Related Research Articles
Black studies or Africana studies, is an interdisciplinary academic field that primarily focuses on the study of the history, culture, and politics of the peoples of the African diaspora and Africa. The field includes scholars of African-American, Afro-Canadian, Afro-Caribbean, Afro-Latino, Afro-European, Afro-Asian, African Australian, and African literature, history, politics, and religion as well as those from disciplines, such as sociology, anthropology, cultural studies, psychology, education, and many other disciplines within the humanities and social sciences. The field also uses various types of research methods.
African diaspora religions, also described as Afro-American religions, are a number of related beliefs that developed in the Americas in various nations of the Caribbean, Latin America and the Southern United States. They derive from traditional African religions with some influence from other religious traditions, notably Christianity and Islam.
Sylvia Wynter, O.J. is a Jamaican novelist,[1] dramatist,[2] critic, philosopher, and essayist.[3] Her work combines insights from the natural sciences, the humanities, art, and anti-colonial struggles in order to unsettle what she refers to as the "overrepresentation of Man". Black studies, economics, history, neuroscience, psychoanalysis, literary analysis, film analysis, and philosophy are some of the fields she draws on in her scholarly work.
Edouard Duval-Carrié is a Haitian-born American contemporary painter and sculptor based in Miami, Florida.
George William Lamming OCC was a Barbadian novelist, essayist, and poet. He first won critical acclaim for In the Castle of My Skin, his 1953 debut novel. He also held academic posts, including as a distinguished visiting professor at Duke University and a visiting professor in the Africana Studies Department of Brown University, and lectured extensively worldwide.
Tina Campt is Roger S. Berlind ’52 Professor of Humanities at Princeton University. Campt previously held faculty positions as Owen F. Walker Professor of Humanities at Brown University, Director of the Barnard Center for Research on Women and Ann Whitney Olin Professor of Africana and Women's Studies at Barnard College, Professor of Women's Studies at Duke University, and Professor of Women's Studies at the University of California, Santa Cruz. Campt is the author of four books: Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich, Image Matters: Archive Photography and the African Diaspora in Europe, Listening to Images, and A Black Gaze: Artists Changing How We See.
Vincent Brown is Charles Warren Professor of History, Professor of African and African-American Studies, and Director of the History Design Studio at Harvard University. His research, writing, teaching, and other creative endeavors are focused on the political dimensions of cultural practice in the African Diaspora, with a particular emphasis on the early modern Atlantic world.
For a history of Afro-Caribbean people in the UK, see British African Caribbean community.
Jenny Sharpe is a professor of English and Comparative Literature at UCLA. Her research focuses on issues of postcolonial studies, Caribbean literature, theories of allegory, the novel, rethinking models of memory and the archive, and the effect of the Middle Passage. In 2020, she began serving as the Chair of Graduate Studies in UCLA's English Department.
Katherine McKittrick is a Canadian professor and academic, writer, and editor. She is a professor in Gender studies at Queen's University. She is an academic and writer whose work focuses on black studies, cultural geography, anti-colonial and diaspora studies, with an emphasis on the ways in which liberation emerges in black creative texts. While many scholars have researched the areas of North American, European, Caribbean, and African black geographies, McKittrick was the first scholar to put forth the interdisciplinary possibilities of black and black feminist geography, with an emphasis on embodied, creative and intellectual spaces engendered in the diaspora.
The International Festival of Vodun Arts and Cultures, also known as the Ouidah Festival, was first held in Ouidah, Benin in February 1993, sponsored by UNESCO and the government of Benin. It celebrated the transatlantic Vodun religion, and was attended by priest and priestesses from Haiti, Cuba, Trinidad and Tobago, Brazil and the United States, as well as by government officials and tourists from Europe and the Americas. The festival was sponsored by the newly elected president of Benin, Nicéphore Soglo, who wanted to rebuild the connection with the Americas and celebrate the restoration of freedom of religion with the return to democracy. Artists from Benin, Haiti, Brazil and Cuba were given commissions to make sculptures and paintings related to Vodun and its variants in Africa and the African diaspora.
Salamishah Margaret Tillet is an American scholar, writer, and feminist activist. She is the Henry Rutgers Professor of African American Studies and Creative Writing at Rutgers University–Newark, where she also directs the New Arts Justice Initiative. Tillet is also a contributing critic-at-large at The New York Times.
Kellie Jones is an American art historian and curator. She is a Professor in Art History and Archaeology in African American Studies at Columbia University. She won a MacArthur Fellowship in 2016. In 2023, she was elected to the American Philosophical Society.
Carole Boyce Davies is a Caribbean-American professor of Africana Studies and English at Cornell University, the author of the prize-winning Left of Karl Marx: The Political Life of Claudia Jones (2008) and Black Women, Writing and Identity: Migrations of the Subject (1994), as well as editor of several critical anthologies in African and Caribbean literature. She is currently the Frank H. T. Rhodes Professor of Humane Letters, an endowed chair named after the 9th president of Cornell University. Among several other awards, she was the recipient of two major awards, both in 2017: the Frantz Fanon Lifetime Achievement Award from the Caribbean Philosophical Association and the Distinguished Africanist Award from the New York State African Studies Association.
Lisa Farrington is an American art historian, specializing in African-American art, Haitian art, and women's art. She is a Distinguished Professor in the Department of Art and Music at the John Jay College of Criminal Justice. Farrington is one of the major scholars of Faith Ringgold, is the author of several books on African-American art, and is one of only six full professors of African-American art history in the United States.
Cheryl Finley is an art historian, author, curator and critic. She is a professor at Cornell University and Director of the AUC Art History + Curatorial Studies Collective. She won Bard Graduate Center's Horowitz Book Prize for her book, Committed to Memory: the Art of the Slave Ship Icon in 2019.
Black Metamorphosis: New Natives in a New World is an unpublished manuscript written by Sylvia Wynter. The work is a seminal piece in Black Studies and uses diverse fields to explain Black experiences and presence in the Americas.
Martha S. Jones is an American historian and legal scholar. She is the Society of Black Alumni Presidential Professor and Professor of History at The Johns Hopkins University. She studies the legal and cultural history of the United States, with a particular focus on how Black Americans have shaped the history of American democracy. She has published books on the voting rights of African American women, the debates about women's rights among Black Americans in the early United States, and the development of birthright citizenship in the United States as promoted by African Americans in Baltimore before the Civil War.
Fabiola Jean-Louis is a Haitian artist working in photography, paper textile design, and sculpture. Her work examines the intersectionality of the Black experience, particularly that of women, to address the absence and imbalance of historical representation of African American and Afro-Caribbean people. Jean-Louis has earned residencies at the Museum of Art and Design (MAD), New York City, the Lux Art Institute, San Diego, and the Andrew Freedman Home in The Bronx. In 2021, Jean-Louis became the first Haitian woman artist to exhibit at the Metropolitan Museum of Art. Fabiola lives and works in New York City.
Tchaka or Chaka is a Haitian stew made from hominy, beans, pumpkin (joumou), and meat. It is used as an offering to the loa in Haitian Vodou. The nutritious soup is also associated with festivities and family time.
References
- ↑ "Bogues to direct Slavery and Justice Center". Center for the Study of Slavery and Justice. June 22, 2012.
- ↑ "Barrymore A Bogues". Researchers@Brown. Brown University.
- ↑ "B. Anthony Bogues". brown.edu. Retrieved January 29, 2017.
- ↑ "B. Anthony Bogues". brown.edu. Retrieved January 29, 2017.
- ↑ "B. Anthony Bogues" (PDF). brown.edu. Retrieved January 29, 2017.
- ↑ "Bogues, Anthony". worldcat.org. Retrieved January 29, 2017.
- ↑ "The Art of Haiti: Loas, History, and Memory".
