Barnaby Ralph (born 14 October 1969) is a professional virtuoso recorder player. He studied with a number of teachers, including Rosalind Kelly and John Martin in Australia and Hans Maria Kneihs in Vienna. In 2000, he was awarded the Postgraduate Association Medal of Excellence as the top Masters graduate from the Queensland Conservatorium of Music. Ralph has appeared worldwide on the concert stage as a soloist in chamber recitals, in orchestras, as well as on radio and television. His ongoing partnership with the Belgian harpsichordist Huguette Brassine has produced a recording of the sonatas of Francesco Barsanti that was released internationally by Naxos Records in 2006. [1] The recording gained favourable reviews, [2] [3] and excerpts were played on Australian radio. [4]
Ralph has performed music in a wide range of styles, from medieval and baroque to post-avant garde. He has had contemporary works written for him by a number of well-known composers, including Betty Beath, Masturneh Nazarian, and Anika Mittendorf. His recording of Beath’s ‘Night Song’ appears on the disc 'American Dream' [5] and the piece itself was dedicated to Barnaby Ralph. [6]
Ralph holds a PhD from the University of Queensland. He is currently a Professor in the Graduate School of Humanities and Sociology at the Hongo campus of the University of Tokyo, [7] where he teaches English Literature. Previously, he was a Professor at Seikei University, Japan, where he taught British Literature and Culture.
With Huguette Brassine, Barnaby Ralph edited the score of Barsanti's Complete Original Recorder Sonatas, published by Dolce. [8]
Ralph's review of harpsichordist Elizabeth Anderson's The Convict Harpsichordist was published in the journal, Early Music. [9]
Ralph's teaching article "Modern recorder music, techniques and classroom applications" was published in Australian journal, Bulletin (Kodaly Music Education Institute of Australia). [10]
With Kei Hibino and Henry Johnson, Ralph co-edited the book Music in the Making of Modern Japan (Palgrave, 2021). [11]
Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti, was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.
Zoltán Kodály was a Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education.
Trevor David Pinnock is a British harpsichordist and conductor.
Francesco Maria Veracini was an Italian composer and violinist, perhaps best known for his sets of violin sonatas. As a composer, according to Manfred Bukofzer, "His individual, if not subjective, style has no precedent in baroque music and clearly heralds the end of the entire era", while Luigi Torchi maintained that "he rescued the imperiled music of the eighteenth century", His contemporary, Charles Burney, held that "he had certainly a great share of whim and caprice, but he built his freaks on a good foundation, being an excellent contrapuntist". The asteroid 10875 Veracini was named after him.
Antonio Francisco Javier José Soler Ramos, usually known as Padre Antonio Soler, known in Catalan as Antoni Soler i Ramos was a Spanish composer whose works span the late Baroque and early Classical music eras. He is best known for his many mostly one-movement keyboard sonatas.
Ralph Leonard Kirkpatrick was an American harpsichordist and musicologist, widely known for his chronological catalog of Domenico Scarlatti's keyboard sonatas as well as for his performances and recordings.
Ketil Are Haugsand is a Norwegian harpsichordist and conductor.
Francesco Onofrio Manfredini was an Italian Baroque composer, violinist, and church musician.
The year 1690 in music involved some significant events.
Jenő Jandó was a Hungarian pianist and Professor of the Franz Liszt Academy of Music in Budapest. He was the first house pianist for Naxos Records and recorded more than 60 albums.
Herbert Howells's sonata for the clarinet in A in two movements was written in 1946. It was written for British clarinet player Frederick Thurston and was the composer's last major chamber work.
Louis Philip Kentner was a Hungarian, later British, pianist who excelled in the works of Chopin and Liszt, as well as the Hungarian repertoire.
Boris Berman is a Russian pianist and pedagogue.
New Collegium is a baroque orchestra and chamber ensemble based in The Netherlands. The orchestra was founded in 2006 by Brazilian/Italian harpsichordist Claudio Ribeiro.
Axel Strauss is a German violinist, and a professor at the Schulich School of Music of McGill University in Montreal.
The Avison Ensemble is one of England's leading exponents of classical music on period instruments. It is named after Charles Avison (1709–1770), the Newcastle-born composer, conductor and organist, considered ‘the most important English concerto composer of the 18th Century’. Comprising some of Europe's leading musicians and soloists, the Ensemble is directed by violinist Pavlo Beznosiuk. It varies in numbers depending on the repertoire being performed, and is typically of chamber ensemble or concerto grosso size, expanding to full chamber orchestra when needed.
Vicki Boeckman is an American recorder artist, performer, and educator.
Mahan Esfahani is an Iranian-American harpsichordist.
Byron Schenkman is an American harpsichordist, pianist, music director, and educator. Schenkman has recorded over 40 CDs and has won several awards and accolades. He co-founded the Seattle Baroque Orchestra, and was its artistic director. Schenkman currently directs a baroque and classical chamber music concert series, Sound Salon, formerly Byron Schenkman & Friends, and performs as a recitalist and concert soloist. He also performs with chamber music ensembles, and is a teacher and lecturer.
Walter Bergmann was a German harpsichord and recorder player, editor and composer who settled in England in 1939. He became a key figure in the revival of interest in the recorder and the counter tenor voice in England after the war.