Barry Jhay | |
---|---|
Background information | |
Birth name | Oluwakayode Junior Balogun |
Born | Ibadan, Oyo State, Nigeria | 13 February 1993
Genres | |
Occupation | Musician |
Years active | 2018-present |
Labels | Cash Nation Entertainment |
Oluwakayode Junior Balogun, famously known as Barry Jhay, is a Nigerian Afrobeats Musician, most known for his cultural music style. He was born on February 13, 1993, in Ibadan, Oyo State, Nigeria but was raised in Lagos. [1] [2] Barry was born into a lineage of well-known Yoruba musicians as his grandfather I.K. Dairo is a well-known Juju traditional artist and father Sikiru Ololade Ayinde Barrister is credited for the invention of Fuji music. [3] [4] His upbringing in a musically rich environment influenced his unique Afro-Fuji Pop style, blending traditional Fuji elements with contemporary Afrobeat sounds.
Given his musical lineage, Barry Jhay took interest in music from a very young age. He started recording music at the young age of 5 years. [5] He has attributed watching his father's performances to his inspiration to make music. [6]
In 2018 he released his hit single “Aiye” giving him the popularity he needed to pursue his career in music. The song captured representation of the cyclical nature of life. Following his famous record, he released his first studio album "Barry Back" in 2020. This album featured hit songs such as “Ashe She” and “Ma So Pe”. This album also featured award winning Nigerian musician Davido. [7] Soon after his album release Barry Jhay signed a record deal with Cash Nation Entertainment. As he rose to fame, he was able to record songs with other famous musicians such as Bad Boy Timz, Rhaman Jago, Lyta, and Jawton. [5] With his debut, Barry Jhay won a City People Music Award for Best New Act and the Rookie of the Year award at The Headies in 2019. [8]
Barry is a musician as well as a sound engineer. His music has explored profound themes such as the Yoruba concept of Ori and has conveyed other messages such as urging listeners to be more compassionate and to be courageous in the face of oppression and to examine evidence before passing judgment. His hit song "Aiye" was said to be the "bringing back of the Yoruba quality sound and culture". [1] His belief is that music is for one's soul, and he has portrayed his intention to make music that has deeper meaning and is particularly his, as opposed to the result of his musical lineage. He believes music should provide solace and reflection, addressing deeper life challenges beyond just entertainment. Barry views music as nourishment for the soul, aiming to create timeless and meaningful pieces. [9]
Year | Award ceremony | Prize | Recipient | Result | Ref |
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2018 | City People Music Awards | Best New Act of the Year | Himself | Won | [8] |
Most Promising Act of the Year | Nominated | ||||
2019 | The Headies | Rookie of the Year | Won |
Afrobeat is a West African music genre, fusing influences from Nigerian and Ghanaian music, with American funk, jazz, and soul influences. With a focus on chanted vocals, complex intersecting rhythms, and percussion, the style was pioneered in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who popularised it both within and outside Nigeria. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers."
The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel,Nigerian pop and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the planting season.
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