The museum is located in a building that was originally a convent in central Leiden. It includes a reconstructed traditional anatomical theatre. It also has many galleries that include the apparatus with which Heike Kamerlingh Onnes first liquefied helium (in Leiden), the electromagnet equipment used by Wander Johannes de Haas (a Leiden physicist) for his low-temperature research, and an example of the Leiden jar, among many other objects in the extensive collection.
The museum is named after Herman Boerhaave, a Dutch physician and botanist who was famous in Europe for his teaching at Leiden and lived to a great age, receiving brilliant students from all over Europe, including Peter the Great, Voltaire and Linnaeus.
History
Boerhaave Museum's history began in 1907, when a Historical Exhibition of Natural Science and Medicine was held in the Academy Building[nl] of Leiden University. The many objects in the exhibition came from all the learned corners of the country. It was a great success and there were immediately calls to set up a permanent science history exhibit.[4]
In 1928 a foundation was initiated by physicist Claude August Crommelin, who worked at Leiden university, for a museum for the history of natural sciences. The aim of the museum was described in the preliminary statutes of the foundation: "the collection of instruments, tools, slides and specimens, documents and other objects, which are important for the history of the natural sciences; to look after these objects, describe them and keep them in a museum which is to be located in Leiden". The sciences to be represented included: Astronomy, Physics, Chemistry, Botany, Zoology, Pharmacy, all medical sciences – including Physiology, Anatomy et cetera, and Mathematics.
In 1931 the museum opened as "The Dutch Historical Museum of the Natural Sciences" (Het Nederlandsch Historisch Natuurwetenschappelijk Museum). To the view of Crommelin, the museum was to become a national museum: the 's Gravesande-Musschenbroek collection would form the starting point, to which collections from other institutes were to be added.
In 1947 the museum, which was in fact a private foundation, became formally a national museum. It was renamed to "The Dutch National Museum for the History of the Natural Sciences" (Rijksmuseum voor de Geschiedenis van Natuurwetenschappen). An advisory board was installed in which members of Dutch universities would take seat. It underlined the ambition to become a national museum, not a museum solely connected to the Leiden University.
Before moving in 1991, the museum was located in the former Boerhaave Laboratory at the Steenstraat 1, Leiden, a building which belonged to the Leiden Academic Hospital (Leiden Academisch Hospital), now part of LUMC, Leiden University Medical Center. This location of the museum now houses the National Museum of Ethnology.
To create better housing the former nunnery of Saint Cecilia was bought by the Government Buildings Agency (Rijksgebouwendienst). This historic building has had various functions over time. The building dates from the early 15th century. The building had become municipal property after the Protestant Reformation and shortly before 1600 was converted into a pest house and lunatic asylum. The Leiden Academic hospital was founded in this location between 1636 and 1639.[5] In 1967, with the prospect of a new location the name of the museum was changed to "Museum Boerhaave". However, it took more than twenty years before the museum finally moved.[6] After extensive restoration and expansion, the building is in use as a museum since 1991.[7]
Rijksmuseum Boerhaave was elected European Museum of the Year 2019. Founded in 1977, this is the oldest and most prestigious museum award in Europe. The international jury praised the completely renewed science and medicine museum in Leiden: "The exceptional public quality of this museum results from its artful approach to communicating science. Important and beautiful objects are interpreted using the latest technologies and the personal stories of those driven by a passion for the pursuit of knowledge. The result is science with a human face, inspiring curiosity and amazement as well as engaging a wide public in debates on important scientific and ethical questions issues of our time."[8]
Collection
The Boerhaave Museum is running a project[9] to document approx. 3000 objects in its collection online, with pictures and descriptions for every single object. In April 2010 the site featured over 1750 objects, ordered by room and showcase. This overview is in large part based on the museum's online documentation.
The museum has 25 galleries, which are by and large organised chronologically,[9] with thematical subgroupings per gallery.
Gapers (wooden heads miming the swallowing of pills) and other shop signs for pharmacies and druggists. Also a 'dictionary of health': a tall book-shaped wooden chest (1660) filled with simples (basic substances used in medicine).
Dissection of a roe deer during the 2nd Leiden Museum Night in the Anatomical Theatre by an animal taxidermist with assistants from Naturalis. The deer had died earlier in a road accident.
Surgeons instrument chest used by the Leiden surgeons’ guild and decorated with the coats-of-arms of board members
The room shows a reconstruction (1988) of the Theatrum Anatomicum (anatomical theatre) (built 1596). A richly decorated instrument chest (1670) which belonged to the Leiden surgeon's guild. A small collection of objects (largely Egyptian antiquities) that survived from the now gone Leiden Theatrum (one of the oldest museums of Europe [citation needed]) are shown as well. On the wall three paintings: one depicting the magistrates of the Catharina and Caecilia Hospitals (the latter now houses the museum), a second showing a Prussian peasant from whom a 10-inch sword, swallowed in a drinking bout, has surgically been removed, a third showing renowned surgeon and designer of medical instruments Cornelis Solingen (1680). One of Solingen's inventions (part of the collection) was a screw to unindent a soldiers skull who had been hit by a bullet. Often in those days bullets did not fully penetrate a skull, merely deformed it.[12]
Four large allegoric paintings (± 1610) show in stages how the appreciation of a patient for his physician declines, from being a true savior when the illness is at its height, towards being a devil when the bill has been delivered. Three solid figures of Saints Cosmas and Damian, patrons of doctors and pharmacists. Six anatomical books and drawings (1520–1570) and six books on herbs (1480–1590) testify how in the Renaissance there was an urge to study life diligently and not take traditional beliefs for granted. A large collection of baked and painted apothecary jars (1550–1650) and (often ornamented) cast-iron and bronze mortars (1350–1700).
Spring driven pendulum clock, designed by Huygens, built by instrument maker Salomon Coster (1657), and manuscript Horologium Oscillatorium
Snellius Quadrant
Astronomy
18th century
The following two rooms are dedicated to an era of blossom for the University of Leiden, the oldest university of the Netherlands (founded in 1575).
4 Leiden University: Boerhaave and ‘s Gravensande[15]
Room 4: University of Leiden, Boerhaave and ‘s Gravensande
Fahrenheit thermo barometer
Demonstration device
This large room is dedicated to physician, botanist and chemist Herman Boerhaave, physicist Willem 's Gravesande and instrument-maker Jan van Musschenbroeck. On display are large globes and a tiny pocket globe (all ~1700), each depicting heaven and earth. A table size planetarium by clock-maker Steven Tracy Mercury shows Venus, Earth with its moon, Mars, Jupiter with four moons and Saturn. There is also a large star atlas.
A variety of lenses, prisms, a slit, trays and screens explore optics. About ten screw-barrel and compound microscopes (1710–1780) demonstrate how this young science underwent dramatic progress in few years. A variety of curved mirrors, used as anamorphic toys, show how a deliberately distorted image can be restored back to the original.
The room also houses a range of instruments (levers and forceps) used to facilitate childbirth.
Lastly, shown are models of three out of five of Archimedes' so called simple machines (lever, inclined plane, wedge, screw and wheel), several hydrostatic balances to demonstrate Archimedes' law and two tables of forces which demonstrate interactions of forces in a horizontal plane.
5 Leiden University: Linnaeus and Van Musschenbroek[16]
Magdeburg hemispheres
Carl Linnaeus published his famous Systema Naturae in 1735, during his 3-year stay in the Dutch Republic, in which he also earned a degree in medicine, and closely worked together with Boerhaave. At display are paintings of Linnaeus and Boerhaave. Also 18th-century models and scientific measuring instruments: models that demonstrate basic physics principles, and instruments: several antique thermometers, a barometer, a theodolite and several pyrometers. Also two antique globes (one showing the heavens, one earth) and two mirror telescopes. The room is conamed after the brothers van Mussenbroeck: Pieter a professor, credited with the invention of the first capacitor in 1746: the Leyden jar, and Jan a famous instrument maker, who shipped his hand crafted precision thermometers all over Europe.
Over 30 antique microscopes are shown, most from the 18th century, in a large variety, with different solutions for lighting the subject and minimization of lens defects (e.g. chromatic aberration): simple, compound and reflecting microscopes, so called English microscopes (renowned for their quality), solar microscopes (which project their image on a wall, using sunlight only). Several wooden cabinets with microscopic slides are testimony of the craftsmanship than went into collections of ready made samples, which at the time were highly fashionable among well-to-do citizens who took an interest in scientific developments.
Sebald Justinus Brugmans was a Dutch botanist, physician and professor of natural sciences. As an army physician he became notable for his battle against unsanitary conditions, and spread of contagious diseases. The room shows a large collection of fish skins ('the protected body'), human skulls (some affected by accident or disease), animal skulls (mainly birds) and a variety of other anatomic samples, including some foetuses in a jar.
10 Hendrik Bosch's collection of medicine, Butterfly cabinet[20]
The room houses a large simplescabinet (1760), from Amsterdam physician Hendrik Bosch. Also a large cabinet with butterflies (1760) (content lost) from Christiaan Sepp and son, who published a work on butterflies and insects in several volumes (1762–1860).
A large collection of shells. Four book shaped boxes (1809), out of a collection of 150, each box made of wood of a particular tree or shrub and filled with its wood, leaves, seeds and fruits. Also on display cases with butterflies and beetles. Lastly a portrait of Abraham Nieuwland (1780).
11 Collection: Theodoor Gerard van Lidth de Jeude[22]
Shown are a collection of 19th century animal organ specimens (protected against decay with wax and varnish) which had been prepared for research (e.g. comparative anatomy), and educational purposes (e.g. veterinarian school). Also shown are anatomical drawings from that same period. Many specimens and drawings are from large mammals, cattle but even more large mammals of non European origin.
12 Collection: Repositories of the animal kingdom[23]
The room shows wax models of human and animal brains (1850–1870), prepared for educational purposes. Also display boxes with carefully arranged human hand bones and foot bones, and several skeletons of small animals. Also some 25 jars containing animals in preservative fuels (alcohol, formalin), some anatomically prepared to show inner organs (1830–1910). Part of the collection in the room was prepared by Jan van der Hoeven (1802–1868), professor of Zoology, Comparative Anatomy, Anthropology, Mineralogy and Geology at the University of Leiden. His portrait is on display. Van der Hoeven studied members of 'exotic races' (as it was called at the time), and produced a large amount of visual materials (drawings, engravings, lithographs). Three of these visual studies are on display.
This room is dedicated to the scientific and technical progress in fields of electricity and optics in the 19th century. Inventions like telegraphy and the camera had a revolutionary and lasting impact on everyday life.
The room shows a collection of 'microscopes (compound, binocular, achromatic, inverted) (1730–1860) and attributes. A set of instruments for optical chemical analysis (1850–1900): a crystal goniometer, a polarimeter, a saccharimeter, a spectroscope, a bunsen burner, a solution tube, gas-discharge tubes. Devices to study, demonstrate and explain the physical qualities of light: prisms and lenses, a heliostat and carbon arc lamp (with clockwork)(1820–1870). A collection of applied optics: a camera, sextant, stereoscope, several telescopes, mechanical lantern slides, a repeating reflecting circle (?), a phantascope (two discs, one with slits, one with images, which when rotating in opposite directions create a cinematographic effect), a projection lantern (1770–1860). Several telescopes: achromatic telescopes (1770 and 1850) and a reflecting telescope (1830). Several electrostatic devices: batteries composed of leyden jars and electrical machines (1770–1800) that were used to generate electricity. A variety of electrostatic toys and experimentation kits (1770–1820) to amuse and educate the public. Some show cases still to do.
Devices for physiotherapy using the method of Swedish physician Gustav Zander, developed ca. 1865. These devices featured on two world exhibitions. Their success led to 120 Zander institutes worldwide.
Plaster model of energy surface for carbon dioxide
Dutch scientist Jacobus Henricus van 't Hoff (1852–1911) was the first person to receive the Nobel Prize in Chemistry, for his discovery of the laws of chemical dynamics and osmotic pressure in solutions.
In the early years of the 19th century, 4 Dutch physicists received a Nobel Prize in quick succession. This room is dedicated to their work and legacy.
In 1902 Hendrik Lorentz (1853–1928) and Pieter Zeeman (1865–1943). For their combined work on and discovery of the Zeeman effect, where spectral lines split under the influence of a magnetic field.
On display are a helium liquefier and associated tools, devices to measure superconductivity (e.g. rheostats), and to automatically record measurements: a cathode tube, a thermograph, drum recorders and a paper tape recorder.
Also Zeeman's Nobel Prize diploma and medal and a lab diary, an electromagnet with polar pieces, 3D plaster models to visualize thermodynamic properties (e.g. phase transitions).
The room houses two electron microscopes (1947–1950) and related equipment (gold vaporiser, lens, object holders, a cooler, a goniometer), a collection of compound and specimen microscopes (some binocular) (1840–1870) plus accompanying microscope lamps and a tool box, a binocular polarisation microscope (1850), several microtomes (a.o. a cryomicrotome) and ultramicrotomes, a phase contrast microscope, a fluorescence microscope (plus several epi-illuminators, to exploit the difference between emitted and reflected light frequencies that some substances display), compound microscope with transformer in camera installation, a photomicroscope (photo camera with inverted microscope), a boxed collection of microscopic specimens (1870).
The museum also contains a fountain pen that was gifted in 1921 by Albert Einstein to Paul Ehrenfest, then the director of the physics faculty of Leiden University. This pen was gifted to Ehrenfest as a thank you gift for the friendship that he and Einstein shared, and because Ehrenfest created a professorship for Einstein. Einstein was a 'bijzonder hoogleraar', meaning a professor by special appointment made possible by the Leids Universiteits Fonds from 1920 up to officially 1946. In the first half of his appointment he visited Leiden regularly to give lectures.[34]
Leiden Museum Boerhaave Einstein Pen
There is a note with the pen on which is written (In German): 'This pen has been used for years by Einstein, especially during the time between 1912 and 1921 – So that all his designs and calculations relating to general relativity and gravity from this time period are written with this pen. He gave this pen to me in 1921. P. Ehrenfest. '[35]
Related Research Articles
Herman Boerhaave was a Dutch botanist, chemist, Christian humanist, and physician of European fame. He is regarded as the founder of clinical teaching and of the modern academic hospital and is sometimes referred to as "the father of physiology," along with Venetian physician Santorio Santorio (1561–1636). Boerhaave introduced the quantitative approach into medicine, along with his pupil Albrecht von Haller (1708–1777) and is best known for demonstrating the relation of symptoms to lesions. He was the first to isolate the chemical urea from urine. He was the first physician to put thermometer measurements to clinical practice. His motto was Simplex sigillum veri: 'Simplicity is the sign of the truth'. He is often hailed as the "Dutch Hippocrates".
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↑ "Boerhaave and his time". Museum Boerhaave. Archived from the original on June 7, 2011. Retrieved 2010-04-29.{{cite web}}: CS1 maint: unfit URL (link)
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