 | You can help expand this article with text translated from the corresponding article in Italian. (September 2015)Click [show] for important translation instructions.
|
The Basilica of Sant'Eufemia (Italian : Basilica di Sant'Eufemia) is a minor basilica in Grado, Friuli-Venezia Giulia, Italy, formerly a cathedral. It is dedicated to Saint Euphemia. [1]
 |
The present basilica stands on a fourth century basilica, of which not much is known. Although some features are still visible. It was ordered built by Elijah, Archbishop of Aquileia, some time in the sixth century, during his retreat from the invasion of the Lombards. After, Elijah proclaimed himself patriarch and dedicated the church to Saint Euphemia.
During the sixth through early seventh century the basilica was the seat of the pro-Roman and pro-Byzantine branch of the church until the formation of the patriarchate of Grado.
Due to the suppression of the Grado patriarchate by the Venetians it lost the title of cathedral in 1451, but shortly after in 1455 the bell tower was built, possibly to compensate for this.
Alterations to the church were made in the seventeenth and nineteenth centuries, although these were partly removed in twentieth century restorations.
| |
Much of the fame of the basilica comes from the incredibly well preserved sixth century floor mosaics that decorate the basilica, as it is extremely rare to find the original floor mosaics preserved in an early Christian basilica.
Features from the fourth century basilica are visible in the nave, including a visible fragment of its floor mosaics and a Corinthian capital.
The bell tower is topped with a cast copper weathervane statue of Archangel Michael, which has become a symbol of the city.
The apse is decorated with a thirteenth century Gothic fresco of Christ enthroned.
On the left side of the central nave stands a tall hexagonal pulpit, which is adorned with thirteenth century sculptured decorations.
Next to the basilica complex is an octagonal baptistery which is also adorned with sixth century floor mosaics and contains a large marble dipping basin. The basilica is mostly built from shells mixed with sand.
Ravenna is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the capital city of the Western Roman Empire during the 5th century until its collapse in 476, after which it served as the capital of the Ostrogothic Kingdom and then the Byzantine Exarchate of Ravenna.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
The Patriarchal Cathedral Basilica of Saint Mark, commonly known as St Mark's Basilica, is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city.
Udine is a city and comune (municipality) in northeastern Italy, in the middle of the Friuli-Venezia Giulia region, between the Adriatic Sea and the Carnic Alps. It is the capital of the Regional decentralization entity of Udine. Its population was 100,514 in 2012, 176,000 with the urban area.
The Lateran Palace, formally the Apostolic Palace of the Lateran, is an ancient palace of the Roman Empire and later the main papal residence in Rome.
Grado is a town and comune (municipality) of 8,064 residents in the Regional decentralization entity of Gorizia in the north-eastern Italian region of Friuli-Venezia Giulia, located on an island and adjacent peninsula of the Adriatic Sea between Venice and Trieste. The territory of the municipality of Grado extends between the mouth of the Isonzo and the Adriatic Sea and the Grado Lagoon, and covers an area of about 90 square kilometers between Porto Buso and Fossalon. Characteristic of the lagoon is the presence of the casoni, which are simple houses with thatched roof used in the past by the fishermen of Grado, who remained in the lagoon for a long time, returning to the island of Grado only during the colder period of the year.
The Basilica of Saint Mary in Cosmedin is a minor basilican church in Rome, Italy, dedicated to the Virgin Mary. It is located in the rione (neighborhood) of Ripa. Constructed first in the sixth century as a diaconia (deaconry) in an area of the city populated by Greek immigrants, it celebrated Eastern rites and currently serves the Melkite Greek Catholic community of Rome. The church was expanded in the eighth century and renovated in the twelfth century, when a campanile was added. A Baroque facade and interior refurbishment of 1718 were removed in 1894–1899; the exterior was restored to twelfth-century form, while the architecture of the interior recalls the eighth century with twelfth-century furnishings. The narthex of the church contains the famous Bocca della Verità sculpture.
Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and bishop's thrones. The name derives from the Cosmati, the leading family workshop of craftsmen in Rome who created such geometrical marble decorations.
Parma Cathedral is a Roman Catholic cathedral in Parma, Emilia-Romagna (Italy), dedicated to the Assumption of the Blessed Virgin Mary. It is the episcopal seat of the Diocese of Parma. It is an important Italian Romanesque cathedral: the dome, in particular, is decorated by a highly influential illusionistic fresco by Renaissance painter Antonio da Correggio.
The Patriarchate of Aquileia was an episcopal see and ecclesiastical province in northeastern Italy, originally centered in the ancient city of Aquileia, situated near the northern coast of the Adriatic Sea. It emerged in the 4th century as a metropolitan province, with jurisdiction over the Italian region of Venetia et Histria. In the second half of the 6th century, metropolitan bishops of Aquileia started to use the patriarchal title. Their residence was moved to Grado in 568, after the Lombard conquest of Aquileia. In 606, an internal schism occurred, and since that time there were two rival lines of Aquileian patriarchs: one in New Aquileia (Grado) with jurisdiction over the Byzantine-controlled coastal regions, and the other in Old Aquileia. The first line (Grado) continued until 1451, while the second line continued until 1751. Patriarchs of the second line were also feudal lords of the Patriarchal State of Aquileia. A number of Aquileian church councils were held during the late antiquity and throughout the middle ages. Today, it is a titular archiepiscopal see.
Genoa Cathedral or Metropolitan Cathedral of Saint Lawrence is a Roman Catholic cathedral in the Italian city of Genoa. It is dedicated to Saint Lawrence, and is the seat of the Archbishop of Genoa. The cathedral was consecrated by Pope Gelasius II in 1118 and was built between the twelfth century and the fourteenth century as fundamentally a medieval building, with some later additions. Secondary naves and side covers are of Romanesque style and the main facade is Gothic from the early thirteenth century, while capitals and columns with interior corridors date from the early fourteenth century. The bell tower and dome were built in the sixteenth century.
Hosios Loukas is a historic walled monastery situated near the town of Distomo, in Boeotia, Greece. Founded in the mid-10th century, the monastery is one of the most important monuments of Middle Byzantine architecture and art, and has been listed on UNESCO's World Heritage Sites since 1990, along with the monasteries of Nea Moni and Daphnion.
The Church of Santa Maria Assunta is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Late Paleochristian architecture, one of the most ancient religious edifices in the Veneto, and containing the earliest mosaics in the area of Venice.
Padua Cathedral, or Basilica Cathedral of Saint Mary of the Assumption, is a Catholic church and minor basilica located on the east end of Piazza Duomo, adjacent to the bishop's palace in Padua, Veneto, Italy.
Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories. This is especially true before the Byzantine Iconoclasm of the 8th century.
Otranto Cathedral is a Roman Catholic cathedral in the Italian city of Otranto, dedicated to the Annunciation of the Virgin Mary. It is the archiepiscopal seat of the Archdiocese of Otranto. The cathedral was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns from unknown quarries. Its plan is a three-aisled nave with an apsidal east end. On either side of the west façade are two lancet windows.
Trani Cathedral is a Roman Catholic cathedral dedicated to Saint Nicholas the Pilgrim in Trani, Apulia, south-eastern Italy. Formerly the seat of the archbishop of Trani, it is now that of the archbishop of Trani-Barletta-Bisceglie. Consecrated in 1143, is one of the main examples of Apulian Romanesque architecture.
The Basilica of Santa Maria in Porto was an important church in Ravenna, not far from Porta Nuova, on the via Roma, the north–south high street across the historic city centre. It houses the Greek Madonna.
The Basilica of Santa Maria del Canneto, or Santa Maria Formosa, was a sixth-century Byzantine church erected in Pola under the patronage of Maximianus, bishop of Ravenna. The structure was damaged at the time of the Venetian sack of Pola in 1243, and building material was subsequently taken from the ruins and primarily incorporated into the Marciana Library and the Basilica of Saint Mark in Venice. Of the large, triple-nave church, comparable in splendour to the Euphrasian Basilica in Parenzo, only one of the lateral chapels survives. It constitutes the sole construction in Pola dating to the Byzantine period.
Basilica of Sant'Eufemia may refer to:
