Related Research Articles
The Nelson-Atkins Museum of Art is an art museum in Kansas City, Missouri, known for its encyclopedic collection of art from nearly every continent and culture, and especially for its extensive collection of Asian art.
LA Freewaves, also known as Freewaves, is a Los Angeles-based nonprofit organization that exhibits new, uncensored, independent media, and produces free public art projects to engage artists and audiences on current social issues. Anne Bray, with representatives of other communities, founded LA Freewaves in 1989 and has worked to administer the non-profit since it was launched as an exhibition of multicultural video art at the American Film Institute's National Video Festival. Bray serves as director of the organization and has been working in the field of media arts since the mid-1970s as an artist and teacher.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Artspace, officially Artspace Visual Arts Centre, is an independent, not-for-profit and non-collecting residency-based contemporary art centre. Artspace is housed in the historic Gunnery Building in Woolloomooloo, fronting Sydney Harbour in Sydney, Australia. Devoted to the development of certain new ideas and practices in contemporary art and culture, since the early 1980s Artspace has been building a critical context for Australian and international artists, curators and writers.
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations.
Liza Lou is an American visual artist. She is best known for producing large scale sculpture using glass beads. Lou ran a studio in Durban, South Africa from 2005 to 2014. She currently has a nomadic practice, working mostly outdoors in the Mojave Desert in southern California. Lou's work is grounded in domestic craft and intersects with the larger social economy.
Dindga McCannon is an African-American artist, fiber artist, muralist, teacher author and illustrator. She co-founded the collective Where We At, Black Women Artists in 1971.
This is a timeline of the feminist art movement in New Zealand. It lists important figures, collectives, publications, exhibitions and moments that have contributed to discussion and development of the movement. For the indigenous Māori population, the emergence of the feminist art movement broadly coincided with the emergence of Māori Renaissance.
Dineo Seshee Bopape is a South African multimedia artist. Using experimental video montages, sound, found objects, photographs and dense sculptural installations, her artwork "engages with powerful socio-political notions of memory, narration and representation." Among other venues, Bopape's work has been shown at the New Museum, the Institute of Contemporary Art, Philadelphia, and the 12th Biennale de Lyon. Solo exhibitions of her work have been mounted at Mart House Gallery, Amsterdam; Kwazulu Natal Society of Arts, Durban; and Palais de Tokyo. Her work in the collection of the Tate.
Gita Hashemi is an Iranian-born artist, writer and curator residing in Toronto, Ontario, Canada. Her work juxtaposes history and the present, political and personal, and local and global. It draws on language as both visual and narrative element, and includes installation, video, and performance art, with collaborative, participatory and interactive strategies.
Grace Channer is an African-Canadian painter and multi-media visual artist.
Abigail Solomon-Godeau is an American art critic, exhibition curator, art historian, and Professor Emerita in art history, University of California, Santa Barbara.
Daina Warren is a Canadian contemporary artist and curator. She is a member of the Montana Akamihk Cree Nation in Maskwacis, Alberta. Her interest in curating Aboriginal art and work with Indigenous artists is at the forefront of her research.
Stefanie Hessler is a German-born contemporary art curator, an art writer, and the current director of Swiss Institute in New York. From 2019 to 2022 she was the director of Kunsthall Trondheim in Trondheim, Norway.
Dr. Julie Nagam is a scholar, artist, and curator based in Winnipeg, Canada.
Jane Weinstock is a film director and writer. Her films have been shown at the Toronto International Film Festival, the Venice Film Festival, the Sundance Film Festival the Berlin International Film Festival, and the Tribeca Film Festival. Her writings have been published in Art in America, Camera Obscura, m/f and October.
Maura Reilly is the director of the Zimmerli Art Museum at Rutgers University, and previously served as the first curator of the Elizabeth A. Sackler Center for Feminist Art. Reilly is also known for developing the concept of curatorial activism.
Documenta fifteen is the 15th edition of documenta, a contemporary art exhibition held in Kassel, Germany between June and September 2022.
The Afriart Gallery (AAG) is an art gallery located on the 7th Street Industrial Area in Kampala in Uganda that was established in 2002. It represents and manages careers of contemporary artists living and working on the African continent. AAG showcases artists at major international art exhibitions and art fairs. There is a gallery space exhibiting temporary exhibitions on ground. It is where the launch for the Artfest magazine happened.
Lara Khaldi is a Palestinian museum director and cultural producer, who is director of de Appel, a contemporary art centre in the Netherlands. In 2019 she was selected as one of Apollo magazine's '40 under 40 Middle East Thinkers'.
References
- 1 2 Science, London School of Economics and Political. "Bathsheba Okwenje". London School of Economics and Political Science. Retrieved 2023-09-23.
- 1 2 3 "Bathsheba Okwenje — entreebergen.no". entreebergen.no. Retrieved 2023-09-23.
- ↑ Foundation, Njabala. "Njabala Foundation & Kampala, Uganda". njabala.com. Retrieved 2023-09-23.
- ↑ "It's a hard sell but Africa must invest in art and imagination". The Guardian. 2021-05-03. ISSN 0261-3077 . Retrieved 2023-09-23.
- ↑ "Ugandan female artists fight patriarchy in exhibition". The East African. 2022-03-24. Retrieved 2023-09-23.
- ↑ "The Apollo 40 Under 40 Africa in focus: Teesa Bahana". Apollo Magazine. 2020-12-04. Retrieved 2023-09-23.
- ↑ Bruce-Lockhart, Katherine; Earle, Jonathon L.; Musisi, Nakanyike B.; Taylor, Edgar C. (2022). Decolonising State and Society in Uganda: The Politics of Knowledge and Public Life. Boydell & Brewer. p. 220. ISBN 978-1-84701-297-5.
- ↑ Kiconco, Gloria. "Communicating academic research through art# LSEReturn." Africa at LSE (2018).
- ↑ Blackmore, Kara; Okwenje, Bathsheba (2021-07-04). "Repairing Representational Wounds: Artistic and Curatorial Approaches to Transition After War". Critical Arts. 35 (4): 103–122. doi: 10.1080/02560046.2021.1998174 . ISSN 0256-0046.
- ↑ Papa, Elisa Giardina; Mathur, Nupur; Okwenje, Bathsheba (2016-12-01). "An Interview with the Artist Radha May: A Global Collective with a Single Identity". Camera Obscura: Feminism, Culture, and Media Studies. 31 (3): 177–183. doi:10.1215/02705346-3662084. ISSN 0270-5346.