Battista di Gerio (active 1414 - 1418) was an Italian painter, active in a Gothic style in Pisa and Lucca. Among the works known are a triptych for the Pieve di Santo Stefano in Camaiore, province of Lucca. The triptych (1417) for the church of San Quirico all'Olivo of Lucca is now separated with the three pieces split among the Philadelphia Museum of Art (center panel with Madonna and Child); the Petit Palais of Avignon (left panel of Saints Rossore and Luca with donor); and the Museo Nazionale di Villa Guinigi in Lucca (right panel depicting Saints Quirico, Giulitta, and Pope Sixtus). [1]
Lucca is a city and comune in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its province has a population of 383,957.
Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.
The province of Lucca is a province in the Tuscany region of Italy. Its capital is the city of Lucca.
The Republic of Lucca was a medieval and early modern state that was centered on the Italian city of Lucca in Tuscany, which lasted from 1160 to 1805.
Amico Aspertini, also called Amerigo Aspertini, was an Italian Renaissance painter and sculptor whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered one of the leading exponents of the Bolognese School of painting.
Camaiore is a city and comune of 32,513 inhabitants within the province of Lucca, Tuscany, central-western Italy. It stretches from the Apuan Alps to the east, to the plains and the coast of Versilia to the west.
Capannori is an Italian town and comune in the province of Lucca, in northern Tuscany.
San Quirico d'Orcia is a comune (municipality) of about 2,500 inhabitants in the Province of Siena in the Italian region Tuscany, located about 80 kilometres (50 mi) southeast of Florence and about 35 kilometres (22 mi) southeast of Siena inside the Valdorcia landscape. It is named in honor of Saint Quiricus.
Giovanni Marracci (1637–1704) was an Italian Baroque painter who after training with Pietro da Cortona in Rome, worked in his home region of Lucca where he painted many altarpieces.
Matteo Civitali (1436–1501) was an Italian sculptor and architect, painter and engineer from Lucca. He was a leading artistic personality of the Early Renaissance in Lucca, where he was born and where most of his work remains.
Martino di Bartolomeo or Martino di Bartolomeo di Biago was an Italian painter and manuscript illuminator active between 1389 and 1434. He was one of his generation's principal painters of the Sienese School. From specific aspects of his early style, he is believed to have trained in the studio of Taddeo di Bartolo. As a young man Martino collaborated with Giovanni di Pietro da Napoli in Pisa. The fresco cycle in the church of San Giovanni Battista di Cascina, outside Pisa, bears Martino’s signature, and the date 1398. He returned permanently to Siena in 1405; there he painted several prominent fresco cycles in the Duomo and the Palazzo Pubblico. Further official commissions for altarpieces and for polychromy of sculptures attest to his versatility and to his prestige as one of the city’s official artists.
The Archdiocese of Lucca is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Italy. The diocese dates back as a diocese to the 1st century; it became an archdiocese in 1726. The episcopal see is Lucca. It is not a metropolitan see, has no suffragan dioceses, and is exempt directly to the Holy See.
Battista di Biagio Sanguigni, formerly known as the Master of 1419 was an Italian painter from the region around Florence in the first half of the 15th century.
San Francesco is a former Gothic-style Roman-Catholic church and monastery located in Piazza San Francesco in central Lucca, Tuscany, Italy. Since its restoration, it is home to IMT School for Advanced Studies Lucca, a superior graduate school.
Paolo Guinigi was a lord of Lucca from 1400 until 1430.
Borghese di Piero Borghese, also Borghese di Piero, was an Italian painter of the Florentine School, active in an early Renaissance-style. He should not be confused with Piero della Francesca whose real name was Pietro Borghese.
The Museo Nazionale di Villa Guinigi is the main art museum hosting the pre-modern art collections owned by the city of Lucca, Italy.
Giuseppe Antonio Luchi, also known as il Diecimino, was an Italian painter.
The Master of Borsigliana, also known as Pietro da Talada was an Italian painter active in the Garfagnana, the mountainous corner of modern Tuscany, located north-east of Lucca.