Back to Back Theatre

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Back to Back Theatre is an Australian theater company that engages with disabilities on stage. The company is based in Geelong, Victoria. It creates its work nationally and tours around the world. The work produced by the company explores questions about politics, ethics, and philosophy in humanity.[ citation needed ]

Contents

The company originated in 1987, and a year later its first performance Big Bag was put on stage. [1]

The ensemble currently consists of six actors, all of whom are neurodivergent or disabled. As of May 2022, the Back to Back ensemble is: Simon Laherty, Sarah Mainwaring, Scott Price, Mark Deans, and Breanna Deleo. [2]

Back to Back Theatre gained international attention in 2007 after touring with small metal objects and winning a Green Room Award. [1] Another play Ganesh versus the Third Reich revolved around ideas of eugenics and Nazism and received a Helpmann award after its first performance in 2012. [3] In 2019, the company also engaged in some film work creating Oddlands, a 28-minute pilot for TV that will grow into a six-part series. [1]

In 2013, Back to Back Theatre published a book We're People Who Do Shows ― Back to Back Theatre Performance, Politics, Visibility that expanded on the company's artistic vision, process, and history. [1]

The company's film Shadow was showcased at the Sydney Film Festival in 2022. [4] The film is a contradictory commentary on activism in disabled communities.

Touring works

As of June 5, 2022

Awards

For Back to Back Theatre

Ganesh Versus the Third Reich

Small Metal Objects

Soft

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References

  1. 1 2 3 4 "A History of Back to Back Theatre | Stanford Live". live.stanford.edu. Retrieved 2022-05-09.
  2. "People". Back to Back Theatre. Retrieved 2022-05-29.
  3. "Disability and the 'new normal': why Australia needs to ramp up access to stage and screen". the Guardian. 2016-09-23. Retrieved 2022-05-09.
  4. "SHADOW | Film". Back to Back Theatre. Retrieved 2022-06-06.
  5. 1 2 Burke, Kelly (2024-02-14). "Venice Biennale: regional Australian theatre company wins prestigious Golden Lion". The Guardian. ISSN   0261-3077 . Retrieved 2024-02-14.
  1. [1] Roger Wooster (2009) Creative inclusion in community theatre: a journey with Odyssey Theatre, Research in Drama Education: The Journal of Applied Theatre and Performance, 14:1, 79–90, doi : 10.1080/13569780802655814
  2. [2] Schmidt, T. (2013). Acting, Disabled: Back to Back Theatre and the Politics of Appearance. In K. Jüers-Munby, J. Carroll, & S. Giles (Eds.), Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance (1st ed., pp. 189–207). Bloomsbury Methuen Drama. https://kclpure.kcl.ac.uk/portal/files/37318239/Schmidt_Back_to_Back_Theatre_and_the_politics_of_appearance.pdf
  3. [3] H., Grehan, (2013). 'We're people who do shows': Back to Back Theatre - Performance Politics Visibility. PR Books. OCLC 864694297.
  4. [4] Titchkosky, T. (2003). Chapter 6: Revealing Culture's Eye. In Disability, self, and Society. Essay.
  5. [5] Dave Calvert (2016) 'Everything Has a Fucking Value': Negative Dialectics in the Work of Back to Back Theatre, Contemporary Theatre Review, 26:2, 134–152, doi : 10.1080/10486801.2015.1105799
  1. Wooster, Roger (2009-02-01). "Creative inclusion in community theatre: a journey with Odyssey Theatre". Research in Drama Education: The Journal of Applied Theatre and Performance. 14 (1): 79–90. doi:10.1080/13569780802655814. ISSN   1356-9783. S2CID   144951412.
  2. Schmidt, T (2013). "Acting, Disabled: Back to Back Theatre and the Politics of Appearance" (PDF). Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance, Ed. 1st edd: 189–207. doi:10.5040/9781408183519.ch-009. hdl:1959.4/unsworks_36780. ISBN   9781408183519.
  3. Grehan, H (2013). 'We're people who do shows': Back to Back Theatre - Performance Politics Visibility. PR Books. OCLC   864694297.
  4. Titchkosky, Tanya (2003-12-31). Disability, Self, and Society. doi:10.3138/9781442673939. ISBN   9781442673939.
  5. Calvert, Dave (2016-04-02). "'Everything Has a Fucking Value': Negative Dialectics in the Work of Back to Back Theatre". Contemporary Theatre Review. 26 (2): 134–152. doi:10.1080/10486801.2015.1105799. ISSN   1048-6801. S2CID   146180822.