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George FridericHandel was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.
John Dowland was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.
Alfred George Deller, CBE, was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century.
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Trevor David Pinnock is a British harpsichordist and conductor.
Julian Alexander Bream was an English classical guitarist and lutenist. Regarded as one of the most distinguished classical guitarists of the 20th century, he played a significant role in improving the public perception of the classical guitar as a respectable instrument. Over the course of a career that spanned more than half a century, Bream also helped revive interest in the lute.
Anthony [Antony] Holborne [Holburne] was a composer of music for lute, cittern, and instrumental consort during the reign of Queen Elizabeth I.
Dame Carolyn Emma Kirkby, is an English soprano and early music specialist. She has sung on over 100 recordings.
The Handel and Haydn Society is an American chorus and period instrument orchestra based in Boston, Massachusetts. Known colloquially as 'H+H', the organization has been in continual performance since its founding in 1815, the longest-serving such performing arts organization in the United States.
Astra Desmond was a British contralto of the early and middle twentieth century.
Paul Raymond O'Dette is an American lutenist, conductor, and musicologist specializing in early music.
The Violin Sonata No. 7 in C minor by Ludwig van Beethoven, the second of his Op. 30 set, was composed between 1801 and 1802, published in May 1803, and dedicated to Tsar Alexander I of Russia. It has four movements:
- Allegro con brio
- Adagio cantabile
- Scherzo: Allegro
- Finale: Allegro; Presto
Winton Basil Dean was an English musicologist of the 20th century, most famous for his research on the life and works—in particular the operas and oratorios—of George Frideric Handel, as detailed in his book Handel's Dramatic Oratorios and Masques (1959).
Gerald Ernest Heal Abraham, was an English-Jewish musicologist, editor and music critic. He was particularly respected as an authority on Russian music.
John Joseph Elwes, is an English tenor singer.
Charles Daniels is an English tenor, particularly noted for his performances of baroque music. He is a frequent soloist with The King's Consort, and has made over 25 recordings with the ensemble on the Hyperion label.
The Handel organ concertos, Op. 4, HWV 289–294, are six organ concertos for chamber organ and orchestra composed by George Frideric Handel in London between 1735 and 1736 and published in 1738 by the printing company of John Walsh. Written as interludes in performances of oratorios in Covent Garden, they were the first works of their kind for this combination of instruments and served as a model for later composers.
"Can She Excuse My Wrongs" is a late 16th-century song by the English Renaissance composer John Dowland, the fifth song in his First Booke of Songes or Ayres. The words are set to a dance-tune, a galliard.
Julian Livingstone Herbage was a British musicologist, broadcaster and member of the BBC music department. He is known for his scholarly edition of the score of Handel's Messiah (1935), for his role in planning the Proms from 1945 to 1961, and for editing and presenting the weekly BBC programme Music Magazine from 1944 to 1973.
Robert White is an American tenor and voice teacher who has had an active performance career for eight decades. If he is not better known to the general public, it is because his career, confined to art song and the concert stage, has not brought him the wider renown of singers who make their careers in opera; but he has long been cherished by connoisseurs of vocal music for the pure lyric sweetness of his voice and his scrupulous musicianship.
References
- Obituary, (1984), The Musical Times, vol. 125, page 278.
