 |
| Back to Earth | |
|---|---|
 | |
| Studio album by | |
| Released | 1998 (Sweden), 1999 (USA) |
| Genre | Jazz |
| Label | RCA Records |
| Producer | Patrik Boman, Peter Nordahl |
Back to Earth is an album by Swedish singer Lisa Ekdahl, recorded with the Peter Nordahl Trio, and released in the United States by RCA Records in 1999. A special edition was also released in 1999 that had two bonus tracks.
Ella in Berlin is a 1960 live album by the American jazz singer Ella Fitzgerald. This album was inducted into the Grammy Hall of Fame in 1999, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."
Ella Fitzgerald Sings the Cole Porter Song Book is a 1956 studio double album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter.
We All Love Ella: Celebrating the First Lady of Song is a 2007 tribute album to Ella Fitzgerald produced by Phil Ramone for Verve Records, released to mark the 90th anniversary of her birth. The "all-star" list of featured vocalists is backed for most part by an orchestra led by Rob Mounsey. The album contains the first release of a duet of Ella Fitzgerald and Stevie Wonder, who joined her on stage with her small band at the New Orleans Jazz and Heritage Festival in 1977.
The Beat of My Heart is a 1957 album by jazz singer Tony Bennett. For this Columbia album Tony Bennett had started working with English jazz pianist Ralph Sharon and together they devised this percussion influenced treatment and invited percussionists Chico Hamilton, Jo Jones, Billy Exiner, Art Blakey, Candido Camero and Sabu Martinez to take part; Ralph Sharon was arranger and conductor.
Loving You is the first soundtrack album by American rock and roll singer Elvis Presley. It was released by RCA Victor in mono, LPM 1515, in June 1957 to accompany his film, Loving You (1957). Recording sessions took place on January 15, 16, 17, and 18, 1957, at the Paramount Pictures Scoring Stage, and on January 12, 13, 19, and February 23 and 24, 1957, at Radio Recorders in Hollywood. These are the first sessions where Steve Sholes is officially listed as producer. It spent ten weeks at No. 1 on the Billboard Top Pop Albums chart. It was certified Gold on April 9, 1968 by the Recording Industry Association of America.
Love Is the Thing is a 1957 album released by American jazz vocalist Nat King Cole. It is the first of four collaborations between Cole and influential arranger Gordon Jenkins.
The Astaire Story is a 1952 album by Fred Astaire. The album was conceived of and produced by Norman Granz, the founder of Clef Records, who was also responsible for the Jazz at the Philharmonic concerts, at which all of the musicians on the album had performed.
All or Nothing at All is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. Holiday was backed by a "relaxed and understanding" small combo which included the trumpeter Harry "Sweets" Edison and the saxophonist Ben Webster. A 1959 New York Times article noted that Holiday's voice "had become a very limited instrument which she used with the craft and guile of an aging pitcher who can no longer pour his fast one across the plate."
Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962 and arranged by Nelson Riddle. Kenneth Hume, Shirley Bassey's husband and manager, wrote the sleeve notes for this album, in which he gives an insight into how this album came to be: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album. While on the tour, Bassey, Riddle, and Bassey's music director Raymond Long, discussed what form the album should take. Shortly after the tour was completed, the recording sessions began.
The Bewitching Miss Bassey is the second studio album by Welsh singer Shirley Bassey. Consisting of new and previously released material, this was the first album by Bassey to be issued on the 12" Long-playing record format. Tracks were taken from sessions recorded between 1956 and early 1959. All the songs were recorded in the UK with Wally Stott and his Orchestra, with production by Johnny Franz. The only exception was "The Wall" which was recorded in New York with Jimmy Carroll and his orchestra and produced by Mitch Miller. Featuring Bassey's first five hit songs, including Bassey's 1958 number one single "As I Love You" and the huge hit "Kiss Me, Honey Honey, Kiss Me". The album showcases the best of the early career of Shirley Bassey. All the songs were only recorded in mono, no stereo versions are known to exist. In the 1970s Philips did re-issue them in an "electronically enhanced" stereo. The album was re-issued in the US on the Epic label with different artwork. While this album has not been issued independently on CD, it was included in its entirety on the four-CD compilation titled Five Classic Albums Plus Bonus Singles in 2012.
The King Cole Trio is a series of albums by jazz pianist Nat King Cole's King Cole Trio released by the Capitol Records label. These were Cole's debut commercial recordings.
Johnny Mathis is the first studio album by vocalist Johnny Mathis that was released by Columbia Records in 1956. The subtitle A New Sound in Popular Song can be found on the back cover but not on the front of the album or the disc label; in fact, this Mathis LP has been referred to as "the jazz album".
Timeless Love is a studio album of standards by Smokey Robinson, released through New Door Records in 2006. It reached No. 109 on the Billboard album chart. In 2007, the album was nominated for but did not win a Grammy Award for Best Traditional Pop Vocal Album.
The Piano Style of Nat King Cole is a 1956 studio album by Nat King Cole, with orchestra arranged and conducted by Nelson Riddle. This was Cole's last instrumental album.
Chet Baker & Strings is an album by jazz trumpeter Chet Baker recorded in late 1953 and early 1954 and released on the Columbia label.
Life Is Beautiful is an album released by Tony Bennett in 1975. It was named after the song written by Fred Astaire. The album was the first project of Bennett's own Improv label. The album was Bennett's tribute to the American songbook featuring songs of Cole Porter, Richard Rodgers, Irving Berlin and others. The pianist, Torrie Zito, wrote new arrangements for Bennett's large session orchestra. The album was reissued by Concord with the addition of a separately recorded 13-minute Cole Porter medley.
The Best Days of My Life is an album by American pop singer Johnny Mathis, released on January 29, 1979, by Columbia Records. He scaled back considerably on his more than decade-long practice of recording recent hit songs by other artists. He did, however, cover two standards: "As Time Goes By" and "Begin the Beguine", the latter of which is given a disco arrangement.
Anniversary! is a live album by saxophonist Stan Getz which was recorded at the Jazzhus Montmartre in 1987 and released on the EmArcy label in 1989.
Love for Sale is the second collaborative album by American singers Tony Bennett and Lady Gaga, released on September 30, 2021, by Columbia and Interscope Records. It is the sixty-first and final studio album of Bennett's career, and Gaga's seventh. Following Cheek to Cheek (2014), the duo's first collaborative album, Love for Sale was recorded between 2018 and early 2020, consisting of their renditions of various jazz standards by American composer Cole Porter, to whom the record is a tribute.
The Cole Porter Songbook, also released as Charlie Parker Plays Cole Porter, is the last recorded studio album by alto saxophonist Charlie Parker. Recorded in New York City in March and December 1954, all the tunes recorded for the sessions featured Parker's renditions of Cole Porter compositions.
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