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| Founded | 1982 |
|---|---|
| Founder | Barb Wieser and Joan Pinkvoss |
| Headquarters location | San Francisco, CA |
| Distribution | Small Press Distribution |
| Publication types | Books |
| Fiction genres | Feminist literature |
| Official website | auntlute |
Aunt Lute Books is an American multicultural feminist press based in San Francisco, California. The publisher also seeks to work with and support first-time authors. [1]
In 1982, Aunt Lute Book Company was founded by Barb Wieser and Joan Pinkvoss in Iowa. [2]
Aunt Lute merged with Spinsters Ink, another feminist publisher, in 1986, and the two organizations published jointly for several years in San Francisco under the name Spinsters/Aunt Lute. [3] In 1990 the Aunt Lute Foundation was established as a non-profit publishing program.[ citation needed ]
In 1992, Spinsters Ink was purchased by lesbian feminist philanthropist Joan Drury and moved to Minneapolis. [2] [4]
Aunt Lute continues to operate independently as a nonprofit to the present day.[ citation needed ]
Aunt Lute has published a number of high-profile feminist and lesbian authors, including Audre Lorde ( The Cancer Journals ), Gloria Anzaldúa ( Borderlands/La Frontera: The New Mestiza ), Melanie Kaye/Kantrowitz, LeAnne Howe ( Shell Shaker , winner of the 2002 Before Columbus American Book Award, and Miko Kings: An Indian Baseball Story), Alice Walker, and Paula Gunn Allen.
Call Me Woman, the autobiography of South African activist Ellen Kuzwayo, Radmila Manojlovic Zarkovic's anthology, I Remember: Writings by Bosnian Women Refugees, and Cherry Muhanji's Lambda Award-winning novel Her have also been published by Aunt Lute. [5]
Other Aunt Lute titles include the first U.S. collection of Filipina/Filipina American women writers [6] and the first collection of Southeast Asian women writers, [7] as well as a number of translated texts. [8]
Other titles are listed below:
Aunt Lute Books won the 2004-2005 and the 2005-2006 Best of the Small Presses Award, granted by Standards, an international cultural studies magazine. [9]
Audre Lorde was an American writer, professor, philosopher, intersectional feminist, poet and civil rights activist. She was a self-described "Black, lesbian, feminist, socialist, mother, warrior, poet" who dedicated her life and talents to confronting different forms of injustice, as she believed there could be "no hierarchy of oppressions" among "those who share the goals of liberation and a workable future for our children."
Judy Grahn is an American poet and author.
Appropriation in sociology is, according to James J. Sosnoski, "the assimilation of concepts into a governing framework...[the] arrogation, confiscation, [or] seizure of concepts." According to Tracy B Strong it contains the Latin root proprius, which, "carries the connotations not only of property, but also of proper, stable, assured and indeed of common or ordinary." He elaborates: "I have appropriated something when I have made it mine, in a manner that I feel comfortable with, that is in a manner to which the challenges of others will carry little or no significance. A text, we might then say, is appropriated when its reader does not find himself or herself called into question by it, but does find him or herself associated with it. A text is successfully appropriated insofar as the appropriator no longer is troubled with it; it has become a part of his or her understanding, and it is recognized by others as 'owned,' not openly available for interpretation."
Gloria Evangelina Anzaldúa was an American scholar of Chicana feminism, cultural theory, and queer theory. She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza (1987), on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work. She also developed theories about the marginal, in-between, and mixed cultures that develop along borders, including on the concepts of Nepantla, Coyoxaulqui imperative, new tribalism, and spiritual activism. Her other notable publications include This Bridge Called My Back: Writings by Radical Women of Color (1981), co-edited with Cherríe Moraga.
Norma Elia Cantú is a Chicana postmodernist writer and the Murchison Professor in the Humanities at Trinity University in San Antonio, Texas.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Because Juan Diego did not speak Spanish, it has been proposed by multiple authors and analysts that the name Guadalupe, referring to the Virgin of Guadalupe, was likely derived from a word in the Nahuatl language.
Founded in Upstate New York in 1978 by Maureen Brady and Judith McDaniel, Spinsters Ink is one of the oldest lesbian feminist publishers in the world. It is currently owned by publisher Linda Hill, who purchased the Spinsters Ink in 2005. Hill also owns Bella Books and Beanpole Books.
Elana Dykewomon was an American lesbian activist, author, editor, and teacher. She was a recipient of the Lambda Literary Award for Lesbian Fiction.
This Bridge Called My Back: Writings by Radical Women of Color is a feminist anthology edited by Cherríe Moraga and Gloria E. Anzaldúa first published in 1981 by Persephone Press. The book centers on the experiences of women of color and emphasizes the points of what is now called intersectionality within their multiple identities, challenging white feminists who made claims to solidarity based on sisterhood. Writings in the anthology, along with works by other prominent feminists of color, call for a greater prominence within feminism for race-related subjectivities, and ultimately laid the foundation for third wave feminism. It is among the most cited books in feminist theory.
Pat Parker was an African American poet and activist. Both her poetry and her activism drew from her experiences as a Black lesbian feminist. Her poetry spoke about her tough childhood growing up in poverty, dealing with sexual assault, and the murder of a sister. At eighteen, Parker was in an abusive relationship and had a miscarriage after being pushed down a flight of stairs. After two divorces, she came out as a lesbian, "embracing her sexuality" and said she was liberated and "knew no limits when it came to expressing the innermost parts of herself".
Melanie Kaye/Kantrowitz was an American essayist, poet, academic, and political activist.
Irena Klepfisz is a Jewish lesbian author, academic and activist.
Dan Vera is an American poet and editor.
Chicana literature is a form of literature that has emerged from the Chicana Feminist movement. It aims to redefine Chicana archetypes, in an effort to provide positive models for Chicanas. Chicana writers redefine their relationships with what Gloria Anzaldúa has called "Las Tres Madres" of Mexican culture, by depicting them as feminist sources of strength and compassion.
Ire'ne Lara Silva is a Chicana feminist poet and writer from Austin, Texas. Her parents were migrant farmworkers. She has published numerous works of poetry and her short story collection won the 2013 Premio Aztlán Literary Prize. A central theme of her work is Indigenous survival and perseverance despite colonization: "let's empower ourselves with that knowledge."
Queer of color critique is an intersectional framework, grounded in Black feminism, that challenges the single-issue approach to queer theory by analyzing how power dynamics associated race, class, gender expression, sexuality, ability, culture and nationality influence the lived experiences of individuals and groups that hold one or more of these identities. Incorporating the scholarship and writings of Audre Lorde, Gloria Anzaldúa, Kimberlé Crenshaw, Barbara Smith, Cathy Cohen, Brittney Cooper and Charlene A. Carruthers, the queer of color critique asks: what is queer about queer theory if we are analyzing sexuality as if it is removed from other identities? The queer of color critique expands queer politics and challenges queer activists to move out of a "single oppression framework" and incorporate the work and perspectives of differently marginalized identities into their politics, practices and organizations. The Combahee River Collective Statement clearly articulates the intersecting forces of power: "The most general statement of our politics at the present time would be that we are actively committed to struggling against racial, sexual, heterosexual, and class oppression, and see as our particular task the development of integrated analysis and practice based upon the fact that major systems of oppression are interlocking. The synthesis of these oppressions creates the conditions of our lives." Queer of color critique demands that an intersectional lens be applied queer politics and illustrates the limitations and contradictions of queer theory without it. Exercised by activists, organizers, intellectuals, care workers and community members alike, the queer of color critique imagines and builds a world in which all people can thrive as their most authentic selves- without sacrificing any part of their identity.
All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave (1982) is a landmark feminist anthology in Black Women's Studies printed in numerous editions, co-edited by Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith.
Persephone Press was a publishing company and communications network run by a lesbian-feminist collective in Watertown, Massachusetts. The company published fourteen books between 1976 and 1983, when the organization was sold to Beacon Press.
Joan Drury was an American novelist, book publisher, book seller, and philanthropist. She owned Spinsters, Ink, a publishing company that focused on books by women, especially those identifying as lesbian. She was the author of a series of mystery novels featuring a lesbian protagonist, Tyler Jones, and owned and operated a bookshop, Drury Lane Books, in Grand Marais, Minnesota. Drury won several awards for her services to publishing as well as for her own writing, including a Lambda Literary Award. She was also a philanthropist who sponsored writers' retreats, and created the National Lesbian Writer’s Award.
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