Batik industry in Sri Lanka

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The Batik industry in Sri Lanka is a small sector of the Sri Lankan textile industry. During the latter half of the 20th century, the Indonesian art of batik-making became firmly established in Sri Lanka. The technique was brought to Dutch Ceylon at the turn of the 19th century. It serves as a high-value export within the textile industry, and it is now a highly visible craft with galleries and factories, large and small, having sprung up in many tourist areas. [1]

Batiks incorporate many motifs and colours, some traditional, others highly contemporary and individual.

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<span class="mw-page-title-main">Sri Lanka</span> Country in South Asia

Sri Lanka, historically known as Ceylon and officially the Democratic Socialist Republic of Sri Lanka, is an island country in South Asia. It lies in the Indian Ocean, southwest of the Bay of Bengal, separated from the Indian peninsula by the Gulf of Mannar and the Palk Strait. It shares a maritime border with the Maldives in the southwest and India in the northwest.

The mixed economy of Sri Lanka was worth $84 billion by nominal gross domestic product (GDP) in 2019 and $296.959 billion by purchasing power parity (PPP). The country had experienced an annual growth of 6.4 percent from 2003 to 2012, well above its regional peers. This growth was driven by the growth of non-tradable sectors, which the World Bank warned to be both unsustainable and unequitable. Growth has slowed since then. In 2019 with an income per capita of 13,620 PPP Dollars or 3,852 (2019) nominal US dollars, Sri Lanka was re-classified as a lower middle income nation with the population around 22 million (2021) by the World Bank from a previous upper middle income status.

<span class="mw-page-title-main">Colombo</span> Capital and largest city of Sri Lanka

Colombo is the executive and judicial capital and largest city of Sri Lanka by population. According to the Brookings Institution, the Colombo metropolitan area has a population of 5.6 million, and 752,993 in the Municipality. It is the financial centre of the island and a tourist destination. It is located on the west coast of the island and adjacent to the Greater Colombo area which includes Sri Jayawardenepura Kotte, the legislative capital of Sri Lanka, and Dehiwala-Mount Lavinia. Colombo is often referred to as the capital since Sri Jayawardenepura Kotte is itself within the urban/suburban area of Colombo. It is also the administrative capital of the Western Province and the district capital of Colombo District. Colombo is a busy and vibrant city with a mixture of modern life, colonial buildings and monuments.

<span class="mw-page-title-main">Batik</span> Indonesian cloth dyeing technique

Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java, Indonesia. Batik is made either by drawing dots and lines of wax with a spouted tool called a canting, or by printing the wax with a copper stamp called a cap. The applied wax resists dyes and therefore allows the artisan to colour selectively by soaking the cloth in one colour, removing the wax with boiling water, and repeating if multiple colours are desired.

<span class="mw-page-title-main">Canting</span> Indonesian pen for batik

Tjanting is a pen-like tool used to apply liquid hot wax in the batik-making process in Indonesia, more precisely batik tulis. Traditional Tjanting consists of copper wax-container with small pipe spout and bamboo handle. Traditional tjanting is made of copper, bronze, zinc or iron material, however modern version might use teflon.

Ikat is a dyeing technique from Indonesia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. The term is also used to refer to related and unrelated traditions in other cultures. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general clades. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion. Similar dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.

<span class="mw-page-title-main">Sarong</span> Traditional garment of the Malay Archipelago and the Pacific Islands

A sarong or a sarung is a large tube or length of fabric, often wrapped around the waist, worn in Southeast Asia, South Asia, Western Asia, Northern Africa, East Africa, West Africa, and on many Pacific islands. The fabric often has woven plaid or checkered patterns, or may be brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants. Different types of sarongs are worn in different places in the world, notably the lungi in the Indian subcontinent and the izaar in the Arabian Peninsula.

<span class="mw-page-title-main">Anuradhapura Maha Viharaya</span> Theravada Buddhist monastery Sri Lanka

The Anuradhapura Maha Viharaya was an important mahavihara or large Buddhist monastery for Theravada Buddhism in Sri Lanka. King Devanampiya Tissa of Anuradhapura founded it in his capital city of Anuradhapura. Monks such as Buddhaghosa and Dhammapala, who wrote commentaries on the Tipitaka and texts such as the Visuddhimagga, which are central to Theravada Buddhist doctrine, established Theravada Mahaviharan orthodoxy here. Monks living at the Mahavihara were referred to as Mahaviharavasins.

<span class="mw-page-title-main">North Western Province, Sri Lanka</span> Province of Sri Lanka

North Western Province is a province of Sri Lanka. The province consists of the districts of Kurunegala and Puttalam. Its capital is Kurunegala, which has a population of 28,571. The province is known mainly for its numerous coconut plantations. Puttalam, Kuliyapitiya, and Chilaw are the other major cities in the North Western Province. The majority of the population of Wayamba province is of Sinhalese ethnicity. There is also a substantial Sri Lankan Moor minority around Puttalam and Sri Lankan Tamils in Udappu and Munneswaram. Fishing, prawn farming and rubber tree plantations are other prominent industries of the region. The province has an area of 7,888 km2, and a population of 2,370,075.

<span class="mw-page-title-main">Culture of Sri Lanka</span> Pattern of human activity and symbolism

The culture of Sri Lanka mixes modern elements with traditional aspects and is known for its regional diversity. Sri Lankan culture has long been influenced by the heritage of Theravada Buddhism passed on from India, and the religion's legacy is particularly strong in Sri Lanka's southern and central regions. South Indian cultural influences are especially pronounced in the northernmost reaches of the country. The history of colonial occupation has also left a mark on Sri Lanka's identity, with Portuguese, Dutch, and British elements having intermingled with various traditional facets of Sri Lankan culture. Additionally, Indonesian culture has also influenced certain aspects of Sri Lankan culture. Culturally, Sri Lanka possesses strong links to both India and Southeast Asia. For over 2,500 years, India and Sri Lanka have nurtured a legacy of historical, cultural, religious, spiritual, and linguistic connections.

<span class="mw-page-title-main">Malaysian batik</span> Type of Malaysian cloth dyeing

Malaysian batik is batik textile art in Malaysia, especially on the east coast of Malaysia. The most popular motifs are leaves and flowers. Malaysian batik depicting humans or animals are rare because Islam norms forbid animal images as decoration. However, the butterfly theme is a common exception. Malaysian batik is also famous for its geometrical designs, such as spirals. The method of Malaysian batik making is also quite different from those of Indonesian Javanese batik, the pattern is larger and simpler, it seldom or never uses canting to create intricate patterns and relies heavily on brush painting method to apply colours on fabrics. The colours also tend to be lighter and more vibrant than the deep coloured Javanese batik.

Textile and clothing industries have been Sri Lanka's largest gross export earner since 1986 and accounted for more than 52% of the total export earnings of the country. It is also the country's largest net foreign exchange earner since 1992. The apparel industry of Sri Lanka employs about 15% of the country's workforce, accounting for about half of the country's total exports, and Sri Lanka is among the top apparel-producing countries in the world relative to its population.

Chinese people in Sri Lanka or Sri Lankan Chinese, are Sri Lankan citizens of full or partial Chinese descent born or raised in Sri Lanka. Most trace their origins to Hakka and Cantonese migrants from the southern coastal regions of China and other Han migrants from Hubei and Shandong who migrated to Sri Lanka in the 17th, 18th and 19th centuries.

The textile industry in India traditionally, after agriculture, is the only industry that has generated huge employment for both skilled and unskilled labour. The textile industry continues to be the second-largest employment generating sector in India. It offers direct employment to over 35 million people in the country. India is the world's second largest exporter of textiles and clothing, and in the fiscal year 2022, the exports stood at US$ 44.4 billion. According to the Ministry of Textiles, the share of textiles in total exports during April–July 2010 was 11.04%. During 2009–2010, the Indian textile industry was pegged at US$55 billion, 64% of which services domestic demand. In 2010, there were 2,500 textile weaving factories and 4,135 textile finishing factories in all of India. According to AT Kearney’s ‘Retail Apparel Index’, India was ranked as the fourth most promising market for apparel retailers in 2009.

<span class="mw-page-title-main">African wax prints</span> Common materials used for clothing in West Africa and Central Africa

African wax prints, Dutch wax prints or Ankara, are omnipresent and common materials for clothing in West Africa and Central Africa. They were introduced to West and Central Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian designs. They began to adapt their designs and colours to suit the tastes of the African market. They are industrially produced colourful cotton cloths with batik-inspired printing. One feature of these materials is the lack of difference in the colour intensity of the front and back sides. The wax fabric can be sorted into categories of quality due to the processes of manufacturing. The term "Ankara" originates from the Hausa name for Accra, the capital of what is now Ghana. Initially used by Nigerian Hausa tradesmen, it was meant to refer to "Accra," which served as a hub for African prints in the 19th century.

Ena de Silva was a notable Sri Lankan artist, credited with re-establishing the country's batik industry. She was renowned for her skillsets in the design of batiks and handicrafts and played a pivotal role in reviving the arts and crafts in Sri Lanka.

<span class="mw-page-title-main">Resist</span>

A resist, used in many areas of manufacturing and art, is something that is added to parts of an object to create a pattern by protecting these parts from being affected by a subsequent stage in the process. Often the resist is then removed.

<span class="mw-page-title-main">A. Y. S. Gnanam</span> Sri Lankan business tycoon


Arulanandam Yesuvadiyan Samuel Gnanam popularly known as A. Y. S. Gnanam(5 May 1922 - 3 January 2007) was a successful Sri Lankan business tycoon who founded St. Anthony's Group among other.

Kala Suri Barbara Sansoni was a Sri Lankan designer, artist, colourist, entrepreneur, and writer. She was known for her works in architecture, textile designs, and handwoven panels. She founded the Barefoot textile company, a company that is highly acclaimed for its handloom fabric. She also served as the chairperson and chief designer of Barefoot Pvt. Ltd for several years.

References

  1. Indrakularasa, Thayalini. "For Sri Lanka's Women Batik Makers, 'a Tearful Story' of Economics". Global Press Journal. Global Press Institute. Retrieved 2024-02-06.