Azora, The Daughter of Montezuma is an opera in three acts by American composer Henry Kimball Hadley to a libretto in English by author David Stevens.
Azora, The Daughter of Montezuma is an opera in three acts by American composer Henry Kimball Hadley to a libretto in English by author David Stevens.
The story takes place at the time of the conquest of the Aztecs by Cortez. Xalca, the Tlascalan prince, and Ramatzin, general of Montezuma's army, vie for the hand of Montezuma's daughter Azora; the former having prevailed, Montezuma condemns the lovers to death. In a scene set at dawn in a cavern, all gather by the sacrificial stone, but before the execution can proceed Cortez and his priests appear, and the lovers are set free.
The Chicago Opera Association gave the work its world premiere in Chicago, Illinois, on December 26, 1917, and performed it once more in Chicago shortly thereafter.
As a single performance during an out-of-town residency that opened with the New York premiere of Mascagni's Isabeau , the Chicago company gave Azora its New York premiere on January 26, 1918, at the Lexington Opera House. The composer conducted, and the cast included Anna Fitziu as Azora, Forrest Lamont as Xalca, Cyrena van Gordon as Papantzin, Arthur Middleton as Ramatzin, Frank Preisch as Canek, and James Goddard as Montezuma. Although all members of the cast were promoted as young American singers, Lamont, who admittedly first trained and would make most of his career in the United States, was actually of Canadian birth. There were further performances given the same season in Boston and St. Louis.
The New York Times offered mostly praise for the "fresh, young, powerful voices" of the cast; only Goddard was "out of voice," and even he received high marks for his dramatic presentation. The paper's assessment of the work itself, however, although on balance favorable, was not unmixed: "...[W]hile [the] opera lacks somewhat the routine of the theater, and still more the dramatic note, it nevertheless escapes being either mere scholar's music or unsingable." The Times singled out for praise "a fine barbaric dance in the first act," the heroine's aria "Now Fades the Opal Sky" in Act 2, and some ensembles but suggested that more than one segment of the score somewhat outstayed its welcome. The paper also faulted the work for setting the execution in a cave: "The opera should have ended in the open, for the Aztecs worshipped on plateaus, on the pyramid of Cholula, for example, and not in caves." Nonetheless, it deemed the setting appropriately atmospheric for the drama's purposes.
After the performance, both Hadley and Stevens appeared for curtain calls. Fitziu presented Hadley with a large silk American flag, and the "representative audience of New York musicians and society folk" joined in singing as the orchestra played "The Star-Spangled Banner".
Montezuma or Moctezuma may refer to:
Moctezuma Xocoyotzin [moteːkʷˈsoːma ʃoːkoˈjoːtsin] modern Nahuatl pronunciation (help·info)), variant spellings include Motecuhzomatzin, Montezuma, Moteuczoma, Motecuhzoma, Motēuczōmah, Muteczuma, and referred to retroactively in European sources as Moctezuma II, was the ninth Tlatoani of Tenochtitlan and the sixth Huey Tlatoani or Emperor of the Aztec Empire, reigning from 1502 or 1503 to 1520. The first contact between the indigenous civilizations of Mesoamerica and Europeans took place during his reign, and he was killed during the initial stages of the Spanish conquest of the Aztec Empire, when conquistador Hernán Cortés and his men fought to take over the Aztec capital Tenochtitlan. During his reign, the Aztec Empire reached its greatest size. Through warfare, Moctezuma expanded the territory as far south as Xoconosco in Chiapas and the Isthmus of Tehuantepec, and incorporated the Zapotec and Yopi people into the empire. He changed the previous meritocratic system of social hierarchy and widened the divide between pipiltin (nobles) and macehualtin (commoners) by prohibiting commoners from working in the royal palaces.
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Montezuma is an opera in three acts by the American composer Roger Sessions, with an English libretto by Giuseppe Antonio Borgese that incorporates bits of the Aztec language, Nahuatl, as well as Spanish, Latin, and French.
Henry Kimball Hadley was an American composer and conductor.
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The Bispham Memorial Medal Award was an award for operas written in English which was presented annually by the American Opera Society of Chicago from 1921 until 1932. The award was named for baritone David Bispham, who was a great proponent of performing opera in English in the United States. It was traditionally awarded to American composers, frequently for an opera on an American subject. It was funded, in part, by composer Eleanor Everest Freer, who was also one of its recipients. Other recipients include :
The Indian Emperour, or the Conquest of Mexico by the Spaniards, being the Sequel of The Indian Queen is an English Restoration era stage play, a heroic drama written by John Dryden that was first performed in the Spring of 1665. The play has been considered a defining work in the subgenre of heroic drama, in which "rhymed heroic tragedy comes into full being." As its subtitle indicates, the play deals with the Spanish conquest of the Aztec Empire under Hernán Cortés.
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Myrna Docia Sharlow was an American soprano who had an active performance career in operas and concerts during the 1910s through the 1930s. She began her career in 1912 with the Boston Opera Company and became one of Chicago's more active sopranos from 1915–1920, and again in 1923–1924 and 1926–1927. She sang with several other important American opera companies during her career, including one season at the Metropolitan Opera. She made only a handful of opera appearances in Europe during her career, most notably singing in the English premiere of Riccardo Zandonai's Francesca da Rimini at Covent Garden in 1914. Her repertoire spanned a wide range from leading dramatic soprano roles to lighter lyric soprano fair and comprimario parts. She even performed a few roles traditionally sung by mezzo-sopranos or contraltos.
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