Sarah Lois Vaughan was an American jazz singer and pianist. Nicknamed "Sassy" and "The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century".
Jerome Richardson was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones song "Kingfish".
William Clarence Eckstine was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of "I Apologize" was given the Grammy Hall of Fame Award in 1999. The New York Times described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls."
Al Grey was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called Plunger Techniques.
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
"Laura" is a 1945 popular song. The music, composed by David Raksin for the 1944 movie Laura, which starred Gene Tierney and Dana Andrews, is heard frequently in the movie. The film's director, Otto Preminger, had originally wanted to use Duke Ellington's "Sophisticated Lady" as the theme, but Raksin was not convinced that it was suitable. Angered, Preminger gave Raksin one weekend to compose an alternative melody. Raksin later said, and maintained for the rest of his days, that when, over that weekend, his wife sent him a "Dear John" letter, the haunting theme seemed to write itself.
"I'm Just a Lucky So-and-So" is a 1945 song composed by Duke Ellington, with lyrics written by Mack David.
Charles Lawrence Persip, known as Charli Persip and formerly as Charlie Persip, was an American jazz drummer.
William Mitchell Byers was an American jazz trombonist and arranger.
No Cover, No Minimum is a live album by Billy Eckstine that was recorded in Las Vegas. The album was released by Roulette in 1960 and reissued by Blue Note in 1992 with ten additional tracks.
Once More with Feeling is a 1960 studio album by the American singer Billy Eckstine. It was arranged by Billy May and produced by Teddy Reig.
Patti Bown was an American jazz pianist, composer, and singer.
Leslie Spann Jr. was an American jazz guitarist and flautist. As a sideman he recorded with Nat Adderley, Benny Bailey, Bill Coleman, Eddie "Lockjaw" Davis, Curtis Fuller, Red Garland, Benny Goodman, Sam Jones, Abbey Lincoln, Charles Mingus, Duke Pearson, Jerome Richardson, Charlie Shavers, Sonny Stitt, Billy Taylor, Randy Weston, and Ben Webster. As a leader he recorded only once, the album Gemini in 1961.
Stormy Monday is an album by guitarist Kenny Burrell recorded in 1974 and released on the Fantasy Records label in 1978. The album was released on CD combined with Sky Street as Stormy Monday Blues in 2001.
Basin Street East was a notable nightclub of the 1960s in New York City. Several live albums were recorded there, including Peggy Lee's Basin Street East Proudly Presents Miss Peggy Lee (1961), and Billy Eckstine's At Basin St. East (1961).
Tears and Laughter is a fourteenth studio album by Dinah Washington with Orchestra conducted by Quincy Jones, that was released on Mercury Records. The orchestral arrangements, partly with strings for the jazz standard repertoire, were provided by Jones, Hal Mooney, Al Cohn, Ernie Wilkins and Billy Byers. On the second half –the B-side– of the original LP release Washington is backed by the male doo-wop quintet The Dells, who toured with her as the opening act since 1960. They are also featured without Washington on "Jeepers Creepers", and "Am I Blue?" is a duet with one of them.
The Modern Sound of Mr. B is a 1964 studio album by the American singer Billy Eckstine. It was produced by Quincy Jones.
The Golden Hits of Billy Eckstine is a 1963 studio album by the American singer Billy Eckstine. It was arranged by Billy Byers, conducted by Bobby Tucker, and produced by Quincy Jones.
At Basin Street East may refer to:
[1] 