Meshes of the Afternoon is a 1943 American experimental silent short film directed by and starring wife-and-husband team, Maya Deren and Alexandr Hackenschmied.
Un Chien Andalou is a 1929 French- Spanish surrealist silent short film directed, produced and edited by Spanish filmmaker Luis Buñuel, who also co-wrote the screenplay with Spanish surrealist painter Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months.
Maya Deren was a Ukrainian-born American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer.
Caged is a 1950 American film noir directed by John Cromwell and starring Eleanor Parker, Agnes Moorehead, Betty Garde, Hope Emerson, and Ellen Corby. It was nominated for three Academy Awards.
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Cinema 16 was a New York City–based film society founded by Amos Vogel. From 1947 to 1963, he and his wife, Marcia, ran the most successful and influential membership film society in North American history, at its height boasting 7000 members.
Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan.
Wavelength is a 1967 Canadian-American short subject by experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."
Alexandr Hackenschmied, born Alexander Siegfried George Hackenschmied, known later as Alexander Hammid was a Czech-American photographer, film director, cinematographer and film editor. He immigrated to the U.S. in 1938 and became involved in American avant-garde cinema. He is best known for three films: Crisis (1939), Meshes of the Afternoon (1943) and To Be Alive! (1964). He made Meshes of the Afternoon with Maya Deren, to whom he was married from 1942 to 1947. His second marriage was to the photographer Hella Heyman, who had also collaborated with Hammid and Deren on several films.
Robert Carlton Breer was an American experimental filmmaker, painter, and sculptor.
The Private Life of a Cat is a 1947 black and white experimental documentary film by Alexander Hammid and Maya Deren. Archive.org summarizes the film as an "intimate study" of a female cat who gives birth to a litter of kittens and shows their maturation.
Rita Christiani (1917-2008) was a Trinidad-born American dancer who appeared in American films during the 1940s.
Ritual in Transfigured Time is a 1946 American experimental silent short film directed by Maya Deren. Like Deren's previous work, A Study in Choreography for Camera (1945), she explores the use of dance on film through the lens of commentary of societal norms, metamorphosis, and anthropomorphism. The film is notable for its disjointed storytelling and use of slow motion, freeze framing, and unique blend of stage dance and film.
Hella Hammid was an American photographer whose career included teaching at UCLA. Her freelance photographs appeared in diverse publications including Life, Ebony, The Sun and The New York Times. Her softly backlit picture of two young Italian girls dancing, watched by other children in front of the abutments of a stone building, was chosen by Edward Steichen for his 1955 world-touring MoMA exhibition The Family of Man, which was seen by nine million visitors.
"Faces of Stone" is a single by English rock musician and former Pink Floyd member David Gilmour, and the third track on his fourth solo studio album, Rattle That Lock. It was released as a single on 6 November 2015, with the album being released on 18 September 2015 by Columbia Records. The song lyrics and music were composed by Gilmour.
Lullaby is a 1929 American silent drama film directed by Boris Deutsch and starring Michael Visaroff, and Riva Segal. In Lullaby there is not only a deeply realistic plot that is investigated by the director with a skilled use of light and close-up but also a sort of dream plot that lives in the interiority of the female protagonist represented through faces of demons tormenting her sleep and cubist alteration of the cityscape realized using Deutsch's paintings. In the development of the film the two planes, the real one and the dream one, merge each other and the reality for the female protagonist is one that embraces both sphere of matter and spirit. A work that ahead of its times. Only in 40s, after 14 years, Maya Deren and Alexander Hammid will make similar films. Boris Deutsch declared that "is desire was to get at the abstract reality, the realm of mental imagery and imagination, without losing of the world of reality"
The Way to Shadow Garden is a 1955 American experimental film directed by Stan Brakhage.
Blue Moses is a 1962 American experimental film directed by Stan Brakhage, starring Robert Benson.
