Beauty for Sale | |
---|---|
Directed by | Richard Boleslawski |
Screenplay by | Eve Greene Zelda Sears |
Based on | Beauty 1933 novel by Faith Baldwin |
Produced by | Lucien Hubbard |
Starring | Madge Evans Alice Brady Otto Kruger Una Merkel |
Cinematography | James Wong Howe |
Edited by | Blanche Sewell |
Music by | William Axt (uncredited) |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 87 minutes |
Country | United States |
Language | English |
Beauty for Sale is a 1933 American pre-Codefilm about the romantic entanglements of three beauty salon employees. Based on the 1933 novel Beauty by Faith Baldwin, it stars Madge Evans, Alice Brady, Otto Kruger and Una Merkel. [1]
Small town woman Letty Lawson (Madge Evans) moves to New York City and lives in a boarding house run by Mrs. Merrick (May Robson). Eventually she asks her friend and Mrs. Merrick's daughter, Carol (Una Merkel), to get her a job at her workplace, an exclusive beauty salon owned by Madame Sonia Barton (Hedda Hopper). Though both Carol and her brother Bill (Edward J. Nugent), who is in love with her, warn her that it is not a fit place for a young woman of good character, Letty insists she knows what she is getting into.
After proving herself, Letty is sent on a house call to attend to spoiled, scatterbrained, chatty Mrs. Sherwood (Alice Brady). When she leaves, she discovers her hat has been chewed up by Mrs. Sherwood's Pekingese. Lawyer Mr. Sherwood (Otto Kruger) returns home and is quite fond of Letty and offers her to go and buy her an expensive replacement. By chance, she meets him again when they both seek shelter from a rainstorm in the same place. Sherwood is delighted when a fear of lightning makes Letty reflexively seek the comfort of his arms several times. They start seeing each other, though nothing very improper occurs.
Meanwhile, Carol has a rich, older, indulgent boyfriend, Freddy Gordon (Charley Grapewin), while Jane (Florine McKinney), another salon employee, is secretly seeing Burt (Phillips Holmes), Madame Sonia's mining engineer son.
Finally, Sherwood asks Letty to take the next step in their relationship. She asks for a week to think it over.
Carol convinces Freddy to take her along on his business trip to Paris. While seeing her off aboard the ocean liner, Letty runs into the Bartons. When Letty later mentions that Burt is leaving on the same ship as Carol, Jane becomes very upset. It turns out that Burt had promised to marry her the next day after she told him she was pregnant. Though Letty tries to comfort her, late that night Jane leaps from her window to her death.
Influenced by the examples of both Jane and Carol (after her first and only love turned out to be a married man who eventually went back to his wife, she became calculating and cynical), Letty turns Sherwood down. Then, she reluctantly agrees to marry Bill.
Specifically requested by Mrs. Sherwood, Letty is forced by Madame Sonia to go to her home. When her client notices her engagement ring, she reveals that she is getting married soon. Mr. Sherwood coolly congratulates her. However, on the wedding day, she cannot go through with it.
The next day, Mrs. Sherwood asks her husband for a divorce so she can marry Robert Abbott (John Roche), the architect of the new country mansion she had commissioned. She tells him that she will ask for no alimony, as she is independently wealthy. Sherwood is furious, as it is after Letty's supposed wedding, but is quite willing to let his wife go.
Carol, having finally gotten Freddy to propose, goes house hunting. The real estate agent takes them to see the Sherwood mansion. When he reveals that it is being sold because the couple are divorcing, Letty rushes over to the real estate office to stop the sale and be reunited with her love.
further:
The New York Times critic Frank Nugent had a mixed reaction, calling Beauty for Sale "a strange composite of good and bad." [2] "The story is reminiscent of so many others", but "the cast works miracles and Richard Boleslavsky, the director, has displayed considerable acumen" so that "at times, therefore, one is happily deluded into the feeling that the picture has freshness and a certain originality." [2]
Madge Blake was an American character actress best remembered for her role as Larry Mondello's mother, Margaret Mondello, on the CBS/ABC sitcom Leave It to Beaver, as Flora MacMichael on the ABC/CBS sitcom The Real McCoys, and as Aunt Harriet Cooper in 96 episodes of ABC's Batman. Gene Kelly had a special affection for her and included her in each of his films following her role in An American in Paris.
Irene Handl was a British character actress who appeared in more than 100 British films; she also wrote novels.
Charles Ellsworth Grapewin was an American vaudeville and circus performer, a writer, and a stage and film actor. He worked in over 100 motion pictures during the silent and sound eras, most notably portraying Uncle Henry in Metro-Goldwyn-Mayer's The Wizard of Oz (1939), "Grandpa" William James Joad in The Grapes of Wrath (1940), Jeeter Lester in Tobacco Road (1941), Uncle Salters in Captains Courageous (1937), Gramp Maple in The Petrified Forest (1936), Wang's Father in The Good Earth (1937), and California Joe in They Died With Their Boots On (1941).
The Elephant Man is a play by Bernard Pomerance. It premiered at the Hampstead Theatre in London on 7 November 1977. It later played in repertory at the National Theatre in London. It ran off-Broadway from 14 January to 18 March 1979, at The Theatre of St. Peter's. The production's Broadway debut in 1979 at the Booth Theatre was produced by Richmond Crinkley and Nelle Nugent, and directed by Jack Hofsiss. The play closed in 1981 after eight previews and 916 regular performances, with revivals in 2002 and 2014.
Magnificent Obsession is a 1954 American romantic drama film directed by Douglas Sirk starring Jane Wyman and Rock Hudson. It is a remake of the 1935 film by the same name, starring Irene Dunne and Robert Taylor. Both are based on the 1929 novel Magnificent Obsession by Lloyd C. Douglas.
Marin Sais was an American actress whose career was most prolific during the silent film era of the 1910s and 1920s. Sais' acting career spanned over four decades and she is possibly best recalled for appearing in Western themed films.
Eugenie Forde was an American silent film actress.
Florence Auer was an American theater and motion picture actress whose career spanned more than five decades.
Sheila Bromley, also billed early in her career as Sheila LeGay, Sheila Manners, Sheila Mannors or Sheila Manors, was an American television and film actress. She is best known for her roles in B-movies, mostly Westerns of the era.
Marianne Stone was an English character actress. She performed in films from the early 1940s to the late 1980s, typically playing working class parts such as barmaids, secretaries and landladies. Stone appeared in nine of the Carry On films, and took part in an episode of the Carry On Laughing television series. She also had supporting roles with comedian Norman Wisdom.
Ethel Griffies was a British actress. She is remembered for portraying the ornithologist Mrs. Bundy in Alfred Hitchcock's classic The Birds (1963). She appeared in stage roles in her native England and in the United States, and had featured roles in around 100 motion pictures. Griffies was one of the oldest working actors in the English-speaking theatre at the time of her death at 97 years old. She acted alongside such stars as May Whitty, Ellen Terry, and Anna Neagle.
Mary Katherine Linaker was an American actress and screenwriter who appeared in many B movies during the 1930s and 1940s, most notably Kitty Foyle (1940). Linaker used her married name, Kate Phillips, as a screenwriter, notably for the cult film The Blob (1958). She is credited with coining the name "The Blob" for the movie, which was originally titled The Molten Meteor.
Barbara Jo Allen was an American actress. She was also known as Vera Vague, the spinster character she created and portrayed on radio and in films during the 1940s and 1950s. She based the character on a woman she had seen delivering a PTA literature lecture in a confused manner. As Vague, she popularized the catchphrase "You dear boy!"
Adventure in Manhattan is a 1936 American screwball comedy thriller film directed by Edward Ludwig and starring Jean Arthur and Joel McCrea. The screenplay was written by Sidney Buchman, Harry Sauber, Jack Kirkland, and John Howard Lawson. The story was written by Joseph Krumgold, suggested by the novel Purple and Fine Linen by May Edginton. The supporting cast features Reginald Owen and Thomas Mitchell, and the film was a Columbia Pictures production.
Blanche L. Friderici was an American film and stage actress, sometimes credited as Blanche Frederici.
Barbara Everest was a British stage and film actress. She was born in Southfields, Surrey, and made her screen debut in the 1916 film The Man Without a Soul. On stage she played Queen Anne in the 1935 historical play Viceroy Sarah by Norman Ginsbury. Her most famous rôle was Elizabeth, the rather deaf servant in Gaslight (1944).
Ellen Pollock was a British character actress who mainly appeared on stage in London's West End. She also appeared in several films and TV productions.
The Spreading Dawn is a 1917 American silent drama film produced by Samuel Goldwyn in his first year of producing independently in his own studio and starring Broadway stage star Jane Cowl in her second and final silent film. It was directed by Laurence Trimble. The film is lost with a fragment, apparently only part of reel 3, surviving at the Library of Congress.
Louise Carter was an American stage and film actress. She appeared in 48 films between 1924 and 1940, mostly in maternal supporting roles. Among her roles were the mother of Paul Muni in I Am a Fugitive from a Chain Gang (1932), the wife of Lionel Barrymore in Broken Lullaby (1932) and the wife of W. C. Fields in You're Telling Me! (1934).
Mira McKinney was an American actress.