Barbara Dianne Savage | |
---|---|
Born | 1953 70) | (age
Nationality | American |
Occupation(s) | author, professor, historian |
Academic background | |
Education | University of Virginia (BA) Georgetown University Law Center (JD) Yale University (PhD) |
Academic work | |
Discipline | 20th century African American history,American religious and social reform movements,media and politics,black women's political and intellectual history |
Institutions | University of Pennsylvania |
Barbara Dianne Savage (born 1953) is an author,historian,and the Geraldine R. Segal Professor of American Social Thought and Professor of Africana Studies at the University of Pennsylvania. [1] She teaches undergraduate and graduate and courses that focus on 20th century African American history,the history of American religious and social reform movements,the history of the relationship between media and politics [2] and black women's political and intellectual history. [1]
Savage graduated from the University of Virginia and the Georgetown University Law Center. She holds a Ph.D. in history from Yale University. [3] Before entering graduate school,Savage worked in Washington,D.C.,as a Congressional staff member and as a member of the staff of the Children's Defense Fund. During graduate school,she served as Director of Federal Relations,Office of the General Counsel at Yale University. [1]
In 2017,Savage was appointed the Harmsworth Visiting professor of American History (established 1922) at the University of Oxford. [3]
Hoodoo is a set of spiritual practices,traditions,and beliefs that were created by enslaved African Americans in the Southern United States from various traditional African spiritualities,Christianity and elements of indigenous botanical knowledge. Practitioners of Hoodoo are called rootworkers,conjure doctors,conjure man or conjure woman,and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As a syncretic spiritual system,it also incorporates beliefs from Islam brought over by enslaved West African Muslims,and Spiritualism. Scholars define Hoodoo as a folk religion. It is a syncretic religion between two or more cultural religions,in this case being African indigenous spirituality and Abrahamic religion.
Black studies or Africana studies,is an interdisciplinary academic field that primarily focuses on the study of the history,culture,and politics of the peoples of the African diaspora and Africa. The field includes scholars of African-American,Afro-Canadian,Afro-Caribbean,Afro-Latino,Afro-European,Afro-Asian,African Australian,and African literature,history,politics,and religion as well as those from disciplines,such as sociology,anthropology,cultural studies,psychology,education,and many other disciplines within the humanities and social sciences. The field also uses various types of research methods.
Womanism is a term originating from the work of African American author Alice Walker in her 1983 book In Search of Our Mother's Garden:Womanist Prose,denoting a movement within feminism,primarily championed by Black feminists. Walker coined the term "womanist" in the short story Coming Apart in 1979. Her initial use of the term evolved to envelop a spectrum of issues and perspectives facing black women and others.
Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous and diasporas of African ancestry. Based on a common goal dating back to the Atlantic slave trade,the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Americas and Europe.
African feminism includes theories and movements which specifically address the experiences and needs of continental African women. From a western perspective,these theories and movements fall under the umbrella label of Feminism,but it is important to note that many branches of African "feminism" actually resist this categorization. African women have been engaged in gender struggle since long before the existence of the western-inspired label "African feminism," and this history is often neglected. Despite this caveat,this page will use the term feminism with regard to African theories and movements in order to fit into a relevant network of existing Wikipedia pages on global feminism. Because Africa is not a monolith,no single feminist theory or movement reflects the entire range of experiences African women have. African feminist theories are sometimes aligned,in dialogue,or in conflict with Black Feminism or African womanism. This page covers general principles of African feminism,several distinct theories,and a few examples of feminist movements and theories in various African countries.
Africana philosophy is the work of philosophers of African descent and others whose work deals with the subject matter of the African diaspora. The name does not refer to a particular philosophy,philosophical system,method,or tradition. Rather,Africana philosophy is a third-order,metaphilosophical,umbrella-concept used to bring organizing oversight to various efforts of philosophizing. Africana philosophy is a part of and developed within the field of Africana studies.
"Africana womanism" is a term coined in the late 1980s by Clenora Hudson-Weems,intended as an ideology applicable to all women of African descent. It is grounded in African culture and Afrocentrism and focuses on the experiences,struggles,needs,and desires of Africana women of the African diaspora. It distinguishes itself from feminism,or Alice Walker's womanism. Africana womanism pays more attention to and focuses more on the realities and the injustices in society in regard to race.
Marika Sherwood is a Hungarian-born historian,researcher,educator and author based in England. She is a co-founder of the Black and Asian Studies Association.
Leith Patricia Mullings was a Jamaican-born author,anthropologist and professor. She was president of the American Anthropological Association from 2011–2013,and was a Distinguished Professor of Anthropology at the Graduate Center of the City University of New York. Mullings was involved in organizing for progressive social justice,racial equality and economic justice as one of the founding members of the Black Radical Congress and in her role as President of the AAA. Under her leadership,the American Anthropological Association took up the issue of academic labor rights.
Vincent Lushington "Roi" Ottley was an American journalist and writer. Although largely forgotten today,he was among the most famous African American correspondents in the United States during the mid-20th century.
Founded in 1975,the Association of Black Anthropologists (ABA) is an American organization that brings together Black anthropologists in an effort to better highlight the history of African Americans,especially in regard to exploitation,oppression,and discrimination. It encourages,in particular,the involvement of Black students,including the recruitment of graduates,and establishes exchanges with African anthropologists. It publishes the journal Transforming Anthropology. The ABA seeks to address theories across academic disciplines that do not accurately represent the experience and oppression of communities of color and to aid and strengthen these theories with the inclusion of an African American historical perspective. It is one of the sections of the American Anthropological Association.
John L. Jackson Jr. is an American anthropologist,filmmaker,author,and university administrator. He is currently the Provost and Richard Perry University Professor at the University of Pennsylvania. Jackson is the author of Harlemworld:Doing Race and Class in Contemporary Black America (2001);Real Black:Adventures in Racial Sincerity (2005);Racial Paranoia:The Unintended Consequences of Political Correctness (2008);Thin Description:Ethnography and the African Hebrew Israelites of Jerusalem (2013). He has also directed films that explore questions of race,diaspora,migration,and media.
Carole Boyce Davies is a Caribbean-American professor of Africana Studies and English at Cornell University,the author of the prize-winning Left of Karl Marx:The Political Life of Claudia Jones (2008) and the classic Black Women,Writing and Identity:Migrations of the Subject (1994),as well as editor of several critical anthologies in African and Caribbean literature. She is currently the Frank H. T. Rhodes Professor of Humane Letters,an endowed chair named after the 9th president of Cornell University. Among several other awards,she was the recipient of two major awards,both in 2017:the Frantz Fanon Lifetime Achievement Award from the Caribbean Philosophical Association and the Distinguished Africanist Award from the New York State African Studies Association.
Judith Weisenfeld is an American scholar of religion. She is Agate Brown and George L. Collord Professor of Religion at Princeton University,where she is also the Chair of the Department of Religion. Her research primarily focuses on African-American religion in the first half of the 20th century. In 2019,Weisenfeld was elected to the American Academy of Arts and Sciences.
Charmaine Andrea Nelson is a Canadian art historian,educator,author,and independent curator. Nelson was a full professor of art history at McGill University until June 2020 when she joined NSCAD University to develop the Institute for the Study of Canadian Slavery. She is the first tenured Black professor of art history in Canada. Nelson's research interests include the visual culture of slavery,race and representation,Black Canadian studies and African Canadian history as well as critical theory,post-colonial studies,Black feminist scholarship,Transatlantic Slavery Studies,and Black Diaspora Studies. In addition to teaching and publishing in these research areas,Nelson has curated exhibitions,including at the Robert McLaughlin Gallery in Oshawa,Ontario,and the Leonard and Bina Ellen Art Gallery at Concordia University in Montreal,Quebec.
Dianne Marie Stewart is Samuel Candler Dobbs Professor of Religion and African American Studies at Emory University. Dr. Stewart's work focuses on religion,culture and African heritage in the Caribbean and the Americas as well as womanist religious thought and praxis. Dianne M. Stewart is the author of Three Eyes for the Journey:African Dimensions of the Jamaican Religious Experience (Oxford University Press,2005),Black Women,Black Love:America’s War on African American Marriage and Obeah,Orisa and Religious Identity in Trinidad,Volume II,Orisa:Africana Nations and the Power of Black Sacred Imagination.
Black Judaism is Judaism that is practiced by communities of African descent,both in Africa and in the African diaspora,including in North America,Europe,Israel,and elsewhere. Significant examples of Black Judaism include Judaism as it is practiced by Ethiopian Jews and African-American Jews. Jews who may be considered Black have existed for millennia,with Zipporah sometimes considered to be one of the first Black Jews mentioned within Jewish history.
Sadie Gray Mays was an African-American social worker,trained at the University of Chicago. As the wife of Benjamin Mays,she was also a prominent Baptist minister's wife,a college president's wife,and a civil rights activist.
Rites and Reason Theatre is a theater within the Africana Studies department of Brown University in Providence,Rhode Island. It was founded in 1970 by Professor George Houston Bass,and Professor Rhett Jones,is one of the longest-running continuously producing black theaters in the United States. Writers for the theater have included Ossie Davis,Ruby Dee,and Adrienne Kennedy. The theatre serves to develop theatrical and visual performance works that articulate and understand the expansive African Diaspora.
Ratchet feminism emerged in the United States from hip hop culture in the early 2000s,largely as a critique of,and a response to,respectability politics. It is distinct from black feminism,womanism,and hip hop feminism. Ratchet feminism coopts the derogatory term (ratchet). Other terms used to describe this concept include ratchet womanism as used by Georgia Tech professor Joycelyn Wilson or ratchet radicalism used by Rutgers professor Brittney Cooper. Ratchet is an identity embraced by many millennials and Gen Z black women and girls. The idea of ratchetness as empowering,or of ratchet feminism,has been articulated by artists and celebrities like Nicki Minaj,City Girls,Amber Rose,and Junglepussy,scholars like Brittney Cooper and Mikki Kendall,and through events like Amber Rose's SlutWalk. Many view ratchet feminism as a form of female empowerment that doesn't adhere to respectability politics.
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