Auguste Mestral (1812–1884), also known as O. Mestral, was a French photographer. He travelled with fellow photographers Édouard Baldus, Henri Le Secq, and Gustave Le Gray in the summer of 1851 to photograph architectural monuments in France at the request of the Commission des Monuments Historiques. [1]
The Panthéon is a monument in the 5th arrondissement of Paris, France. It stands in the Latin Quarter, atop the Montagne Sainte-Geneviève, in the centre of the Place du Panthéon, which was named after it. The edifice was built between 1758 and 1790, from designs by Jacques-Germain Soufflot, at the behest of King Louis XV of France; the king intended it as a church dedicated to Saint Genevieve, Paris's patron saint, whose relics were to be housed in the church. Neither Soufflot nor Louis XV lived to see the church completed.
The Sainte-Chapelle is a royal chapel in the Gothic style, within the medieval Palais de la Cité, the residence of the Kings of France until the 14th century, on the Île de la Cité in the River Seine in Paris, France.
Paul Gustave Louis Christophe Doré was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.
Hippolyte Bayard was a French photographer and pioneer in the history of photography. He invented his own process that produced direct positive paper prints in the camera and presented the world's first public exhibition of photographs on 24 June 1839. He claimed to have invented photography earlier than Louis-Jacques Mandé Daguerre in France and William Henry Fox Talbot in England, the men traditionally credited with its invention.
Maxime Du Camp was a French writer and photographer.
Jean-Baptiste Gustave Le Gray was a French painter, draughtsman, sculptor, print-maker, and photographer. He has been called "the most important French photographer of the nineteenth century" because of his technical innovations, his instruction of other noted photographers, and "the extraordinary imagination he brought to picture making." He was an important contributor to the development of the wax paper negative.
Gustave Adolphe Désiré Crauck was a French sculptor with a long distinguished career.
Albert-Ernest Carrier-Belleuse was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour.
Jean-Louis-Henri Le Secq des Tournelles was a French painter and photographer. After the French government made the daguerreotype open for public in 1839, Le Secq was one of the five photographers selected to carry out a photographic survey of architecture.
French Gothic architecture is an architectural style which emerged in France in 1140, and was dominant until the mid-16th century. The most notable examples are the great Gothic cathedrals of France, including Notre-Dame Cathedral, Reims Cathedral, Chartres Cathedral, and Amiens Cathedral. Its main characteristics are verticality, or height, and the use of the rib vault and flying buttresses and other architectural innovations to distribute the weight of the stone structures to supports on the outside, allowing unprecedented height and volume. The new techniques also permitted the addition of larger windows, including enormous stained glass windows, which fill the cathedrals with light.
Jacques Félix Duban was a French architect, the contemporary of Jacques Ignace Hittorff and Henri Labrouste.
Auguste-Barthélemy Glaize (1807–1893) was a French Romantic painter of history paintings and genre paintings.
Missions Héliographiques was a 19th-century project to photograph landmarks and monuments around France so that they could be restored.
Gustave Frédéric Michel (1851–1924) was a French sculptor, and medallist, according to Marina Warner "one of the most famous sculptors of the first decades of this (twentieth) century in France," although virtually unknown today. He also taught sculpture; among his pupils was the American Edith Howland.
Tourism in Paris is a major income source. Paris received 12.6 million visitors in 2020, measured by hotel stays, a drop of 73 percent from 2019, due to the COVID-19 pandemic. The number of foreign visitors declined by 80.7 percent. Museums re-opened in 2021, with limitations on the number of visitors at a time and a requirement that visitors wear masks.
The Sainte-Chapelle de Vincennes is a Gothic royal chapel within the fortifications of the Château de Vincennes on the east edge of Paris, France. It was inspired by the Sainte-Chapelle, the royal chapel within the Palais de la Cité in Paris. It was begun in 1379 by Charles V of France to house relics of the Passion of Christ. It is no longer used as a church, and is now a French historical monument operated by the Centre des monuments nationaux.
Jean-Baptiste-Antoine Lassus was a French architect who became an expert in restoration or recreation of medieval architecture. He was a strong believer in the early Gothic architecture style, which he thought as a true French and Christian tradition, and was opposed to the classical Graeco-Roman styles promoted by the academic establishment.
Gustave Coquiot was a French art critic and writer. A collector of paintings by Maurice Utrillo, he also was one of Auguste Rodin's secretaries.
The Basilique Notre Dame du Bon Secours, Marie Auxiliatrice is a Roman Catholic minor basilica in Bonsecours near Rouen, Seine—Maritime, France. It is the first church in France to be built in the Gothic Revival style. The basilica is highly ornately decorated with windows, sculptures and other elements often carrying the name or coat of arms of a patronal donor.
Notre-Dame-de-la-Compassion is a Roman Catholic Church located on Place du Général Koenig in the 17th arrondissement in Paris. It was originally built in 1842–43 as a memorial chapel to Ferdinand Philippe, Duke of Orléans, the heir to King Louis-Philippe of France, who was killed in a road accident in 1842. It was built in the Neo-Byzantine style, with elements of Gothic, Baroque and other styles, and was originally called the Chapelle Royale Saint-Ferdinand. In 1970 it was moved stone by stone from its original location a short distance away to make space for the new Palais des Congrès. It became a parish church in 1993. Its notable decoration includes stained glass windows designed by Jean-Auguste-Dominique Ingres, and sculpture by Henri de Triqueti. It was designated a French historic monument in 1929.
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