Back Up Against the Wall is the second album by the Southern rock band Atlanta Rhythm Section, released in 1973. It is the first album to feature Ronnie Hammond on lead vocals. The album was re-released in 1977 on MCA Records as a double, paired with their debut (MCA-24114).
Third Annual Pipe Dream is the third album by the Southern rock band Atlanta Rhythm Section, released in 1974. The band scored their first Top 40 hit with "Doraville", peaking at #35.
Dog Days is an album by the Southern rock band Atlanta Rhythm Section, released in 1975. The title single reached #49 on the Canadian pop charts and #43 on the AC charts.
Red Tape is an album by the American Southern rock band Atlanta Rhythm Section, released in 1976.
A Rock and Roll Alternative is an album by the Southern rock band Atlanta Rhythm Section, released in 1976. This album includes the band's biggest hit, "So in to You", which peaked at number 7 on the Billboard Hot 100 and number 11 on the Easy Listening chart.
Champagne Jam is an album by the American band Atlanta Rhythm Section, released in 1978. The single "Imaginary Lover" was the band's second Top 10 hit, peaking at #7 in the U.S. and #9 in Canada. The album itself was the band's most commercially successful, peaking at number 7 on the Billboard 200.
Quinella is the tenth album by American Southern rock band Atlanta Rhythm Section, and their only album on Columbia Records, released in August 1981. The band was supposed to release another album on the label, but due to differences between Columbia and the band, the album was shelved.
Eufaula is an album by Southern rock band Atlanta Rhythm Section, released in 1999.
Live at The Savoy, New York October 27, 1981 is a live album by Southern rock band Atlanta Rhythm Section, released in 2000.
Atlanta Rhythm Section is an American Southern rock band formed in 1970 by Rodney Justo (singer), Barry Bailey (guitar), Paul Goddard (bass), Dean Daughtry (keyboards), Robert Nix (drums) and J. R. Cobb (guitar). The band experienced its greatest chart success with Ronnie Hammond as lead singer 1972–1982. Hammond returned again 1988–2001. The band's current lineup consists of Justo, along with guitarists David Anderson and Steve Stone, keyboardist Lee Shealy, bassist Justin Senker and drummer Rodger Stephan.
The Classics IV is an American band formed in Jacksonville, Florida, United States, in 1965. The band, founded by Dennis Yost, is known mainly for the hits "Spooky", "Stormy", and "Traces", which have become cover standards.
Rodney Mills is an American mastering engineer based in Atlanta, Georgia.
Studio One was a recording studio located in Doraville, Georgia, a suburban hamlet northeast of Atlanta. The address was 3864 Oakcliff Industrial Court, Doraville GA 30340. It is now occupied by a non related business and used as a warehouse.
Perry Carlton "Buddy" Buie was an American songwriter, producer and publisher. He is most commonly associated with Roy Orbison, the Classics IV and the Atlanta Rhythm Section.
James Barney Cobb Jr. was an American guitarist and songwriter, most notable for co-writing "Spooky", "Stormy" and "Traces", among others, as a member of the Classics IV, plus "Champagne Jam" and "Do It Or Die", among others, as a member of the Atlanta Rhythm Section.
Underdog is an album by the Atlanta Rhythm Section, released in 1979 by Polydor Records. It is their last album with drummer Robert Nix who left the band near the end of 1979.
20th Century Masters – The Millennium Collection: The Best of Atlanta Rhythm Section is a greatest hits album by the band Atlanta Rhythm Section released through Universal Music Group. The collection spans the band's history from 1974 through 1981.
The Boys from Doraville is the ninth album by the Southern rock band Atlanta Rhythm Section, and their final album on Polydor Records, released in 1980.
Truth in a Structured Form is the eleventh album by American Southern rock band Atlanta Rhythm Section, released in August 1989. It was the band's first album in eight years. It featured a heavy drum sound and a sharper, more synthesized gloss over the songs, a departure from their previous approach.
