Former name | The National Museum of Ethnology in Leiden, Museum Volkenkunde |
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Established | 1837 |
Location | Leiden, Netherlands |
Coordinates | 52°09′47″N4°28′57″E / 52.163056°N 4.4825°E |
Visitors | 76,315 (2008) |
Director | Wayne Modest & Marieke van Bommel |
Website | https://leiden.wereldmuseum.nl/ |
Wereldmuseum Leiden (formerly known as Museum Volkenkunde), is a Rijksmuseum in the Netherlands located in the university city of Leiden. As of 2014, the museum, along with Wereldmuseum Amsterdam, in Amsterdam, and Wereldmuseum Rotterdam, together make up the National Museum of World Cultures.
The institution was at first called the "Museum Japonicum". It was the first museum in Europe which was designed to demonstrate that collecting the artefacts of humans could mean more than the mere accumulation of curiosities. From the very outset, the institution incorporated at least four basic principles: collecting, scientific research, presentation to the public, and educational guidance. [1]
In 1816 the Koninklijk Kabinet van Zeldzaamheden was formed in the Hague as an attempt to start a museum of scientific artifacts from around the world, based on royal collections and a large group of Chinese artifacts from private collections. Thanks to the early efforts of this organization, in the early 1830s, when Philipp Franz Balthasar von Siebold abandoned the political turmoil of revolutionary Belgium for the relative calm of the University of Leiden, he was inspired by the first museum director R.P. van de Kasteele to collect Japanese objects for his collection. [2] The resulting gift of about 5,000 objects became the heart the new museum's holdings. [3] Siebold's home in Leiden—and the objects he brought to Europe after eight years in Japan—was opened to the public in the early 1830s (today his collection is preserved in the SieboldHuis). The Dutch crown had previously purchased the smaller collections of Jan Cock Blomhoff in 1826 and Johannes Gerhard Frederik van Overmeer Fischer in 1832. These which were merged with what Siebold bestowed on King William I; and they became crucial elements in the creation of what became the Museum voor Volkenkunde, or Ethnographic Museum in Leiden in 1837. This institution would later evolve into the National Museum of Ethnology and later, in 2023, Wereldmuseum Leiden. [4]
In 1843, Siebold also encouraged other Europeans to create ethnographic institutions similar to what was developing in Leiden. He urged "the importance of their creation in European states possessing colonies because these institutions could become a means for understanding the subject peoples and of awakening the interest of the public and of merchants -- all of which are necessary conditions for a lucrative trade which benefits all." [5]
The collection today contains a large number of objects from Africa, China, Indonesia, Japan, Korea, Latin America, North America, Oceania, and Asia. In developing the collection, the museum has devoted significant attention to acquiring material which illustrates the historical development of world cultures; but the genesis of the museum's holdings began with material garnered during the years Japan was officially closed except for one small island in Nagasaki harbor -- Dejima.
As Opperhoofd (or chief trader) for the Dutch East India Company (Vereenigde Oostindische Compagnie or VOC) at Dejima island in Nagasaki harbor from 1817 through 1823, Jan Cock Blomhoff was unique. Despite the Japanese "closed door" policy for Westerners ( sakoku ), he did transport his wife, Titia, and children to join him. [6] The Japanese predictably responded by ejecting both Blomhoff and his family; but that experience did broaden the range of household goods and other objects he accumulated across the span of his stay in Japan.
Johannes Gerhard Frederik van Overmeer Fischer began as a clerk at Dejima and he was later promoted to warehouse master (pakhuismeester). During the span of his stay in Japan, Fisher's access to Japanese culture was limited; but within his universe of contacts, he was able to amass a considerable collection of "ordinary" objects which were plausibly overlooked by others. This material was brought back to the Netherlands in 1829. In 1833, he published Bijdrage tot de kennis van het Japansche rijk (Contribution to the knowledge of the Japanese Empire). [7]
As a physician practicing Western medicine in Nagasaki (1823–1829), Philipp Franz von Siebold received payment in kind with a variety of objects and artifacts which would later gain unanticipated scholarly attention in Europe. These everyday objects later became the basis of his large ethnographic collection, which consisted of everyday household goods, woodblock prints, tools and hand-crafted objects used by the Japanese people in the late Edo period. Further information relating to this material was published in Siebold's Nippon. His professional interest was especially drawn to implements used in the practice of traditional Japanese medicine. [8] As of 2005, a separate museum located in one of Siebold's former houses, the SieboldHuis, houses part of the collection.
In 2023, the Leiden "World Museum" was in the process of repatriating some of its best known Indonesian art works. [9] Another object may be the Leiden plate, an important Maya belt plaque from Guatemala that some consider should be returned to that country, where it constitutes an object of national pride.
Dejima or Deshima, in the 17th century also called Tsukishima, was an artificial island off Nagasaki, Japan that served as a trading post for the Portuguese (1570–1639) and subsequently the Dutch (1641–1858). For 220 years, it was the central conduit for foreign trade and cultural exchange with Japan during the isolationist Edo period (1600–1869), and the only Japanese territory open to Westerners.
Philipp Franz Balthasar von Siebold was a German physician, botanist and traveller. He achieved prominence by his studies of Japanese flora and fauna and the introduction of Western medicine in Japan. He was the father of the first female Japanese doctor educated in Western medicine, Kusumoto Ine.
Carl Peter Thunberg, also known as Karl Peter von Thunberg, Carl Pehr Thunberg, or Carl Per Thunberg, was a Swedish naturalist and an "apostle" of Carl Linnaeus. After studying under Linnaeus at Uppsala University, he spent seven years travelling in southern Italy and Asia, collecting and describing people and animals new to European science, and observing local cultures. He has been called "the father of South African botany", "pioneer of Occidental Medicine in Japan", and the "Japanese Linnaeus".
The Fiji mermaid was an object composed of the torso and head of a juvenile monkey sewn to the back half of a fish. It was a common feature of sideshows where it was presented as the mummified body of a creature that was supposedly half mammal and half fish, a version of a mermaid. The original had fish scales with animal hair superimposed on its body and pendulous breasts on its chest. The mouth was wide open with its teeth bared. The right hand was against the right cheek, and the left tucked under its lower left jaw. This mermaid was supposedly caught near the Fiji Islands in the South Pacific. Several replicas and variations have also been made and exhibited under similar names and pretexts. P. T. Barnum exhibited the original in Barnum's American Museum in New York in 1842, but it then disappeared—likely destroyed in one of the many fires that destroyed parts of Barnum's collections.
Hendrik Doeff was the Dutch commissioner in the Dejima trading post in Nagasaki, Japan, during the first years of the 19th century.
Jan Cock Blomhoff was director ("opperhoofd") of Dejima, the Dutch trading colony in the harbour of Nagasaki, Japan, 1817–1824, succeeding Hendrik Doeff.
The Wereldmuseum Amsterdam is an ethnographic museum with its headquarters in Amsterdam, Netherlands. It was originally founded in Haarlem, Netherlands in 1864 under the name Koloniaal Museum and later renamed Tropenmuseum.
Isaac Titsingh FRS was a Dutch diplomat, historian, Japanologist, and merchant. During a long career in East Asia, Titsingh was a senior official of the Dutch East India Company. He represented the European trading company in exclusive official contact with Tokugawa Japan, traveling to Edo twice for audiences with the shogun and other high bakufu officials. He was the Dutch and VOC governor general in Chinsura, Bengal.
Heinrich Bürger was a German physicist, biologist and botanist employed by the Dutch government, and an entrepreneur. He was important for the study of Japanese fauna and flora.
VOC chief traders in Japan were the opperhoofden of the Dutch East India Company in Japan during the Edo period, when Japan was ruled by the Tokugawa shogunate.
Johannes François Snelleman was a Dutch zoologist, orientalist, ethnographer and museum director. He was a son of Christiaan Snelleman and Sara Lacombe. Snelleman was married three times, to Josepha Hendrika Dupont (1860-1899), Catharina Johanna Elisabeth Augusta Inckel, and Theodora Maria Beun (1887-1964).
Titia Bergsma was a Dutch woman who visited Dejima Island, Japan, in August 1817 with her husband, Jan Cock Blomhoff. She was believed to be the first Western woman to visit Japan.
Japan–Netherlands relations are the bilateral relations between Japan and the Netherlands. Relations between Japan and the Netherlands date back to 1609, when the first formal trade relations were established.
Kusumoto Ine was a Japanese physician. She was the first female doctor of Western medicine in Japan.
Willem Verstegen was a merchant in service of the Dutch East India Company and chief trader of factory in Dejima.
Japan Museum SieboldHuis is a museum located at the Rapenburg (Leiden) in Leiden, Netherlands. It displays items that were collected by Philipp Franz von Siebold (1796-1866) between 1823 and 1829 during his stay at Dejima, the Dutch trade colony nearby Nagasaki in Japan. It also functions as a museum of Japanese culture.
Kawahara Keiga was a late Edo period Japanese painter of plants, fishes, birds, reptiles, crustaceans, social scenes, landscapes and portraits at the Dutch Factory of Dejima, and at Edo, Kyoto and Nagasaki. His works can be found in museums in Japan and in the Netherlands, among others.
The Africa Museum is a museum in Berg en Dal in the Netherlands. The museum on the outskirts of the city of Nijmegen is a complex with indoor as well as open-air display areas, covering art, culture, music, photographs, videos and architecture of Africa. As of 2014, the museum, along with the Tropenmuseum in Amsterdam, and National Museum of Ethnology in Leiden, together make up the National Museum of World Cultures.
The Dutch: Nationaal Museum van Wereldculturen (NMVW) is an overarching museum organisation for the management of several ethnographic museums in the Netherlands, founded in 2014. It consists of the Tropenmuseum in Amsterdam, the Afrika Museum in Berg en Dal, and the Museum Volkenkunde in Leiden. The National Museum of World Cultures works in close cooperation with the Wereldmuseum in Rotterdam. It is also part of nation-wide Dutch organisations for research into provenance studies and projects of restitution of cultural heritage to countries of origin, like the former Dutch colony in today's Indonesia.