The Staatliches Bauhaus, commonly known as the Bauhaus, was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function.
Walter Adolph Georg Gropius was a German-American architect and founder of the Bauhaus School, who, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture. He is a founder of Bauhaus in Weimar (1919). Gropius was also a leading architect of the International Style.
The International Style or internationalism is a major architectural style that was developed in the 1920s and 1930s and was closely related to modernism and modernist architecture. It was first defined by Museum of Modern Art curators Henry-Russell Hitchcock and Philip Johnson in 1932, based on works of architecture from the 1920s. The terms rationalist architecture and modern movement are often used interchangeably with International Style, although the former is mostly used in the English-speaking world to specifically refer to the Italian rationalism, or even the International Style that developed in Europe as a whole.
The Bauhaus-Universität Weimar is a university located in Weimar, Germany, and specializes in the artistic and technical fields. Established in 1860 as the Great Ducal Saxon Art School, it gained collegiate status on 3 June 1910. In 1919 the school was renamed Bauhaus by its new director Walter Gropius and it received its present name in 1996. There are more than 4000 students enrolled, with the percentage of international students above the national average at around 27%. In 2010 the Bauhaus-Universität Weimar commemorated its 150th anniversary as an art school and college in Weimar.
Hans Emil "Hannes" Meyer was a Swiss architect and second director of the Bauhaus Dessau from 1928 to 1930.
The Bauhaus Archive is a state archive and Museum of Design located in Berlin. It collects art pieces, items, documents and literature which relate to the Bauhaus School (1919–1933), and puts them on public display. Currently, the museum is closed due to construction works and will reopen in 2022. It has a temporary space at Knesbeckstr. 1–2 in Berlin-Charlottenburg.
The Arbeitsrat für Kunst was a union of architects, painters, sculptors and art writers, who were based in Berlin from 1918 to 1921. It developed as a response to the Workers and Soldiers councils and was dedicated to the goal of bringing the current developments and tendencies in architecture and art to a broader population.
The Haus am Horn is a domestic house in Weimar, Germany, designed by Georg Muche. It was built for the Bauhaus Werkschau exhibition which ran from July to September 1923. It was the first building based on Bauhaus design principles, which revolutionized 20th century architectural and aesthetic thinking and practice
Franz Ehrlich was a German architect, calligrapher and graphic designer. He was a student at the Bauhaus in Dessau from 1927 to 1930. Ehrlich was a Communist and was arrested and imprisoned by the Nazi regime in 1935.
Ernst Neufert was a German architect who is known as an assistant of Walter Gropius, as a teacher and member of various standardization organizations, and especially for his widely disseminated reference book Architects' data.
Bauhaus Dessau, also Bauhaus-Building Dessau, is a building-complex in Dessau-Roßlau. It is considered the pinnacle of pre-war modern design in Europe and originated out of the dissolution of the Weimar School and the move by local politicians to reconcile the city's industrial character with its cultural past.
Heinrich Brocksieper was a German photographer, experimental filmmaker and painter who was educated at the Bauhaus design school.
The Bauhaus Dessau Foundation is a nonprofit organization devoted to research and teaching in the field of experimental design. It was founded by the German Federal Government in 1994 and is based in the Bauhaus Dessau building in the state of Saxony-Anhalt. Its staff includes architects, town planners, sociologists, cultural scientists, artists, and art historians.
The Klassik Stiftung Weimar is one of the largest and most significant cultural institutions in Germany. It owns more than 20 museums, palaces, historic houses and parks, as well as literary and art collections, a number of which are World Heritage Sites.
The ADGB Trade Union School, is a training centre complex in Bernau bei Berlin, Germany. It was built for the former General German Trade Union Federation, from 1928 to 1930. It is a textbook example of Bauhaus functionalist architecture, both in the finished product and in the analytical and collaborative approach used develop the design and complete the project. Next to the Bauhaus Dessau building, it was the second-largest project ever undertaken by the Bauhaus.
Schloss Weimar is a Schloss (palace) in Weimar, Thuringia, Germany. It is now called Stadtschloss to distinguish it from other palaces in and around Weimar. It was the residence of the dukes of Saxe-Weimar and Eisenach, and has also been called Residenzschloss. Names in English include Palace at Weimar, Grand Ducal Palace, City Palace and City Castle. The building is located at the north end of the town's park along the Ilm river, Park an der Ilm. It forms part of the World Heritage Site "Classical Weimar", along with other sites associated with Weimar's importance as a cultural hub during the late 18th and 19th centuries.
Edmund Collein was an East German architect and urban planner. He is also known for his photography while studying at the Bauhaus art school.
Alma Siedhoff-Buscher, born Alma Buscher, was a German designer. She trained at the Reimann School in Berlin, the Unterrichtsanstalt des Kunstgewerbemuseums Berlin and the Bauhaus.
Bauhaus and its Sites in Weimar, Dessau and Bernau is a World Heritage Site in Germany, comprising six separate sites which are associated with the Bauhaus art school. It was designated in 1996 with four initial sites, and in 2017 two further sites were added.
Richard Paulick was a German architect with political connections. In professional terms his most productive period, frequently overlooked in western sources, may have been the time he spent in Shanghai between 1933 and 1949. He has been described as the "father of East-German Plattenbau" (construction). In the eyes of admirers he was nevertheless able to bring an element of "humanisation" to the economics-driven low-cost high-density post-war reconstruction of East Germany.
