Basil Stephen Maine (4 March 1894 - 13 October 1972) was an English writer and critic on music. Among his publications is Behold These Daniels (1928), a stylistic survey on the approaches of his music critic contemporaries.
Maine was born in Sheringham, Norfolk and educated at the City of Norwich School. [1] At Cambridge he studied music with Edward Dent, Cyril Rootham and Charles Wood. [2] During the war he taught for a while at Durnford School in Dorset, where his pupils included Ian Fleming and Peter Fleming. [3] In the autumn of 1918 he was appointed assistant organist at Durham Cathedral, staying there until May 1919. [4] Maine was a life member of the Royal College of Organists. [5]
After that he shifted his career towards journalism, becoming music critic for newspapers such as The Spectator , The Daily Telegraph (from 1922), the Morning Post (1930) and the Sunday Times (1935–40). [2] He was also an actor, public speaker and (from 1926) a broadcaster. [6] [7] In 1930 he was the orator in the first performance of Morning Heroes by Arthur Bliss at the Norwich Festival, [8] and he also narrated in performances of Honegger's Le roi David and Stravinsky's The Soldier's Tale. He wrote some choral works for the Norwich Festival, including O Lord our Governor and Praise to God in 1936. [9] Maine was ordained as a priest in 1939. [2]
Maine wrote biography as well as music criticism. His early volume Behold these Daniels consists of 12 character sketches of critics (including the author) that originally appeared in Musical Times columns in 1926–7. The sketches include Ernest Newman, Edwin Evans, Robin Legge and H.C.Colles. [10] The two-volume Elgar: his Life and Works, published a year before the subject's death, is his best-known work. [11] Our Ambassador King is now a curiosity - a biography of King Edward VIII written before the abdication, with no mention of Mrs Simpson. [12] The Best of Me, completed in 1937, is autobiographical and Twang with our Music (from 1957) is a collection of essays marking "the completion of 30 years' practice in the uncertain science of music criticism". [13]
In the 1930s Maine lived at Stone Roof, Drax Avenue in Wimbledon. By 1950 his address was Warham Rectory, Wells-next-the-Sea in Norfolk.
The Pomp and Circumstance Marches are a series of five marches for orchestra composed by Edward Elgar, together with a sixth march created from sketches. The marches were dedicated to his friends including composer Granville Bantock and organists George Robertson Sinclair, Ivor Atkins and Percy Hull.
Walter James Redfern Turner was an Australian-born, English-domiciled writer and critic.
James Neil Hamilton was an American stage, film and television actor, best remembered for his role as Commissioner Gordon on the Batman TV series of the 1960s, having first played a character by that name in 1928's Three Week-Ends. During his motion picture career, which spanned more than a half century, Hamilton performed in over 260 productions in the silent and sound eras.
The Our Gang personnel page is a listing of the significant cast and crew from the Our Gang short subjects film series, originally created and produced by Hal Roach which ran in movie theaters from 1922 to 1944.
William H. Daniels ASC was a film cinematographer who was best-known as actress Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie (1930), Grand Hotel (1932), Queen Christina (1933), Anna Karenina (1935), Camille (1936) and Ninotchka (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Percy Reginald Lawrence-Grant was an English actor known for supporting roles in films such as The Living Ghost, I'll Tell the World, Shanghai Express, The Mask of Fu Manchu and Son of Frankenstein. He was host of the 4th Academy Awards ceremonies in 1931.
Edmund Sherbourne Lowe was an American actor. His formative experience began in vaudeville and silent film.
Montagu Love was an English screen, stage and vaudeville actor.
Alonzo M. "Lon" Poff was an American film actor who appeared in almost 100 films between 1917 and 1951.
Sir Hugh Percy Allen was an English musician, academic, and administrator. He was a leading influence on British musical life in the first half of the 20th century.
Arthur Henry Fox Strangways was an English musicologist, translator, editor and music critic.
Ferdinand Gottschalk was an English theatre and film actor. He appeared in 76 films between 1917 and 1938. He was born and died in London, England.
John Stepan Zamecnik was an American composer and conductor. He is best known for the "photoplay music" he composed for use during silent films by pianists, organists, and orchestras.
John Francis Toye was an English music critic, teacher, writer and educational administrator. After early efforts as a composer and novelist, and service in naval intelligence in World War I, he became music critic of The Morning Post from 1925 to 1937, which he combined with teaching singing and working as managing director of the Restaurant Boulestin in London.
Georg Alexander was a German film actor who was a prolific presence in German cinema. He also directed a number of films during the silent era.
Henry Cope Colles was an English music critic, music lexicographer, writer on music and organist. He is best known for his 32 years as chief music critic of The Times (1911–1943) and for editing the 3rd and 4th editions of Grove's Dictionary of Music and Musicians.
Frederick William Wadely OBE FRCO was an English organist and composer.
Charles Kenneth Thomson was an American character actor active on stage and on film during the silent and early sound film eras.
Willi Herrmann (1893–1968) was a German art director.
Robin Humphrey Legge was an English music writer, the chief music critic of The Daily Telegraph between 1906 and 1931, often writing under the pen name Musicus.