through the arts. Founded by John D. Rockefeller III in 1963, ACC has invested over $100 million in grants to artists and arts professionals representing 16 fields and 26 countries through over 6,000 exchanges. ACC supports $1.4 million in grants annually for individuals and organizations.
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AfriLabs is a Nigerian social networking service for African technology startup companies and business incubators. AfriLabs provides a network for 300 organizations across 50 nations.
Project 1975 started in 2010 as a two-year project based in the Netherlands with the intent to explore the relationships between contemporary art and postcolonialism. Through this project Stedelijk Museum Bureau Amsterdam (SMBA) explored the role of art and visual culture in the context of colonial practices. The project consisted of multiple exhibitions, seminars, reading groups, articles, and a blog. "1975" in the title refers to the year that Suriname gained independence and the Netherlands thus became to some extent "postcolonial".
The Dutch pavilion houses the Netherlands's national representation during the Venice Biennale arts festivals.
The Arab Fund for Arts and Culture (AFAC) (Arabic: الصندوق العربي للثقافة والفنون) is an independent, non-profit NGO that funds individuals and cultural organizations in the Arab region. By awarding grants for partial funding of cultural projects and other forms of support, AFAC facilitates projects in the fields of cinema, performing arts, literature, music and visual arts, and encourages cultural exchange, research and cooperation across the Arab region and globally.
References
- ↑ Polly T. Stupples, Breaking the frame: Art in international development , Ph.D. thesis, Massey University, Turitea, New Zealand, 2011, pp. 56-57; Iolanda Pensa, La Biennale de Dakar comme projet de coopération et de développement , Ph.D. thesis, EHESS-Politecnico di Milano, 2011, pp. 150 and 295.