Asuravithu | |
---|---|
Directed by | A. Vincent |
Written by | M. T. Vasudevan Nair |
Based on | Asuravithu by M. T. Vasudevan Nair |
Produced by | Madhavankutty |
Starring | Prem Nazir Sharada P. J. Antony |
Cinematography | A. Venkat |
Edited by | G. Venkitaraman |
Music by | K. Raghavan |
Production company | Manoj Pictures |
Release date |
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Country | India |
Language | Malayalam |
Asuravithu is a 1968 Indian Malayalam-language film directed by A. Vincent, starring Prem Nazir and Sharada. The film was scripted by M. T. Vasudevan Nair, based on his own novel Asuravithu . [1] Set in a Kerala village in the 1960s, the political melodrama focuses on Hindu-Muslim unity. The film portrays the plight of the protagonist, the youngest son of a proud Nair tharavadu, as he is trapped between the social scenario, social injustice and his own inner consciousness. Prem Nazir's acting in the movie was well appreciated by the viewers.
The film was the last of M. T.'s trilogy of political melodramas – the other two being Vincent's Murappennu (1965) and P. Bhaskaran's Iruttinte Athmavu (1967). [2]
The rich Shekharan Nair tries to bribe his brother-in-law Govindankutty to marry his daughter Meenakshi. The reason for this haste is that Meenakshi is pregnant by Govindankutty's wayward nephew. Govindankutty, however refuses and is thrown out by the family. He moves in with his Muslim friend Kunjarakkar, a daring thing to do, given the prevailing socio-political atmosphere. He eventually converts to Islam, renaming himself Abdullah.
The film was produced by Madhavankutty under the banner of Manoj Pictures. An adaptation of the famous novel of the same name, the script and dialogues were by the novelist himself. The Valluvanadan dialect popular in villages on the banks of the Bharathappuzha River was effectively used in the film. The film was shot at Vauhini and Satya studios, while some of the outdoor scenes were shot on the banks of Bharathappuzha. [1]
The music was composed by K. Raghavan and the lyrics were written by P. Bhaskaran.
No. | Song | Singers | Lyrics | Length (m:ss) |
---|---|---|---|---|
1 | "Kattakattakkayarittu" | S. Janaki, Chorus | ||
2 | "Kunkuma Maram Vetti" | P. Leela, C. O. Anto | ||
3 | "Kunnathoru Kaavundu" | P. Leela, C. O. Anto | ||
4 | "Njanitha" | P. Jayachandran, Renuka | P. Bhaskaran | |
5 | "Pakalavaninnu" | K. Raghavan | P. Bhaskaran | |
6 | "Theyyam Thaare" (Kunnum Molile) | Chorus, Renuka | ||
7 | "Theyyam Theyyam" | C. O. Anto |
Prem Nazir was an Indian actor known as one of Malayalam cinema's definitive leading men of his generation. He is widely regarded as one of the most influential actors in the history of Indian cinema. A popular cultural icon of Kerala, Nazir is often referred to as Nithyaharitha Nayakan. Nazir began his career as a stage actor and made his film debut with the 1952 film Marumakal. He took on the stage name Prem Nazir on the sets of his second film, Visappinte Vili (1952).
Madath Thekkepaattu Vasudevan Nair, popularly known as M.T., is an Indian author, screenplay writer and film director. He is a prolific and versatile writer in modern Malayalam literature, and is one of the masters of post-Independence Indian literature. At the age of 20, as a chemistry undergraduate, he won the prize for the best short story in Malayalam at World Short Story Competition conducted by The New York Herald Tribune. His first major novel Naalukettu, written at the age of 23, won the Kerala Sahitya Akademi Award in 1958. His other novels include Manju (Mist), Kaalam (Time), Asuravithu and Randamoozham. The deep emotional experiences of his early days have gone into the making of MT's novels. Most of his works are oriented towards the basic Malayalam family structure and culture and many of them were path-breaking in the history of Malayalam literature. His three seminal novels on life in the matriarchal family in Kerala are Naalukettu, Asuravithu, and Kaalam. Randamoozham, which retells the story of the Mahabharatha from the point of view of Bhimasena, is widely credited as his masterpiece.
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