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A Rock and Roll Alternative | ||||
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Studio album by | ||||
Released | December 1976 | |||
Studio | Studio One, Doraville, Georgia, U.S. | |||
Genre | Southern rock | |||
Length | 34:34 | |||
Label | Polydor | |||
Producer | Buddy Buie | |||
Atlanta Rhythm Section chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | C+ [2] |
The Rolling Stone Record Guide | [3] |
A Rock and Roll Alternative is an album by the Southern rock band Atlanta Rhythm Section, released in 1976. This album includes the band's biggest hit, "So in to You", which peaked at number 7 on the Billboard Hot 100 and number 11 on the Easy Listening chart. [4]
Album
Year | Chart | Position |
---|---|---|
1977 | Pop Albums | 11 |
Singles
Year | Single | Chart | Position (U.S.) |
---|---|---|---|
1977 | "So in to You" | Pop Singles | 7 (# 5 Cash Box Top 100; [5] #11 AC; [6] # 2 Canada; # 14 New Zealand) [7] |
1977 | "Georgia Rhythm" | Pop Singles | 68 |
1977 | "Neon Nites" | Pop Singles | 42 |
Organization | Level | Date |
---|---|---|
RIAA – USA | Gold [8] | April 12, 1977 |
Back Up Against the Wall is the second album by the Southern rock band Atlanta Rhythm Section, released in 1973. It is the first album to feature Ronnie Hammond on lead vocals. The album was re-released in 1977 on MCA Records as a double, paired with their debut (MCA-24114).
Third Annual Pipe Dream is the third album by the Southern rock band Atlanta Rhythm Section, released in 1974. The band scored their first Top 40 hit with "Doraville", peaking at #35.
Dog Days is an album by the Southern rock band Atlanta Rhythm Section, released in 1975. The title single reached #49 on the Canadian pop charts and #43 on the AC charts.
Red Tape is an album by the American Southern rock band Atlanta Rhythm Section, released in 1976.
Champagne Jam is an album by the Southern rock band Atlanta Rhythm Section, released in 1978. The single "Imaginary Lover" was the band's second Top 10 hit, peaking at #7 in the U.S. and #9 in Canada. The album itself was the band's most commercially successful, peaking at number 7 on the Billboard 200.
Quinella is the tenth album by American Southern rock band Atlanta Rhythm Section, and their only album on Columbia Records, released in August 1981. The band was supposed to release another album on the label, but due to differences between Columbia and the band, the album was shelved.
Atlanta Rhythm Section '96 is an album by the American Southern rock band Atlanta Rhythm Section, released in 1996. The album is a re-recording of ARS songs, featuring original members Ronnie Hammond, Barry Bailey, and Dean Daughtry. The album features different takes on the classic songs including more guitar heavy versions of "So Into You" and "Spooky".
Partly Plugged is an album by the American Southern rock band Atlanta Rhythm Section, released in 1997.
Eufaula is an album by Southern rock band Atlanta Rhythm Section, released in 1999.
Live at The Savoy, New York October 27, 1981 is a live album by Southern rock band Atlanta Rhythm Section, released in 2000.
Atlanta Rhythm Section is an American Southern rock band formed in 1970 by Rodney Justo (singer), Barry Bailey (guitar), Paul Goddard (bass), Dean Daughtry (keyboards), Robert Nix (drums) and J. R. Cobb (guitar). The band's current lineup consists of Justo, along with guitarists David Anderson and Steve Stone, keyboardist Lee Shealy, bassist Justin Senker and drummer Rodger Stephan.
Studio One was a recording studio located in Doraville, Georgia, a suburban hamlet northeast of Atlanta. The address was 3864 Oakcliff Industrial Court, Doraville GA 30340. It is now occupied by a non related business and used as a warehouse.
"Spooky" is originally an instrumental song performed by saxophonist Mike Sharpe (Shapiro), written by Shapiro and Harry Middlebrooks Jr, which first charted in 1967 hitting No. 57 on the US pop charts. Its best-known version was created by James Cobb and producer Buddy Buie for the group Classics IV when they added lyrics about a "spooky little girl". The vocalist was Dennis Yost. The song is noted for its eerie whistling sound effect depicting the spooky little girl. It has become a Halloween favorite. In 1968, the vocal version reached No. 3 on the U.S. Billboard Hot 100 and No. 46 in the UK.
Atlanta Rhythm Section is the 1972 first album by the American Southern rock band Atlanta Rhythm Section. It was released on the Decca label, DL-75265. It was produced by Buddy Buie.
Underdog is an album by the Atlanta Rhythm Section, released in 1979 by Polydor Records. It is their first album with the drummer Roy Yeager since the former drummer Robert Nix left the band near the end of 1978. The album reached number 26 on the U.S. Billboard 200 albums chart, and was certified gold by the RIAA in June 1979. The album contained two songs which reached the top 20 of the Billboard Hot 100 singles chart, "Do It or Die" and "Spooky". The latter was a re-recording of the 1968 number three hit for Classics IV, a pop rock group whose line up included members who later joined Atlanta Rhythm Section.
20th Century Masters – The Millennium Collection: The Best of Atlanta Rhythm Section is a greatest hits album by the band Atlanta Rhythm Section released through Universal Music Group. The collection spans the band's history from 1974 through 1981.
The Boys from Doraville is the ninth album by the Southern rock band Atlanta Rhythm Section, and their final album on Polydor Records, released in 1980.
The Candymen were an American pop quintet active 1965–1972 which prefigured the Atlanta Rhythm Section. The group were managed by Dothan, Alabama producer-songwriter Buddy Buie, and included guitarists John Rainey Adkins, plus Barry Bailey and J.R. Cobb, singer Rodney Justo, drummer Robert Nix and keyboard player Dean Daughtry. The band's chart singles included "Georgia Pines" (1967) and "Ways" (1968). They often performed as the backing band of Roy Orbison.
Truth in a Structured Form is the eleventh album by American Southern rock band Atlanta Rhythm Section, released in August 1989. It was the band's first album in eight years. It featured a heavy drum sound and a sharper, more synthesized gloss over the songs, a departure from their previous approach.