Racoon are a Dutch rock band, formed in 1997. Their first big appearance was at the 1999 Noorderslagfestival. The first album, Till Monkeys Fly, appeared in January 2000, produced by Michael Schoots. The first single, "Feel Like Flying", became a hit and got a lot of airplay on the Dutch radio station 3FM. The band's biggest hit so far came in 2005, when its single "Love You More" reached number three on the Dutch music charts.
David Knopfler is a British singer-songwriter. He was born in Scotland and raised in Newcastle-Upon-Tyne, England, from the age of two. Together with his older brother Mark Knopfler, John Illsley, and Pick Withers, he founded the rock band Dire Straits in 1977, serving as rhythm guitarist on their first two albums. After quitting the band, Knopfler embarked upon a solo career as a recording artist. Knopfler initially created smaller record labels, publishing companies, and indie labels.
Jan Akkerman is a Dutch guitarist. He first found international commercial success with the band Focus, which he co-founded with Thijs van Leer. After leaving Focus, he continued as a solo musician, adding jazz fusion influences.
Moneen is a Canadian indie rock band from Brampton, Ontario.
Stars is a Canadian indie pop/rock band based in Montreal, Quebec. Since forming in 2000, they have released nine albums and a number of EPs. Their music has been nominated for two Juno Awards and two Polaris Music Prizes.
Asphyx is a Dutch death metal band that was formed in Overijssel in 1987.
Dealership is an American indie rock band based in Berkeley, California, thought to be disbanded.
Vital: Van der Graaf Live is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome (1977), and featured the same line-up plus newcomer cellist/keyboardist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
Elegy are a Dutch power metal band, founded in 1986 in Eindhoven. Their music is characterized by the fusion of power and progressive metal, which made them the pioneers of the 'progressive power metal' subgenre. The band was plagued by a continuing changing roster, which counts in the current line-up only one founding member. Elegy have currently suspended any recording or live activity.
Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and are still musically active with a line-up of Hammill, organist Hugh Banton and drummer Guy Evans.
Two is the second album by Charlottesville, Virginia eclectic duo, Soko, released in 2005, almost ten years after their debut album, In November Sunlight, released in 1996. Soko started out as a trio until drummer John Gilmore, who appeared on the first album, left the band. Gilmore appears as a guest performer on this album. In addition to Gilmore, ten various artists are heard, including guitarist Tim Reynolds. The album was recorded in the Dave Matthews Band's Haunted Hollow Studio, and features several tracks which were performed live by Soko throughout the 1990s, as well as several new studio songs, and a cover of The Beatles' "Rain." The songs "Plant the Sky," "Joy of Love," and "Rain" were edited and released as singles for radio play.
Rosemary's Sons is a Dutch band which makes music described as mainstream pop/rock and rootsrock. The band formed in 1998. With their debut album on Warner Music, All in Hand in 2002, they scored a minor hit with the single "Shine", which featured Dutch country/pop singer Ilse DeLange.
Zen was a Dutch rock band, founded by Siegfried 'Siebe' de Jong and Dirk van der Ploeg in 1965. Van der Ploeg was the songwriter for the band, but the band underwent numerous changes in its line-up in its existence. The hippie-oriented one hit wonder band hit the top spot on the Dutch Top 40 singles chart in January 1969, with their version of the theme song from the musical Hair.
Un Peu de l'Âme des Bandits is the second album by Belgian avant-rock band Aksak Maboul. It was recorded at Sunrise Studio in Kirchberg, Switzerland in February and August 1979, and released on LP in January 1980 on founding member Marc Hollander's Belgian independent record label, Crammed Discs. At the time the band had changed the spelling of their name to "Aqsak Maboul", and this is reflected on the album's record sleeve. When the album was re-issued on CD in 1995 the spelling of their name reverted to "Aksak Maboul".
Kingfisher Sky is a Dutch progressive metal band from Netherlands, created and led by drummer Ivar de Graaf.
Close to the Fire is the 9th studio album by Dutch progressive rock band Kayak, released in 2000. It was a comeback album, the first since their split in 1982. The line-up was almost the same as the one that recorded the album Royal Bed Bouncer in 1975. Only guitarist Johan Slager was not involved. He was replaced by Rob Winter.
Cliffhanger (1993–2001) was a Dutch progressive rock band.
All for Nothing is a Rotterdam band consisting of five members. The music consists of punk rock, metal and hardcore influences.
Cirrha Niva is a Dutch progressive metal band. The band was formed in 1993 by guitarists Peter Vennema and Rob Willemse. The band name is based on The Divine Comedy by Dante Alighieri and is a mutation/combination of the names Cirrha and Nisa, the two peaks of the mountain Parnassus that appear in the story.
Private Suit is the fourth studio album by Dutch indie rock band Bettie Serveert, and their first to be released on Parasol Records. It was released on September 5, 2000 through Parasol's subsidiary Hidden Agenda Records. It received generally favorable reviews from critics, with a score of 80 out of 100 on the critic review aggregator site Metacritic. One critic who did not like the album was Keith Harris, who wrote in the Chicago Reader that he thought the album "sounded false".
Netherlands