African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as: African-American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
The International Council of Museums (ICOM) is a non-governmental organisation dedicated to museums, maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. Founded in 1946, ICOM also partners with entities such as the World Intellectual Property Organization, Interpol, and the World Customs Organization in order to carry out its international public service missions, which include fighting illicit traffic in cultural goods and promoting risk management and emergency preparedness to protect world cultural heritage in the event of natural or man-made disasters. Members of the ICOM get the ICOM membership card, which provides free entry, or entry at a reduced rate, to many museums all over the world.
The Asia–Europe Meeting (ASEM) is an Asian–European political dialogue forum to enhance relations and various forms of cooperation between its partners. It was officially established on 1 March 1996 at the 1st ASEM Summit (ASEM1) in Bangkok, Thailand, by the then 15 Member States of the European Union (EU) and the European Commission, the then 7 Member States of the Association of Southeast Asian Nations (ASEAN), and the individual countries of China, Japan, and South Korea. A series of enlargements saw additional EU Member States join as well as India, Mongolia, Pakistan and the ASEAN Secretariat in 2008, Australia, New Zealand and Russia in 2010, Bangladesh, Norway, and Switzerland in 2012, as well as Croatia, and Kazakhstan in 2014.
The Musée de l'Homme is an anthropology museum in Paris, France. It was established in 1937 by Paul Rivet for the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne. It is the descendant of the Musée d'Ethnographie du Trocadéro, founded in 1878. The Musée de l'Homme is a research center under the authority of various ministries, and it groups several entities from the CNRS. The Musée de l'Homme is one of the seven departments of the Muséum national d'histoire naturelle. The Musée de l'Homme occupies most of the Passy wing of the Palais de Chaillot in the 16th arrondissement. The vast majority of its collection was transferred to the Quai Branly museum.
The Musée du Quai Branly – Jacques Chirac, located in Paris, France, is a museum designed by French architect Jean Nouvel to feature the indigenous art and cultures of Africa, Asia, Oceania, and the Americas. The museum collection comprises more than a million objects, of which 3,500 are on display at any given time, in both permanent and temporary thematic exhibits. A selection of objects from the museum is also displayed in the Pavillon des Sessions of the Louvre.
Georges-Henri Rivière (1897–1985) was a French museologist, and innovator of modern French ethnographic museology practices.
The Fowler Museum at UCLA, commonly known as The Fowler, and formerly Museum of Cultural History and Fowler Museum of Cultural History, is a museum on the campus of the University of California, Los Angeles (UCLA) which explores art and material culture primarily from Africa, Asia and the Pacific, and the Americas, past and present.
The Asia–Europe Foundation (ASEF) is an intergovernmental not-for-profit organization located in Singapore. Founded in 1997, it is the only institution of the Asia-Europe Meeting (ASEM). Its purpose is to promote mutual understanding and cooperation between the people of Asia and Europe through intellectual, cultural, and people-to-people exchanges.
The Musée de Tahiti et des Îles, Tahitian Te Fare Manaha, is the national museum of French Polynesia, located in Puna'auia, Tahiti.
The Virtual Collection of Asian Masterpieces (VCM) shares more than 2,700 Masterpieces of Asian culture online. Since its launch in 2007 more than 145 museums in Asia and Europe have joined the VCM.
The European Union (EU) Centre in Singapore is part of a global network of European Union Centres of Excellence. Following the launch of EU Centres of Excellence in the US and Canada in 1998, there are now 37 Centres located in Australia, Canada, Hong Kong, Japan, Macao, New Zealand, Russia, South Korea, Taiwan and the United States.
Some African objects had been collected by Europeans for centuries, and there had been industries producing some types, especially carvings in ivory, for European markets in some coastal regions. Between 1890 and 1918 the volume of objects greatly increased as Western colonial expansion in Africa led to the removal of many pieces of sub-Saharan African art that were subsequently brought to Europe and displayed. These objects entered the collections of natural history museums, art museums and private collections in Europe and the United States. About 90% of Africa's cultural heritage is believed to be located in Europe, according to French art historians.
Prof. Dr Hans-Martin Hinz is a German museum professional. From 2010 to 2016 he was President of the International Council of Museums (ICOM).
André Desvallées is a French museologist and Honorary General Conservator of Heritage. For 18 years, from 1959 to 1977, he was assistant to Georges Henri Rivière, considered the "father of French museology". He has a leading role in the development of this discipline, and in the creation and definition of several concepts, including "New Museology." An active member of the International Committee of Museology, the ICOFOM, he is the author of a hundred books and articles in the areas of ethnology and museology.
The Restitution of African Cultural Heritage. Toward a New Relational Ethics is a report written by Senegalese academic and writer Felwine Sarr and French art historian Bénédicte Savoy, first published online in November 2018 in a French original version and an authorised English translation.
The 136 museums in the city of Paris display many historical, scientific, and archeological artifacts from around the world, covering diverse and unique topics including fashion, theater, sports, cosmetics, and the culinary arts.
Emmanuel Kasarhérou is the curator of Musée du quai Branly – Jacques Chirac, located in Paris, France. He is the first Kanak person to head a major museum in mainland France. He is the former head of the Jean-Marie Tjibaou Cultural Centre in New Caledonia. He specializes in the art of New Caledonia and Oceanic cultures.
Miriama Bono is an architect and painter from French Polynesia, who is Director of the Musée de Tahiti et des Îles.