Author | Dornford Yates |
---|---|
Series | Berry books |
Genre | Fictionalised memoirs |
Publisher | Ward Lock & Co [1] |
Publication date | 1958 [1] |
Media type | |
Pages | 284 [1] |
Preceded by | As Berry and I Were Saying |
B-Berry and I Look Back is the second volume of fictionalised memoirs of the English author Dornford Yates (Cecil William Mercer), published in 1958 and featuring his recurring 'Berry' characters - Berry, Daphne, Boy, Jill and Jonah. The first volume, As Berry and I Were Saying , had been published in 1952. It was his last book.
In an introductory note, the author states that the book contains recollections of true occasions and incidents within a fictional setting. He emphasises that "the memories themselves are strictly true and that I have exaggerated nothing." [2]
The book begins with a story in the style of previous 'Berry' tales before reverting to the reminiscing style of As Berry and I Were Saying . It ends with an epilogue in the form of a letter from the loyal servant Bridget Ightham to her brother in Hampshire describing her life with Berry & Co in retirement in Portugal.
According to Yates's biographer, AJ Smithers, "The book Is a patch-work, including short visits to the Bar, the stage and the amusements of a London now rapidly vanishing into history." [3]
The memoirs have been called "denunciations of the changing times", and despite the claim to veracity in the introductory note are "highly subjective opinions on the past", with unhistorical episodes that "valorise the past at the expense of the post-war present". [4]
Cecil William Mercer, known by his pen name Dornford Yates, was an English writer and novelist whose novels and short stories, some humorous, some thrillers, were best-sellers during the Interwar Period.
The House That Berry Built is a 1945 humorous semi-autobiographical novel by the English author Dornford Yates, featuring his recurring 'Berry' characters. It is a lightly fictionalised recounting of the construction of the author's house Cockade in the commune of Eaux-Bonnes, Pyrénées-Atlantiques, France.
Wife Apparent is a 1956 book by the English author Dornford Yates, his last novel. The book was originally to be called Lady-in-Waiting, but this had to be changed at the last moment as another book with the same title was scheduled to appear at about the same time.
The Courts of Idleness is a 1920 collection of comic short stories by the English author Dornford Yates, his second book. Half of the tales feature his 'Berry' characters.
Berry and Co. is a 1921 collection of comic short stories by the English author Dornford Yates, his third book, featuring his recurring characters Bertram ('Berry') Pleydell, his wife and cousin Daphne Pleydell, Daphne's brother Boy Pleydell, another cousin Jonathan ('Jonah') Mansel, and Jonah's younger sister Jill Mansel. The group of five - Berry, Daphne, Boy, Jonah and Jill - are collectively 'Berry and Co.'
Jonah and Co. is a 1922 collection of comic short stories by the English author Dornford Yates, featuring his recurring 'Berry' characters.
Adèle and Co. is a 1931 comic novel by the English author Dornford Yates, featuring his recurring 'Berry' characters. This was Yates's first full-length Berry novel, following several earlier Berry short story collections. It was the first Berry book to be published in the UK by Hodder & Stoughton, and not to be serialised in The Windsor Magazine.
And Berry Came Too is a 1936 collection of comic short stories by the English author Dornford Yates, featuring his recurring 'Berry' characters.
The Berry Scene is a 1947 collection of comic short stories by the English author Dornford Yates, featuring his recurring 'Berry' characters.
As Berry and I Were Saying is the first volume of fictionalised memoirs of the English author Dornford Yates, published in 1952 and featuring his recurring 'Berry' characters - Berry, Daphne, Boy and Jill. A second volume, B-Berry and I Look Back, was published in 1958.
Blind Corner is a 1927 novel by the English author Dornford Yates. The book was the first in his Chandos thriller series and is narrated in the first person by Richard Chandos. In addition to Chandos and his servant Bell, the novel features a cast of characters who recur in many of the later books: George Hanbury and Jonathan Mansel; their respective servants Rowley and Carson; and Tester the Sealyham terrier. Mansel's character also appears as Jonah Mansel in the author's 'Berry' series of comic books and short stories, though he is not written for comic effect in this nor the later 'Chandos' books.
Perishable Goods is a 1928 novel by the English author Dornford Yates, the second in his Chandos thriller series and a sequel to Blind Corner. The story features the recurrent characters Richard Chandos (narrator), Jonathan Mansel and George Hanbury, with their respective servants Bell, Carson and Rowley.
Blood Royal is a 1929 novel by the English author Dornford Yates, the third in his Chandos thriller series. The story features the recurrent characters Richard Chandos (narrator) and George Hanbury, with their servants Bell and Rowley. Jonathan Mansel does not appear in this book.
Fire Below is a 1930 adventure novel by the English author Dornford Yates, the fourth in his Chandos thriller series and a sequel to Blood Royal. The book was published in the US under the title By Royal Command.
Valerie French is a 1923 adventure novel by the English author Dornford Yates, a sequel to Anthony Lyveden. It was first published in monthly instalments in The Windsor Magazine.
Maiden Stakes is a 1928 collection of short stories by the English author Dornford Yates, first published in The Windsor Magazine.
The Stolen March is a 1926 fantasy novel by the English author Dornford Yates, first serialised in The Windsor Magazine.
This Publican is a 1938 novel by the English author Dornford Yates. It was first serialised as She Knew Not Mercy in Woman's Journal for November 1937 to March 1938, with illustrations by Forster.
Lower than Vermin is a 1950 novel by the English author Dornford Yates. It was not a commercial success, dealing as it did with a vanished pre-war world of upper class characters that held little attraction to readers of the 1950s.