Homero Nicolás Manzione Prestera, better known as Homero Manzi was an Argentine tango lyricist, author of various famous tangos.
María Dhialma Tiberti was an Argentine writer. Married to the well known scientist Gregorio Baro, she studied at the Escuela Normal Nº1 Mary O’Graham, and later on, literature and history, at the Universidad Nacional de La Plata. She was responsible for the Del Bosque editions, composed of works of other well-known writers, such as Raúl Amaral, Horacio Ponce de León, Ana Emilia Lahite, and María de Villarino, who were all part of the so-called Generation del 40.
Amelia Bence was an Argentine film actress and one of the divas of the Golden Age of Argentine Cinema (1940–1960).
Mario Soffici was an Argentine film director, actor and screenwriter of the classic era.
Laura Ana "Tita" Merello was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine Cinema (1940–1960). In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media. She was one of the singers who emerged in the 1920s along with Azucena Maizani, Libertad Lamarque, Ada Falcón, and Rosita Quiroga, who created the female voices of tango. She was primarily remembered for the songs "Se dice de mí" and "La milonga y yo".
Roque Funes was the most prolific Argentine cinematographer in the history of the Cinema of Argentina whose career spanned over 40 years of cinema.
Beatriz Sarlo is an Argentine literary and cultural critic. She was also founding editor of the cultural journal Punto de Vista. She became an Order of Cultural Merit laureate in 2009.
Jorge "Cacho" Fontana was an Argentine radio and television personality.
Elvino Vardaro was an Argentine tango composer and violinist.
Enrique Mario Francini was an Argentine tango orchestra director, composer and violinist who played in various tango ensembles including the Orquesta Francini-Pontier and Ástor Piazzolla's Octeto Buenos Aires.
Orquesta Francini-Pontier was an Orquesta típica formed in 1945 in Argentina by the violinist Enrique Mario Francini and the bandoneonist Armando Pontier. The orchestra played together until 1955 and was one of the leading tango orchestras of its day.
Olinda Bozán was an Argentine film actress and comedian of the Golden Age of Argentine Cinema (1940–1960). Born into a circus family, she acted on the vaudeville circuit, and performed in silent and sound movies. She was trained by the Podestá brothers, one of whom she married, who have one of the most prestigious Argentine acting awards named for them. Bozán' appeared in 75 films and was considered one of the best comic actors of Argentine cinema in the 20th century.
Ovidio Cátulo González Castillo was an Argentine poet and tango music composer. He was the author of many famous works, such as Organito de la tarde, El aguacero, Tinta roja and Caserón de tejas, María and La última curda, and El último café. The tango La calesita, which he composed with Mariano Mores, inspired the film of the same name directed in 1962 by Hugo del Carril.
Sabina Olmos (1913–1999) pseudonym of Rosa Herminia Gómez Ramos was an Argentine film actress of the Golden Age of Argentine Cinema (1940–1960).
Luisa Kuliok is an Argentine actress of theater, film and television.
María Eugenia Luna, also known as Jovita Luna, was an Argentine singer and actress.
Eloisa D'Herbil was a Spanish pianist and composer. A child prodigy on the piano, by age seven, she had played before the heads of state in England and Spain. As a child, the press dubbed her "Chopin in skirts" and from a young age, she began composing musical pieces. Immigrating to Argentina in 1868, she continued to write music, becoming one of the first women to write tangos.
LGBT in Argentina refers to the diversity of practices, militancies and cultural assessments on sexual diversity that were historically deployed in the territory that is currently the Argentine Republic. It is particularly difficult to find information on the incidence of homosexuality in societies from Hispanic America as a result of the anti-homosexual taboo derived from Christian morality, so most of the historical sources of its existence are found in acts of repression and punishment. One of the main conflicts encountered by LGBT history researchers is the use of modern concepts that were non-existent to people from the past, such as "homosexual", "transgender" and "travesti", falling into an anachronism. Non-heterosexuality was historically characterized as a public enemy: when power was exercised by the Catholic Church, it was regarded as a sin; during the late 19th and early 20th centuries, when it was in the hands of positivist thought, it was viewed as a disease; and later, with the advent of civil society, it became a crime.
Isaac Aisemberg was an Argentine writer, screenwriter and dramatist. Among his most outstanding contributions is his collaboration in the adaptation for the film Hombre de la esquina rosada of Jorge Luis Borges and his novel Cuestion de dados.
Dora Beatriz Barrancos is an Argentine researcher, sociologist, historian, feminist, and politician.
