Sir Francis Leg(g)att Chantrey was an English sculptor. He became the leading portrait sculptor in Regency era Britain, producing busts and statues of many notable figures of the time. Chantrey's most notable works include the statues of King George IV ; King George III (Guildhall), and George Washington. He also executed four monuments to military heroes for St Paul's Cathedral, London. He left the Chantrey Bequest for the purchase of works of art for the nation, which was available from 1878 after the death of his widow.
Henry Scott Tuke, was an English visual artist; primarily a painter, but also a photographer. His most notable work was in the Impressionist style, and he is best known for his paintings of nude boys and young men.
Thomas Cooper Gotch or T. C. Gotch (1854–1931) was an English painter and book illustrator loosely associated with the Pre-Raphaelite movement; he was the brother of John Alfred Gotch, the architect.
Philip Hermogenes Calderon was an English painter of French birth (mother) and Spanish (father) ancestry who initially worked in the Pre-Raphaelite style before moving towards historical genre. He was Keeper of the Royal Academy in London.
Mildred Anne Butler was an Irish artist, who worked in watercolour and oil of landscape, genre and animal subjects. Butler was born and spent most of her life in Kilmurry, Thomastown, County Kilkenny and was associated with the Newlyn School of painters.
Anna Maria Fox was a promoter of the Royal Cornwall Polytechnic Society and the artistic and cultural development of Falmouth in Cornwall, UK.
Matthew Ridley Corbet was a Victorian neoclassical painter.
Frank Bramley RA was an English post-impressionist genre painter of the Newlyn School.
William Ayerst Ingram or W. Ayerst Ingram RBA was a painter and member of the Newlyn School. He did notable Landscape art and Marine art. In 1906 he joined the Royal Institute of Oil Painters and in 1907 he joined the Royal Institute of Painters in Water Colours.
Frederick Cayley Robinson was an English artist, creating paintings and applied art including book illustrations and theatre set designs. Along with a number of other British artists, Cayley Robinson continued to paint striking Pre-Raphaelite and Victorian subjects well into the twentieth century despite this approach becoming deeply unfashionable. His work has been examined in a PhD thesis by Alice Eden and an exhibition Modern Pre-Raphaelite Visionaries at Leamington Spa Art Gallery & Museum.
The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834. They are now in the Philadelphia Museum of Art and Cleveland Museum of Art.
Carnation, Lily, Lily, Rose is an oil-on-canvas painting made by the American painter John Singer Sargent in 1885–86.
Ruby, Gold and Malachite is an oil-on-canvas painting by Henry Scott Tuke. It depicts six young men in and around a boat, bathing in the sea. It was painted near Falmouth and exhibited at the Royal Academy summer exhibition in 1902, along with two other works by Tuke, The Run Home and Portrait of Alfred de Pass. It was one of his greatest successes.
All Hands to the Pumps is an 1888–89 painting by British artist Henry Scott Tuke. At the time, the 21-year-old Tuke was living on an old French brig Julie of Nantes, which he anchored in Falmouth Harbour to use as a floating studio.
Youth on the Prow, and Pleasure at the Helm is an oil painting on canvas by English artist William Etty, first exhibited in 1832. Etty had been planning the painting since 1818–19, and an early version was exhibited in 1822. The piece was inspired by a metaphor in Thomas Gray's poem The Bard in which the apparently bright start to the notorious misrule of Richard II of England was compared to a gilded ship whose occupants are unaware of an approaching storm. Etty chose to illustrate Gray's lines literally, depicting a golden boat filled with and surrounded by nude and near-nude figures.
Maurice Prosper Lambert RA was a British sculptor. He was the son of the artist George Washington Lambert and the older brother of the composer and author Constant Lambert.
An Athlete Wrestling with a Python was the first of three bronze sculptures produced by the British artist Frederic Leighton. Completed in 1877, the sculpture was a departure for Leighton, and heralded the advent of a new movement, New Sculpture, taking realistic approach to classical models. It has been described as a "sculptural masterpiece" and as "possibly Leighton's greatest contribution to British art". Despite its indebtedness to the Classical tradition, it can be understood as one of the first stirrings of modern sculpture in Britain as well as in Europe. The Athlete was arguably the most influential piece of English sculpture of the 19th century.
The Lady of Shalott Looking at Lancelot is an oil-on-canvas painting by John William Waterhouse, completed in 1894. It measures 142.2 by 86.3 centimetres. The artist presented it to Leeds Art Gallery in 1895.
Moonlight, a Study at Millbank is an oil painting by J. M. W. Turner, painted c. 1797. The nocturne is painted in oils on a mahogany board which measures 31.4 cm × 40.3 cm. It has been held by the Tate Gallery since 1910.
Edward Le Bas RA (1904–1966) was a British artist and art collector.
