Basil Stephen Maine (4 March 1894 - 13 October 1972) was an English writer and critic on music. Maine was born in Sheringham, Norfolk and educated at the City of Norwich School. [1] At Cambridge he studied music with Edward Dent, Cyril Rootham and Charles Wood. [2] During the war he taught for a while at Durnford School in Dorset, where his pupils included Ian Fleming and Peter Fleming. [3] In the autumn of 1918 he was appointed assistant organist at Durham Cathedral, staying there until May 1919. [4] Maine was a life member of the Royal College of Organists. [5]
After that he shifted his career towards journalism, becoming music critic for newspapers such as The Spectator , The Daily Telegraph (from 1922), the Morning Post (1930) and the Sunday Times (1935–40). [2] He was also an actor, public speaker and (from 1926) a broadcaster. [6] [7] In 1930 he was the orator in the first performance of Morning Heroes by Arthur Bliss at the Norwich Festival, [8] and he also narrated in performances of Honegger's Le roi David and Stravinsky's The Soldier's Tale. He wrote some choral works for the Norwich Festival, including O Lord our Governor and Praise to God in 1936. [9] Maine was ordained as a priest in 1939. [2]
Maine wrote biography as well as music criticism. His early volume Behold these Daniels consists of 12 character sketches of critics (including the author) that originally appeared in Musical Times columns in 1926–7. The sketches include Ernest Newman, Edwin Evans, Robin Legge and H.C.Colles. [10] The two-volume Elgar: his Life and Works, published a year before the subject's death, is his best-known work. [11] Our Ambassador King is now a curiosity - a biography of King Edward VIII written before the abdication, with no mention of Mrs Simpson. [12] The Best of Me, completed in 1937, is autobiographical and Twang with our Music (from 1957) is a collection of essays marking "the completion of 30 years' practice in the uncertain science of music criticism". [13]
In the 1930s Maine lived at Stone Roof, Drax Avenue in Wimbledon. By 1950 his address was Warham Rectory, Wells-next-the-Sea in Norfolk.
Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
The Pomp and Circumstance Marches, Op. 39, are a series of five marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions.
Sir Henry Walford Davies was an English composer, organist, and educator who held the title Master of the King's Music from 1934 until 1941. He served with the Royal Air Force during the First World War, during which he composed the Royal Air Force March Past, and was music adviser to the British Broadcasting Corporation, for whom he gave commended talks on music between 1924 and 1941.
Walter James Redfern Turner was an Australian-born, English-domiciled writer and critic.
Richard Daniels Jr. known professionally as Mickey Daniels, was an American actor. Signed by Hal Roach in 1921, he was, along with Joe Cobb, Jackie Condon, Jackie Davis, Mary Kornman, and Ernie Morrison, a regular in the popular Our Gang comedies during the silent era of the series, between 1922 and 1926.
Ernest Newman was an English music critic and musicologist. Grove's Dictionary of Music and Musicians describes him as "the most celebrated British music critic in the first half of the 20th century." His style of criticism, aiming at intellectual objectivity in contrast to the more subjective approach of other critics, such as Neville Cardus, was reflected in his books on Richard Wagner, Hugo Wolf, Richard Strauss and others. He was music critic of The Sunday Times from 1920 until his death nearly forty years later. His other positions included chief music critic of The Birmingham Post from 1906 to 1919, as well as brief stints as the chief music critic for The Guardian (1905–1906) and The Observer (1919).
Michel-Dimitri Calvocoressi was a French-born music critic and musicologist of Greek descent who was a British citizen and resident in England from 1914 onwards. He is especially noted for his writings on Russian classical music, particularly on the life and works of Modest Mussorgsky.
Sir Ivor Algernon Atkins was the choirmaster and organist at Worcester Cathedral from 1897 to 1950, as well as a composer of songs, church music, service settings and anthems. He is best known for editing Allegri's Miserere with the famous top-C part for the treble. He is also well known for "The Three Kings", an arrangement of a song by Peter Cornelius as a choral work for Epiphany.
Kelville Ernest Irving was an English music director, conductor and composer, primarily remembered as a theatre musician in London between the wars, and for his key contributions to British film music as music director at Ealing Studios from the 1930s to the 1950s.
Edmund Sherbourne Lowe was an American actor. His formative experience began in vaudeville and silent film.
Cyril Bradley Rootham was an English composer, educator and organist. His work at Cambridge University made him an influential figure in English music life. A Fellow of St John's College, where he was also organist, Rootham ran the Cambridge University Musical Society, whose innovative concert programming helped form English musical tastes of the time. One of his students was the younger composer Arthur Bliss, who valued his tuition in orchestration. Rootham's own compositions include two symphonies and several smaller orchestral pieces, an opera, chamber music, and many choral settings. Among his solo songs are some settings of verses by Siegfried Sassoon which were made in co-operation with the poet.
Edward Joseph Dent, FBA, generally known as Edward J. Dent, was an English musicologist, teacher, translator and critic. A leading figure of musicology and music criticism, Dent was Professor of Music at the University of Cambridge between 1926 and 1941.
Sir Hugh Percy Allen was an English musician, academic, and administrator. He was a leading influence on British musical life in the first half of the 20th century.
Arthur Henry Fox Strangways was an English musicologist, translator, editor and music critic.
Ferdinand Gottschalk was an English theatre and film actor. He appeared in 76 films between 1917 and 1938. He was born and died in London, England.
Edwin Evans was an English music critic.
John Francis Toye was an English music critic, teacher, writer and educational administrator. After early efforts as a composer and novelist, and service in naval intelligence in World War I, he became music critic of The Morning Post from 1925 to 1937, which he combined with teaching singing and working as managing director of the Restaurant Boulestin in London.
Henry Cope Colles was an English music critic, music lexicographer, writer on music and organist. He is best known for his 32 years as chief music critic of The Times (1911–1943) and for editing the 3rd and 4th editions of Grove's Dictionary of Music and Musicians.
Charles Kenneth Thomson was an American character actor active on stage and on film during the silent and early sound film eras.
Robin Humphrey Legge was an English music writer, the chief music critic of The Daily Telegraph between 1906 and 1931, often writing under the pen name Musicus.