A Bacchanalian fraternity is a fraternal society of professional or amateur aficionados of wine and perhaps other alcoholic beverages, typically promoting the wines of represented regions, such as wines from France and Germany. The term derives from Bacchus, the Roman equivalent of Dionysus, god of wine and intoxication.
Some of the societies date to the early modern era. [1] [2] [3] Other modern ones have various affiliations, such as in the form of student societies. [4]
It is believed that Bacchanalian rituals first started in southern Italy and were introduced to Etruria and Rome. They probably originated from the Greek Dionysia festival. Historically, they were secret gatherings. Extreme orgies were a natural part of the entertainment. The members of Bacchanalian gatherings were called Bacchantes, and their sanctuary a Bacchanal. The initiation to join the group lasted 10 days, during which the applicant must refrain from sex. At its origins, the Bacchalanian societies were made up of women only. [5]
The Campanian matron Paculla Annia eventually changed the method of celebration, by admitting men and going from a 3-day annual gathering to a 5-day monthly gathering. Around 186 BC, the Roman Senate found out about those unofficial Bacchanalian rituals and launched a repressive campaign against it. An estimated 7,000 members were prosecuted amidst a violent repression. The women were returned to their families for private punishments, while the men were imprisoned or executed. The destruction of all Bacchanalia was ordered by the Roman authorities. The Senatus auctoritas de Bacchanalibus decree was passed to forbid any future similar order. [5]
Eventually, the Bacchanalian ordeal was replaced by the softer Liberalia festival. [5]
The Bacchanalia were unofficial, privately funded popular Roman festivals of Bacchus, based on various ecstatic elements of the Greek Dionysia. They were almost certainly associated with Rome's native cult of Liber, and probably arrived in Rome itself around 200 BC. Like all mystery religions of the ancient world, very little is known of their rites. They seem to have been popular and well-organised throughout the central and southern Italian peninsula.
In ancient Greek religion and myth, Dionysus is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus by the Greeks for a frenzy he is said to induce called baccheia. As Dionysus Eleutherius, his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His thyrsus, a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.
In ancient Roman religion and mythology, Liber, also known as Liber Pater, was a god of viticulture and wine, male fertility and freedom. He was a patron deity of Rome's plebeians and was part of their Aventine Triad. His festival of Liberalia became associated with free speech and the rights attached to coming of age. His cult and functions were increasingly associated with Romanised forms of the Greek Dionysus/Bacchus, whose mythology he came to share.
Liturgy is the customary public ritual of worship performed by a religious group. Liturgy can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God.
Hellenism in a religious context refers to the modern pluralistic religion practiced in Greece and around the world by several communities derived from the beliefs, mythology, and rituals from antiquity through and up to today. It is a system of thought and spirituality with a shared culture and values, and common ritualistic, linguistic, and literary tradition. More broadly, Hellenism centers itself on the worship of Hellenic deities, namely the twelve Olympians.
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs."
The Dionysia was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.
The Lenaia was an annual Athenian festival with a dramatic competition. It was one of the lesser festivals of Athens and Ionia in ancient Greece. The Lenaia took place in Athens in Gamelion, roughly corresponding to January. The festival was in honour of Dionysus Lenaios. There is also evidence the festival also took place in Delphi.
A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.
In Ancient Greece, the symposium was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems, such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art, that shows similar scenes.
The Dionysian Mysteries were a ritual of ancient Greece and Rome which sometimes used intoxicants and other trance-inducing techniques to remove inhibitions. It also provided some liberation for men and women marginalized by Greek society, among which were slaves, outlaws, and non-citizens. In their final phase the Mysteries shifted their emphasis from a chthonic, underworld orientation to a transcendental, mystical one, with Dionysus changing his nature accordingly. By its nature as a mystery religion reserved for the initiated, many aspects of the Dionysian cult remain unknown and were lost with the decline of Greco-Roman polytheism; modern knowledge is derived from descriptions, imagery and cross-cultural studies.
In ancient Roman religion, the Liberalia was the festival of Liber Pater and his consort Libera. The Romans celebrated Liberalia with sacrifices, processions, ribald and gauche songs, and masks which were hung on trees.
Ascolia, in Ancient Greece, was a yearly feast that the peasants of Attica celebrated in honor of Dionysus. The rites included sacrificing a goat, chosen because goats were prone to eating and destroying grapevines, and using its skin to make a football, which was filled with wine and smeared in oil. Festival participants then competed against each other by trying to leap onto it in a game that gave the festival its name ; the one who remained standing at the end of the contest won the wineskin as a prize. Participants also painted their faces with wine dregs, sang hymns, and recited satirical poetry.
Haloa or Alo (Ἁλῶα) was an Attic festival, celebrated principally at Eleusis, in honour of Demeter, protector of the fruits of the earth, of Dionysus, god of the grape and of wine, and Poseidon, god of the seashore vegetation. In Greek, the word hálōs (ἅλως) from which Haloa derives means “threshing-floor” or “garden.” While the general consensus is that it was a festival related to threshing—the process of loosening the edible part of cereal grain after harvest—some scholars disagree and argue that it was instead a gardening festival. Haloa focuses mainly on the “first fruits” of the harvest, partly as a grateful acknowledgement for the benefits the husbandmen received, partly as prayer that the next harvest would be plentiful. The festival was also called Thalysia or Syncomesteria.
Ancient Rome played a pivotal role in the history of wine. The earliest influences on the viticulture of the Italian Peninsula can be traced to ancient Greeks and the Etruscans. The rise of the Roman Empire saw both technological advances in and burgeoning awareness of winemaking, which spread to all parts of the empire. Rome's influence has had a profound effect on the histories of today's major winemaking regions in France, Germany, Italy, Portugal and Spain.
Phallic processions are public celebrations featuring a phallus, a representation of an erect penis.
The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus, as well as the phallic processions. Initiates worshipped him in the Dionysian Mysteries, which were comparable to and linked with the Orphic Mysteries, and may have influenced Gnosticism. Orpheus was said to have invented the Mysteries of Dionysus. It is possible that water divination was an important aspect of worship within the cult.
A fraternity or fraternal organization is an organization, society, club or fraternal order traditionally of men but also women associated together for various religious or secular aims. Fraternity in the Western concept developed in the Christian context, notably with the religious orders in the Catholic Church during the Middle Ages. The concept was eventually further extended with medieval confraternities and guilds. In the early modern era, these were followed by fraternal orders such as Freemasons, the Rosicrucian Society of England, and Odd Fellows, along with gentlemen's clubs, student fraternities, and fraternal service organizations. Members are occasionally referred to as a brother or – usually in a religious context – frater or friar.
The festival calendar of Classical Athens involved the staging of many festivals each year. This includes festivals held in honor of Athena, Dionysus, Apollo, Artemis, Demeter, Persephone, Hermes, and Herakles. Other Athenian festivals were based around family, citizenship, sacrifice, and women. There were at least 120 festival days each year.
In the Roman Empire, Rosalia or Rosaria was a festival of roses celebrated on various dates, primarily in May, but scattered through mid-July. The observance is sometimes called a rosatio ("rose-adornment") or the dies rosationis, "day of rose-adornment," and could be celebrated also with violets (violatio, an adorning with violets, also dies violae or dies violationis, "day of the violet[-adornment]"). As a commemoration of the dead, the rosatio developed from the custom of placing flowers at burial sites. It was among the extensive private religious practices by means of which the Romans cared for their dead, reflecting the value placed on tradition (mos maiorum, "the way of the ancestors"), family lineage, and memorials ranging from simple inscriptions to grand public works. Several dates on the Roman calendar were set aside as public holidays or memorial days devoted to the dead.
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